Harry Potter and the Deathly Hallows: Part 2 (2011)

Harry Potter and the Deathly Hallows: Part 2 is the last movie in the Harry Potter series originally written by Joanne K. Rowling. The film was directed by David Yates, written by Steve Kloves and starring pretty much every British actor ever Daniel Radcliffe, Emma Watson, Rupert Grint, Ralph Fiennes, Alan Rickman, Michael Gambon, Helena Bonham Carter, Maggie Smith, Matthew Lewis, Tom Felton, Evanna Lynch, Jason Isaacs, Warwick Davis, Bonnie Wright, David Thewlis, Ciarán Hinds, Julie Walters, Kelly Macdonald, John Hurt, Helen McCrory, Domhnall Gleeson, Jim Broadbent, James Phelps, Oliver Phelps, Mark Williams, Robbie Coltrane, Jamie Campbell Bower, Gary Oldman and Emma Thompson.

Plot:
Harry Potter (Daniel Radcliffe) slowly uncovers the final secrets surrounding his life while his fight with Lord Voldemort (Ralph Fiennes) draws to an end. After pretty much everything has gone to hell, things – and people – are finally coming together for the final battle while Harry, Hermione (Emma Watson) and Ron (Rupert Grint) try to destroy the remaining horcruxes.

After HPatDH:1 2 pretty much had to be a cinematic revelation (I still can’t believe how boring 1 was), just in comparison. And that worked out. Is it the best movie ever? Well no, David Yates is still its director. But it’s a decent and fitting ending to the series.

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Harry Potter and the Deathly Hallows: Part 1 (2010)

Harry Potter and the Deathly Hallows is – as you all probably now – Number 7 in a series of seven books by Joanne K. Rowling. It was made into two movies, this here is Part 1, which was directed by David Yates and stars Daniel Radcliffe, Rupert Grint, Emma Watson, (continuing in no particular order) Bill Nighy, Rhys Ifans, Julie Walters, Bonnie Wright, Alan Rickman, Helena Bonham-Carter, Ralph Fiennes, Imelda Staunton, Jason Isaacs, Tom Felton, Jamie Campbell Bower, Timothy Spall, Robbie Coltrane, Brendan Gleeson, David Thewlis, John Hurt, Miranda Richardson, Warwick Davis and Michael Gambon.

Plot:
[Hell, if you don’t know what Harry Potter is about, you might not want to start here. Anyway.]
Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermione (Emma Watson) leave school to find and destroy the horcruxes that keep Voldemort (Ralph Fiennes) alive. But the search is more difficult and dangerous than they anticipated.

I’ve said it before, I’ll say it again: I think both the books as well as the movies have reached their peak with number four (though The Prisoner of Azkaban is a close second). HPatDH1 did nothing to change my point of view on that. The pacing’s bad, the direction is worse and there’s no reason to drag this out in two films, since nothing really happens in this one anyway.

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Harry Potter and the Half-Blood Prince (2009)

[Somehow this film, too, slipped through the cracks in my trying to get this blog up to speed. I saw it in July, I think.]

Harry Potter and the Half-Blood Prince is the 6th movie in the Harry Potter series based on J.K. Rowling‘s book of the same name. It was directed by David Yates and stars Daniel Radcliffe, Emma Watson, Rupert Grint, Michael GambonAlan Rickman, Maggie Smith, Julie Walters, David Thewlis and Jim Broadbent.

[SPOILERS for the WHOLE SERIES after this point.]

Plot:
Harry Potter (Daniel Radcliffe) is in his sixth year at Hogwarts (school for wizadry). He finds a mysterious book that belonged to the half-blood prince and the notes in it help him star in Prof. Slughorn’s (Jim Broadbent) potion class. At the same time he works together with Prof. Dumbledore (Michael Gambon) to find out more about Lord Voldemort and his weaknesses.

The Half-Blood Prince is definitely the weakest of all the Potter movies so far. The plot’s all over the place, things happen you can only understand if you’ve read the books and HOLY SHIT! they spoil the seventh book/movie. What the hell?

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Triple Feature

Yesterday was very intense. I left work early (I started early as well) to be able to go to a triple movie feature. I finally saw Elizabeth: The Golden Age, There Will Be Blood and Sweeney Todd: The Demon Barber of Fleet Street. [You may call me crazy for doing that.]

