Of Magic and Scales is a novel by Natalina Reis. Finished on: 25.4.2020 [I won this book in a LibraryThing Early Reviewer Give-Away.]
Plot: Despite being human, Aiden has the ability to see magical creatures for what they are. He used to be a private detective in the USA, but tired of having to deal with the magical population over there, he decided to give himself a new start in Portugal where he is running a coffee shop now, blissfully undiscovered by the magical population. Or so he thought. When different magical beings get killed, Aiden is not only sought out by a witch who requests his detective skills to help, but also meets Naël, grumpy, gorgeous merman and possibly a murder suspect.
Of Magic and Scales is nice, but there were definitely problems here. There was just an unfinished feeling about it that didn’t work for the story.
Plot: One night in a small town hospital in Jupiter Hollow, two very different pairs of parents each have a set of twin girls. In the confusion, two babies get switched. 40 years later, Rose (Lily Tomlin) and Sadie Shelton (Bette Midler) have taken over the family company in New York that still owns a company in Jupiter Hollow. But they want to sell it. Rose (Lily Tomlin) and Sadie Ratcliff (Bette Midler) who grew up in a poor family in Jupiter Hollow and know that the entire town depends on the local company not being sold, decide to go to New York to confront the Sheltons and stop the sale. But given the circumstances around their birth, things are bound to get very confusing.
Big Business is one of my total-flashback-to-my-childhood movies. I think we had a VHS tape with Big Business and Ruthless People (for the Bette Midler double whammy) and it feels like we watched it once a week. We probably didn’t because TV time was very limited, but I’m sure I’ve seen the film a lot, although I haven’t seen it in 20 years, if not more. I definitely never saw it as an adult or in English. So, even though everything was very familiar about the film, it was also a very different experience. I might not love it as much anymore as I did as a child, but it is still very entertaining.
Plot: Jessie (Carla Gugino) and her husband Gerald have an exciting weekend planned. In their remote vacation home during the off-season, they want to take the weekend to focus on themselves and their relationship – by spicing up their sex life. Gerald brought handcuffs and is eager to get going. Jessie is willing to give it a try but as the tying up quickly turns into a rape fantasy for Gerald, she doesn’t want to go along anymore. As he tries to convince her, Gerald has a heart attack though and suddenly Jessie finds herself all alone, chained to a bed. Or maybe she isn’t quite as alone as she thought.
Gerald’s Game is a tense, very well-made film with a fantastic Gugino. If you want to be creeped out, I can definitely recommend it.
Plot: Naima (Alia Shawkat) and Sergio (Laia Costa) meet by chance at a night club and have a great evening/night together. As they talk, they come up with the idea to fast-forward through their relationship to see if it is meant to be by spending 24hours together without sleep – but with sex every hour. Naima hesitates at first and says she can’t because she has to work as an actress, but when she gets fired, she returns to Sergio and the two actually do give it a try.
Duck Butter is very much an American independent movie – how much that is or isn’t up you alley is probably a matter of taste. I did enjoy it for the most part, but the ending rubbed me the wrong way.
Plot: Linda (Amanda Seyfried) lives with her parents (Sharon Stone, Robert Patrick) who are very strict. But that doesn’t mean that she can’t go partying with her friend Patsy (Juno Temple). At one of those parties, Linda meets the charming Chuck (Peter Sarsgaard). When her parents try to curb the relationship, Linda just moves in with Chuck. They get married, they appear happy, but Chuck is abusive. As he struggles with money, he pushes Linda to make porn. Her film, Deep Throat, is a huge success and bit by bit, Linda manages to get away from Chuck.
Lovelace tells a heavy story, and they manage not to fall (too much) into anti-porn rhetoric, despite the topic, but at its core it’s a film that never manages to see Linda as anything else but a victim.
Plot: Izzy Spellman has turned her back on the family business and has been working as a bartender for a few months now, while attending court-mandated therapy. But her therapy is nearing its end (and Izzy definitely doesn’t want to continue longer than she has to), her parents still hope that she will take over the family detective agency, her friend and boss Milo asks her to take on a very simple case for a friend and also fires her. Plus, there is something going on with both her brother David and her sister Rae, and Henry Stone has a new girfriend. Moving into her brother’s basement apartment without his knowledge may not be the only thing that is costing Izzy sleep, but the biggest question is if she can get to a halfway stable place and make important decisions.
Revenge of the Spellmans is again entertaining and funny, but it also has a more serious emotional core here than the first two novels. It worked beautifully and grounded the series in an important way, I thought.
Plot: Jack (Sam Claflin) and Dina (Olivia Munn) had a moment years ago, but nothing more ever came of it. Now Jack is back in Italy for his sister Hayley’s (Eleanor Tomlinson) wedding and not only is Dina there, too, but so is Jack’s still angry ex Amanda (Freida Pinto) with her new boyfriend Chaz (Allan Mustafa) and Marc (Jack Farthing) has crashed the wedding to tell Hayley that they should be together. It’s up to Jack to make sure that things don’t go wrong. But sometimes small things like seating arrangements can make all the difference – and so there are a couple of versions to the story.
Love Wedding Repeat is a complete disappointment, unfortunately. There’s simultaneously too much going on and too little. Neither the comedy works, nor the multiple versions.
Plot: Mel (Madeleine Sami) and Jen (Jackie van Beek) are best friends who have a booming business together where they handle the break-ups for people who can’t go through with the break-up themselves, for whatever reason. And they make sure that the break-ups stick – whether that means pretending to cheat with their clients, or pretending that they are dead or missing doesn’t really matter to them. But when Mel starts to second-guess the ethics of their job, not only does their business suffer, but also their friendship.
The Breaker Upperers is a fun film that continuously approaches the line into cringe territory but never really crosses it (for me at least). Still, there is a relentlessness to their humor that just isn’t necessarily my cup of tea. I did enjoy the film, but I didn’t love it.
Plot: Anna (Lindsay Lohan) and her mother Tess (Jamie Lee Curtis) don’t get along very well. While Tess is preparing for her wedding to Ryan (Mark Harmon), juggling a demanding career and just published a book, Anna is less goal-oriented. In fact, her interests only lie in her band – together with her friends Peg (Haley Hudson) and Maddie (Christina Vidal) – and Jake (Chad Michael Murray), the boy she’s been crushing on from afar. When things come to a head at a family dinner in a Chinese restaurant, the restaurant owner (Lucille Soong) decides to take matters into her own hands and hands Anna and Tess two fortune cookies that the crack open. When they wake up the next morning, they have swapped bodies – and both have to learn that things aren’t easy for either of them.
Before I watched the film, I could have sworn that I had seen it, even if that was many years ago. But now that I did watch it, I’m pretty sure that all I saw of it were gifsets. In any case, Freaky Friday is fun enough, despite the racist twist on the “curse”, and there are definitely some interesting points to make when you compare it to the version that came almost 30 years before.
Plot: Lara Jean (Lana Condor) and Peter (Noah Centineo) are finally dating for real and things are good. That’s when Lara Jean receives a reply to one of her love letters that were sent out, a reply from John Ambrose (Jordan Fisher). The letter stirs up Lara Jean’s old feelings. And when John Ambrose shows up by chance as a volunteer at the senior home Lara Jean volunteers at, while things with Peter start to get more complicated, Lara Jean finds herself in an awkward position.
To All the Boys: P.S. I Still Love You hits all the right cuteness buttons that I’ve come to expect from both the books and the first film. If you’re looking from something nice and sweet and light, this is the way to go.