Plot: The El Royale is a run-down motel literally straddling the state line between Nevada and California. Most of the time, it’s empty now, with a single night clerk, Miles (Lewis Pullman) enough to handle all the guests. But on this particular night, there are more guests than usual – and they are all here for their own unstated purposes: Father Daniel (Jeff Bridges) is looking for something. Darlene (Cynthia Erivo) wants to make her career as a singer. Laramie (Jon Hamm) is a vaccuum salesman on the road. Emily (Dakota Johnson) is running from something. As the guests bring their own story to the motel, things get more and more complicated.
Bad Times at the El Royale obviously tries to be a film in the vein of Tarantino’s best, but while a lot of the right ingredients are there for that, the film doesn’t really come together and starts to fall apart more and more the longer it lasts.
Plot: Nine intersecting stories of people in Los Angeles during the Medfly epidemic: Ann (Andie MacDowell) and Howard’s (Bruce Davidson) child (Zane Cassidy) was in an accident just before his coma. Police man Gene (Tim Robbins) cheats on his wife Sherri (Madeline Stowe). Lois (Jennifer Jason Leigh) works for a sex hotline, much to the dislike of her husband Jerry (Chris Penn). Doreen (Lily Tomlin) and Earl (Tom Waits) have a good marriage, at least as long as Earl is sober. Honey (Lily Taylor) and Bill (Robert Downey Jr.) are housesitting. Stormy (Peter Gallagher) is struggling with his divorce from Betty (Frances McDormand). Zoe tries to connect with her mother Tess (Annie Ross). Claire (Anne Archer) and her husband Stuart (Fred Ward) are invited to dinner by Marian (Julianne Moore) and Ralph (Matthew Modine). Stuart, Gordon (Buck Henry) and Vern (Huey Lewis) are looking forward to a long-planned fishing trip.
Short Cuts was really painful: a film filled with unlikeable men who behave like assholes and somehow we are supposed to think think that’s funny and/or interesting? No, thank you and I mean that in the harshest possible sense.
Origamy is a novel by Rachel Armstrong. [I got this book from a LibraryThing Early Reviewer Give-Away.] Finished on: 19.10.2018
Plot: Mobius is a weaver, like her parents Newton and Shelley who are all part of a circus troupe. Weavers can manipulate spacetime, but Mobius has somehow forgotten how to do it and needs to start to learn again. Encouraged by her parents, she can soon start traveling again. She zips around the universe, discovering its multitudes of cultures for herself. Soon she realizes that something is wrong and there is a threat that hangs over the universe that may unravel it entirely.
Origamy is definitely an unusual book, but it’s unusual in a way that I struggled with to say the least. It’s not bad per se, but I felt like I couldn’t get my foot in the narrative’s door and stayed outside, catching only confusing glimpses of what was going on inside.
Plot: Veronica (Kristen Bell) made it out of Neptune, California. She is now a lawyer in New York and in a relationship with Piz (Chris Lowell). But when her high school friend slash big love Logan (Jason Dohring) calls and asks for her help, Veronica returns. Logan’s girlfriend Bonnie (Andrea Estella) and Logan is being accused of the crime. Not wanting to get into deep, Veronica just agrees to help Logan find a good lawyer, but keeping the distance is easier said than done.
Veronica Mars (the movie) does offer some closure that was lacking in Veronica Mars (the TV show), but other than that, it doesn’t really have much to offer. For fans of the series, it will be a must see, for everybody else it’s definitely not.
Plot: Christoph (Laurence Rupp), called Burschi (“little boy”), has finally achieved what he has always dreamed of: he is training with the WEGA, Austria’s police special forces unit, under Konstantin Blago (Anton Noori), his big idol. His father Heinz (Roland Düringer) who is also a cop, but turned away from his career towards a more social role in the force sees Christoph’s dream with a critical eye. On a seemingly routine call Christoph ends up shooting a mentally ill man (Michael Fuith) who attacked. Celebrated as a hero by his squad and criticized by the public, Christoph starts to struggle with the events and his role in them.
I was pretty impressed by Cops as it takes a deep dive into police culture – which also means looking very sharply at masculinity. It’s sociological analysis in movie form and one I had yet to see from an Austrian perspective. Istvan handles it very well.