It is the beginning of the 20th century and the still rather new abolishment of slavery tempts the Peazant family to leave the islands they have been living on and to attempt their luck on the USAmerican mainland. The islands and their isolation gave them the possibility to preserve some of their African ancestral traditions – the Gullah culture. So not everybody is willing to actually leave, while others can hardly wait. In any case, it’s time to make decisions.
Daughters of the Dust is an in the best sense unusual film in many ways. It is absolutely stunning in so many ways. It’s a film you should definitely watch – and then re-watch.
Siblings Tom and Maggie Tulliver grow up in the mill their father owns. But things don’t go too well and their father is indebted and keeps fighting with his creditor, Mr. Wakem, forcing pragmatic, serious Tom to quit school and work at the mill. Meanwhile the more idealistic Maggie becomes friends with Philip Wakem, the son of the creditor. But their friendship cannot stand in the face of the antipathy between families and puts Maggie at odds with Tom. Years later, Philip and Maggie meet again at the house of her friend Lucy Deane. Another guest there is Lucy’s fiancé Stephen Guest who starts to pay more attention to Maggie.
It was a fight for me to get through this book, but by the end it had gripped me and then it frustrated me again with the ending. Nevertheless, it’s well-written enough that I will definitely try another Eliot in the future.
Big Night Out is a collection of short stories, recipes, song lists, illustrations and edited by Jessica Adams, Maggie Alderson, Nick Earls and Imogen Edwards-Jones. It was published to benefit the War Child charity.
Finished on: 25.11.2017
Big Night Out isn’t your typical short story collection. There really is a lot here that isn’t a short story at all, although the biggest part are short stories. I grabbed it for those (well, I grabbed it mostly for Jasper Fforde‘s short story in it), so I mostly skimmed through the other things, even though some very big names contributed various things (INXS, Steve Coogan, and Nick Hornby recommending songs? Anthony Stewart Head sharing a cocktail recipe? Joan Collins‘ beauty tips? Gordon Ramsay, Jamie Oliver, and Boy George detailing hangover cures? It’s all there). I did feel that the selection was made on the basis of the people in any case and not necessarily for the quality of their content. But hey, it is for charity after all. If you don’t buy it for the stories, but for the good deed, you’ll get what you expect.
After the jump, I will talk about the short stories in the collection separately and you can find the table of contents so you can see what else is in there.
Hercule Poirot (Kenneth Branagh) is supposed to take the Orient Express to travel from one case to his well-earned vacation. But as luck will have it, there’s a murder right there on the train. As it is stopped by an avalanche, Poirot takes up the case, determined to find out who among the illustrous guests was responsible for the death of Edward Ratchett (Johnny Depp). Unfortunately, the case is anything but straightforward as Poirot soon discovers.
Murder on the Orient Express starts off strong enough, but with every further plot twist, the film seems to slip more and more out of Branagh’s control. The result was mostly meh with a couple of shiny moments.
Plot: Maria-Theresia Paradis (Maria Dragus) is a gifted musician who lost her eyesight at a young age for no apparent reason. Now her parents have heard about the revolutionary methods of physician Franz Mesmer (Devid Striesow) and they are hoping that he will be able to restore her eyesight. So Maria-Theresia is brought to his castle where Mesmer sets to work. Soon their relationship becomes very intense and there seems to be improvement in her condition.
I was hoping I would like Licht more than I actually did. Unfortunately I was unhappy with the way the film dealt with disability and I felt that it had considerable lengths.
Soldier Lars Koch (Florian David Fitz) is on trial. He shot down a civilian plane that was abducted by terrorists who threatened to fly it into the next city which would have raised the death toll considerably. So Koch didn’t wait for orders, he decided on his own to shoot down the plane. Now the judge (Burghart Klaußner) and his jury have to decide whether Koch’s actions were justified. As Koch’s defendant (Lars Eidinger) and the district attorney (Martina Gedeck) make their cases, big philosophical questions arise.
Terror – Ihr Urteil was made for an audience that gets to play the part of the jury. So the people watching the film get to vote in the end whether Koch should be found guilty or innocent. Two endings were shot for the film and depending on the voting results, one of them is screened. I saw the film as part of a scientific conference that couched the film in a lot of interesting discussions (and was able to screen both endings). That conference also made it even clearer that Terror – Ihr Urteil is expertly made bullshit.
Suburbicon is a picture-perfect 1950s community, filled with happy, white, affluent, nuclear families. But then the Mayers (Kamirah Westbrook, Tony Espinosa, Leith M. Burke) move to Suburbicon. They are black and their arrival brings Suburbicon’s facade to crumble, exposing the community’s racism. Their next-door neighbor Gardner Lodge (Matt Damon) has other issues, though: he, his wife Rose (Julianne Moore), her twin sister Margaret (Julianne Moore), and their son Nicky (Noah Jupe) are being robbed in their own home, with dire consequences. But that’s only the beginning of the troubles in Suburbicon.
I found Suburbicon pretty disappointing. I thought that it would be about racism, but it revolves much more around the Lodges and their story. And that story does have a Coen-esque feel, but one that doesn’t quite come together.
After the death of Superman (Henry Cavill) Bruce Wayne aka Batman (Ben Affleck) tries to put together a team of superheroes. Diana aka Wonder Woman (Gal Gadot) is already on board, but the recruitment of other team members is more difficult. Arthur Curry aka Aquaman (Jason Momoa) isn’t interested, Barry Allen aka The Flash (Ezra Miller) is very willing but also not easily pinned down and Victor Stone aka Cyborg (Ray Fisher) might even be dead. But when Steppenwolf (Ciarán Hinds) attacks Diana’s home Themyscira to acquire an artefact, gathering forces becomes an even more pressing issues.
I expected bad things from Justice League and was pleasantly surprised by what we got. That’s not to say that Justice League is a good film overall, but at least it has its moments.
Helena (Julia Hummer) is an actress and a sex worker. She has a daughter, a strained relationship with her mother (Susanne Bredehöft) and is always looking for new possibilities. When she is approached to organize a special event with some of her colleagues, Helena takes the chance. But the event is not your usual escort gig.
Top Girl is a complex approach to sex work that I don’t necessarily agree with, but it gives the topic more thought than a lot of other films and it knows how to work emotions.
Plot: Maud (Sally Hawkins) needs to get out from under her family’s wing. She sees her opportunity when she learns that grumpy Everett (Ethan Hawke) is looking for a housekeeper. Even though he is hesitant to take her on because of her disability, he doesn’t exactly have much choice and Maud is persistent, so they give it a try. In her off time, Maud starts to paint and polishes her personal style, while also finding a home in the community and with Everett.
Althoughe Maudie is a sweet film, I’m not entirely happy with it. Some things I knew going in would bother me, other things crept up on me during the film. Nevertheless I found it entertaining.