“Plot”: Wrought Gothic collects various glimpses into the background of the Fourlands in differing forms. There are some outtakes, a few descriptions from a tour guide, a history essay by Simoon, and a look at Jant’s past.
Wrought Gothic and Other Scenes provides us with some nice background information of the world of the Fourlands and some of its characters, but not everything worked all that well for me. Still, as a supplement of this complex world, it was nice.
Aftermath is kind of a novella in the Fourlands Series by Steph Swainston. It’s actually a first look at the next novel in the Series, The Savant and the Snake which hasn’t been released yet, and includes some bonus material. [Here are my reviews of the other books.] Finished on: 27.1.2017
Plot: After the events of Fair Rebel, there are a lot of pieces to be picked up. When Gayle, the Castle’s Lawyer, wakes up from her injuries, Simoon, the Castle’s Treasurer, is already waiting for her. He is deeply unsettled by events and tries to find his footing again. He talks things through with Gayle, trying to figure out how to go on from there.
Aftermath is short and probably mostly for more committed fans of the series, with the background information and the glimps of what’s to come it provides. I really enjoyed it.
Plot: Johnny (Tommy Wiseau) is successful, rich and has a beautiful fiancée, Lida (Juliette Danielle). With his tight circle of friends – tightest of all being Mark (Greg Sestero) – he has a happy and pretty much carefree life. His wedding is fast approaching, but something is happening with Lisa: she seems to take a sudden interest in Mark. And Mark can’t withstand her manipulations.
The Room is famous for being one of the worst movies ever. It’s so bad that it has garnered a cult following. You’ve got to see it to believe it – and I have to say that seeing it is an absolute experience, especially when you’re watching it with a crowd.
Plot: Greg Sestero (Dave Franco) dreams of being an actor and making it big. In one of his acting classes, he meets Tommy Wiseau (James Franco). Tommy is a strange guy, but Greg is struck by his mysterious charisma and generall weirdness. They become unlikely friends. And since Tommy seems to have a lot of money, he can offer Greg a chance that he wouldn’t otherwise get: they should go to Hollywood together, stardom is sure to follow. But when it doesn’t, Tommy makes a new plan: he will make a film himself for them and then their film is going to make them famous.
The Disaster Artist is fun to watch, at least if you can take a huge James Franco ego project, because that’s what it is, too. Mostly it’s a good story that kept me glued to the screen.
Plot: Winston Churchill (Gary Oldman) just became Prime Minister of the UK and he already has a huge decision to make: should he enter into peace negotiations with Nazi Germany or should he refuse any kind of arrangement with them, even if that means waging war against them? With less than enthusiastic support from the most powerful people around him, Churchill tries to make his decision.
To put it plainly, Darkest Hour is not a good film. Maybe it would have stood a chance with another (better) script, but what we got is just insufferable
Plot: Teenager Elio spends the summer in Italy with his parents as every year. And as every year, they are joined by a doctoral student who can work with Elio’s father – a professor – and revise his own writing. Elio isn’t too thrilled about the intrusion that costs him his room. But this year the student who shows up is Oliver and Oliver has something about him. Elio realizes that he is in love with Oliver, but Oliver’s detached and sometimes outright brazen manner leaves little doubt that he doesn’t reciprocate the feelings.
Call Me By Your Name has a beautiful first half and a more difficult second half. I enjoyed it, but not without reservations.
Plot: Steven (Colin Farrell) is a successful surgeon with a beautiful wife, Anna (Nicole Kidman) and two children, Bob (Sunny Suljic) and Kim (Raffey Cassidy). He’s also mentoring a young man, Martin (Barry Keoghan) who wants to be a doctor – an unusually intense relationship that seems to take over more and more of Steven’s life and brings Martin into Steven’s family.
The Killing of a Sacred Deer starts off strong, but once the actual story started, it began to lose me and started to drag. Nevertheless, it’s a very interesting film.
Plot: Alexander (Fritz Karl) is married to Anna (Katharina Lorenz). They have a son (Nicolas Jarosch) and by the looks of it, their life is pretty much perfect. But then Alexander says something that worries Life Guidance, the organisation in charge of helping people living the best life they can possibly live. They send in their agent, Gregor (Florian Teichtmeister), to make sure that Alexander stays on track.
I wanted to like Life Guidance – being an Austrian Science Fiction film made by a woman – much more than I actually did. While it has strong parts, it just doesn’t come together as it should.
Plot: Abby (Katherine Heigl) is a producer of a morning show. Due to faltering ratings of said show, her boss hires Mike (Gerard Butler), whose claim to fame is hosting The Ugly Truth, a show that tackles matters of relationships in a very male, if not misogynistic way. Abby is outraged at this choice of host. But since she herself doesn’t do very well in matters of relationships either, pining after her neighbor Colin (Eric Winter) who she thinks of as the perfect man, she strikes a deal with Mike at his suggestion: he will help her reel in Colin, and she will work with him.
The Ugly Truth is absolutely horrible. It bowled me over with its hatred masquerading as some good old fun. It’s sexist and misogynistic. It’s so bad, it even makes a case that misandry does, in fact, exist. I hated it.
Plot: Andie (Kate Hudson) writes a How to-column for a magazine and she’s in need of a new idea, especially since she wants to write something of more substance. She may get the chance to do so if she writes a column on how to lose a guy in 10 days. Meanwhile ad executive Ben (Matthew McConaughey) has to prove that he knows what women want. He proposes a bet, promising to make any woman fall in love with him. His colleagues accept – and point to Andie as the object of his plot. As they both work towards opposite goals, their dates are quite tumultuous.
How to Lose a Guy in 10 Days was suprisingly charming and didn’t veer into the condescending romantic direction that movies about covert bets usually do. It’s not a revolutionary film, but I enjoyed it.