Plot: 14-year-old Jameelah (Emily Kusche) and Nini (Flora Thiemann) are best friends, spending every available minute with each other. Now the summer holidays are looming and they both decided to lose their virginity. Jameelah is hoping for Lukas (August Carter) and Nini for Nico (Emil Belton). But another thing is looming over both of them: Jameelah and her mother Noura (Narges Rashidi) are immigrants from Iraq, desperately waiting for their German citizenship. When the two girls become witnesses to a crime, it throws them and their friendship off balance, though.
Tigermilch gets a lot of things right, but it also tries to take on a little too much and doesn’t do everything justice.
Plot: Lisa (Maggie Gyllenhaal) is a kindergarten teacher. Her own kids are growing up fast, things with her husband (Michael Chernus) are comfortable, and Lisa takes a poetry classe with Simon (Gael García Bernal) to do something for herself. One day, she hears one of her kindergarteners, Jimmy (Parker Sevak), making up a poem – a poem that speaks of great talent. Lisa starts doing everything in her power to foster his talent.
The Kindergarten Teacher is a strong film with a fantastic Maggie Gyllenhaal, but I do have issues with the ending it gives us. Still, the way to that ending is really good.
First, let me just say that I wasn’t aware of the sexual harrassment accusations against de la Peña, or I would have steered clear of the book and definitely not have spent any money on it. I only just learned about it when I googled him for this review. So, please think carefully before you throw any money at him.
Content Note: (critical treatment of) racism
Plot: Clark Kent would be a normal teenager in Smallville – if it wasn’t for the fact that he has superhuman powers. He has always had them, not knowing why or how, but now they’re getting stronger. As does his urge to help, even though heroics run counter to his parents’ plea that he keeps his powers under wraps. When he hears about people disappearing from Smallville from his classmate Gloria Alvarez, he asks his best friend and school reporter Lana Lang for help figuring out what is going on.
Superman: Dawnbreaker is a slightly disappointing take on Superman, I thought. The character’s potential remained untapped for me, although I did appreciate it that the book talks a lot about racism and the precarious situation of (Mexican) immigrants.
Queer*Welten is a queer-feminist fantasy and scifi magazine, edited by Judith Vogt, Kathrin Dodenhoeft and Lena Richter. Issue 3 contains two short stories, a comic, an essay and a mix of several short pieces in different forms about heroes. Finished on: 12.7.2021 [Here are my reviews of the other issues.]
The third issue of Queer*Welten collects yet again different perspectives and voices within SFF that both talk about and show how different SFF could be if it wasn’t just a white cis dude club. I really like how they always manage to include so many different facets of the issues they talk about – this issue is no different in that regard, but a lot different from what SFF often offers.
Morgen ist auch noch ein Tag, wenn du willst [literally: Tomorrow is another day, if you want] Director: David Gräber Writer: Andreas Neu Cast: Hannah Zieziula, Christina Völz, Bo Anderl Part of: Transition Queer Filmfestival Seen on: 11.7.2021
Plot: Claudia (Hannah Zieziula) and Marcus (Bo Anderl) have been dating for a while, but their relationship isn’t at its best anymore. Marcus feels that Claudia is distant, so he seeks to reconnect with his ex-girlfriend Jana (Christina Völz). What he doesn’t know is that Claudia is distant because she, too, met Jana and fell in love with her – and vice versa. Marcus, living out of his van, takes turn staying with the two women, but he can’t stop them both from turning away from him.
Postcards from Sicily didn’t work for me. I found it very tiring and couldn’t get into the story or the characters.
Plot: George (Adriano Visagie) and Simeon (Simon Hanga) meet in a bar. They flirt, they have sex. They don’t really expect more, especially not in Namibia where homosexuality is criminalized. But then they run into each other again when George comes to buy Kapana for his lunch break, and finds that Simeon is the one who is selling it. Simeon panics, he isn’t out to anyone in his life, but George finds a way and they start dating. Only, George has a secret, and this could threaten to end things between them before they ever really started.
Kapana is a very sweet film that tries to deal with a lot of stuff in its short runtime, but also keeps its emotional side in sight. I really liked it.
Plot: Alina and Mal have made their way across the True Sea where they hope to build a new life for themselves in anonymity and far from the Darkling. For a while, this works out. But the Darkling hasn’t given up on Alina and her powers, and he has gained some new powers himself. When he finds them in hiding, he brings them back to Ravka with the help of privateer Sturmhond – but not before taking a detour that will affect Alina and her powers even more.
I wasn’t absolutely enthusiastic about the first novel, and Siege and Storm engaged me on about the same level of enthusiasm. The book is a good read, but I had at least as many issues with it, as I enjoyed it.
Plot: Sarah (Robin Tunney) and her family just moved to a new town, and her first day at her new Catholic private school is an anxious thing. It seems to be going well, when football star Chris (Skeet Ulrich) flirts with her in her lunch break. But at the same time, she also catches the eye of Bonnie (Neve Campbell), Nancy (Fairuza Balk), and Rochelle (Rachel True) who practice witchcraft and are sure that Sarah is the fourth that they have been missing to cast the really powerful spells. At least, Bonnie is sure about it, while Nancy is more doubtful. Nevertheless, they approach Sarah – a decision that changes all of their lives.
The Craft is far from a good film, but it has garnered a bit of a cult following, which made me want to see it anyway. I’m not sure if I get the cult, but there is something about The Craft for sure.
Plot: Danielle (Rachel Sennott) is a student, just trying to figure out what she wants to do after college. Meanwhile, she has a rather comfortabel arrangement with Max (Danny Deferrari), her sugar daddy. When Danielle’s parents Joel (Fred Melamed) and Debbie (Polly Draper) insist that she come to a shiva with them, Danielle things she is dealing with the worst when her parents keep trying to finde her a job and she runs into her ex-girlfriend Maya (Molly Gordon) there. But then Max shows up as well – with his wife (Dianna Agron) and baby.
Shiva Baby is billed as a comedy, but the parts that stood out to me the most were the uncomfortable ones, and not the funny ones. In any case, for a debut feature by a very young director, it shows a lot of promise.
“Plot”: Abramovich interviewed male sex workers in Blue Boy bar in Berlin, then showed them their statements and filmed them while they watched it. The film shows them reacting to their own statements.
Blue Boy chose an interesting format to capture its subjects, opening up the gulf between talking a good game and then listening to yourself talk. The statements they give are as different as their reactions to themselves – from embarrassment to careful neutrality that can’t quite cover the fact that they are having a very emotional reaction, but don’t want to share what it is. While their statements give us an insight into their work life – from chatting up clients to police harrassment -, their reactions give us a look at who they are as people. A careful balance that Abramovich captures impressively.