Elizabeth: The Golden Age was amazing. I actually like it better than the first part (which was excellent as well and it had Vincent Cassel in drag).
Shekhar Kapur has a perfect feeling for the use of light and the effect of light and light in general. He could have made a little less “shots through ornaments” (he likes them, see also Elizabeth) but that’s ok.
The acting was a-fucking-mazing. I knew Cate Blanchett and Geoffrey Rush do act really good. I also knew Clive Owen could but rarely would (this time he did). Surprises were: Rhys Ifans (I like him and I know he can act but I didn’t know he was in this movie) and Jordi Mollà (who I didn’t know before but who had the incredible ability to scream “I’m a totally fucked-up maniac and nothing can stop me” without uttering a single word). With that cast, I also have to give out a honorary mention of Abbie Cornish and Samantha Morton who were noticed :).
The dialogues were wonderful. Watching the movie I felt like I needed to take a pen out and write along. Or probably learn the screenplay (by William Nicholson and Michael Hirst) by heart.
Of course, the movie had some weak spots. I already mentioned the ornament shots. Then there was Archduke Charles, an Austrian who comes so the queen may see if he’s fit to marry. Anyway, Christian Brassington obviously doesn’t speak a word German (although he has a good German accent in English) but has to say a couple of sentences. I actually needed the subtitles to understand him because his accent was so bad. [Cate Blanchett had a better pronunciation.] That’s just embarassing.
And from the characterisation: Sir Walter Raleigh must have been one hell of a guy. First, he’s the perfect gentleman, funny, intelligent, knows how to tell a story, knows what he wants and has amazing green eyes (ok, those belong to Clive Owen). Then you might say he trips a little by sleeping with the queen’s chambermaid (or whatever you call the girls) [but I think that was only rational, not necessarily wise but rational – he knew nothing could happen with the queen]. Anyway, he gets Bess (the chambermaid) pregnant and instantly marries her and is happy with that. And after that he goes out and singlehandedly defeats the Spanish Armada.  That might be a little too much (but feeds my hope that somewhere out there might be a man who is a little bit like that).
Summarising: A wonderful film with wonderful actors and a wonderful script which has some minor faults. Plus: Clive Owen’s hotter than Joseph Fiennes.

On to There Will Be Blood:
I was actually very disappointed by this film. I mean, Daniel Day-Lewis is great, as usual, as is Paul Dano who does a very good job not disappearing beside DD-L. But the film concentrates so much on DD-L that everything else is lost.
The “deathmatch” between him and the church is actually no match at all, there never is a single shred of doubt about the outcome and I felt like laughing all the time about the “exorcisms”.
Relationships live and die with Plainview’s feelings, the other person he has the relationship with has no say in it. (And no matter how dominant one person may be, relationships don’t work that way.)
And the music was horrible. It was intrusive and didn’t fit. The beginning of the credits deserves an award for Worst Chosen Music In A Film.
I guess, if I ever had the chance to make a movie with Daniel Day-Lewis, I’d try to get him into it as much as possible. So I understand why Paul Thomas Anderson did it the way he did. But he should have cut about half an hour of the film and could have tried to incorporate some other actors in this film as well.
Without DD-L there wouldn’t have been a movie. With him, there’s great acting but not much of a film.

So we come to Sweeney Todd.
In a nutshell: Another masterpiece by Tim Burton. I loved it. I loved the story, the music, the costumes (K. [German] wrote about Johnny Depp‘s trousers, I have to point out his leather jacket) and the acting.
Let’s get the things I didn’t like out of the way: The opening credits. The blood was poorly animated, it looked much too sticky and he could have done better.
That’s it.
Of course, Tim Burton has this very distinct style and some people may call it repetitive but who cares? I love the way he uses colours, and the lack of them. As well as the way he uses the same actors to portray the same roles, gives it all a continuity. (Though I guess, Christina Ricci wasn’t available.)

jayne-wisener.jpg sleepyhollow.jpg
spot the five differences… I know, it’s hard…

The lyrics by Stephen Sondheim and Hugh Wheeler were just wonderful.

And in the darkness
When I’m blind
With what I can’t forget
It’s always morning in my mind

And there’s another quote (this time from the script by John Logan) I loved, Mrs. Lovett (Helena Bonham-Carter) says: “There could be an us, you know. It may not be what I dreamed of and it may not be what you remember, but it could be an us.”
I may be overinterpreting here, but I also liked the reference to Edward Scissorhands: Mr. Todd holds up the razor and says: “Finally, my arm is complete again.”
I laughed my ass off during the dream sequence. The striped bathing suits flat did it for me ((c) Anita Blake).
I don’t know what to think of Jamie Campbell Bower yet. He knows how to sing, that’s for sure, but I don’t think him that good an actor. And he looks weird.

jamie-campbell-bower.jpg

Alan Rickman, of course, was great. And Sacha Baron Cohen as “Call me Davey” Pirelli had me almost falling off my chair. And Timothy Spall was the perfect cast for Beadle. (When I saw him, my first thought was “Mr. Croup!” but I mistook him for Hywel Bennett. Only my second thought was “Peter Pettigrew!“)
And Giles Anthony Stewart Head was there, if only for five seconds.

There are about a thousand more things I could write about this film, but I’ll leave it at that. I guess you know already what I’m feeling about it.