Plot: Countess Maria Theresia von Werdenberg (Huguette Duflos) is surprised by her cousin Baron Ochs auf Lerchenau (Michael Bohnen) while the young Octavian (Jacque Catelain) is in her room. Octavian quickly dresses up as a chambermaid and escapes notice, especially since Ochs has his own problems: he is looking to get married to Sophie (Elly Felicie Berger), hoping to get out of debt by the connection. The Countess suggests that Octavian could be his “Rosenkavalier”, his second in command for the wedding, a mix of messenger and wedding planner. Ochs agrees to the suggestion, but Octavian proves to be a difficult choice for everybody.
Der Rosenkavalier has beautiful music, but not much else about it worked for me, despite the obviously lavish production.
Editors played a show in the Gasometer in Vienna. Seen on: 18.4.2018
I’ve seen Editors play a couple of times already and even though I haven’t been listening to their music all that much recently, it’s become almost a tradition that * and I head to their shows every few years. And as usual, their show was really good.
Plot: A young man (André Mattoni) suspects that his grandfather’s (Hermann Picha) housekeeper (Rosa Valetti) is trying to kill him to get to his money. So the young man tries to warn his by then isolated grandfather of her machinations by showing him a film. In that film, Tartüff (Emil Jannings) pretends to be a devout priest. He is staying with Herr Orgon (Werner Krauss) and his wife Elmire (Lil Dagover). Elmire is suspicious of Tartüff and his intentions, but Orgon doesn’t want to hear it…
Herr Tartüff is an enjoyable film and Becce’s music is really quite something. I wouldn’t have needed the entire thing to be longer than it was, but I had a good time throughout.
IAMX played a concert in the WUK in Vienna. Seen on: 16.3.2018
I’ve seen IAMX a couple of times live already and I haven’t been listening much to their music recently. So when they announced a concert in Vienna, I was kind of torn between going and not going and when I decided that I wanted to go, the concert was sold out. So, I was ready to just not go when A.’s knee started fucking around and she couldn’t go and suddenly there was a ticket available. So I went after all and I have to say that I really enjoyed the show.
A sorcerer creates a flying horse. Intrigued, the Caliph wants to buy it, but the sorcerer doesn’t want money for it – he wants Princess Dinarsade. Her brother Achmed tries to save her, but the sorcerer lures him on the horse and they fly off. It takes Achmed a while to learn to control it, but once he does, he is ready to have quite a few adventures it takes him to.
Die Abenteuer des Prinzen Achmed is probably the oldest (surviving) full length animation film and it is obvious how painstakingly it was made. The result is impressive, even if the story itself isn’t. The incongruous accompaniment with accordion music was a surprisingly good fit, making the evening absolutely enjoyable.
Jehuda (Oscar Beregi Sr.) impresses the young Lea (Anny Hornik) and Lea’s devout father Esra (Albert Heine) agrees to their engagement. But before they can actually get married, Jehuda falls for Rahel (Ria Jászonyi) and not caring much for Lea, leaves her. Heartbroken Lea commits suicide. Esra confronts Jehuda and curses him, but Jehuda is unwilling to contemplate his part in the tragedy for many years.
Der Fluch didn’t really work for me. While it was interesting to get an authentic look at a Jewish settlement from a pre-World War 2 time, nothing else about the film really managed to convince me.
I was hesitant about going to this concert, mostly because I thought it would be incredibly decadent to go to two concerts on one weekend. But finally I caved because not only had I been obsessively listening to Portugal. The Man’s new album, Steaming Satellites are also among my favorite Austrian bands – and to get them in one package was too much to pass up. And it was a good decision indeed – I really wouldn’t have wanted to meet either concert as they were both great.
Global 2000 is an Austrian environmental NGO. For their 35th birthday as an organization, they organized a little festival with various bands that I attended on September 16, 2017.
I learned about this concert because I heard from my sister that Jeremy Loops was great and that he would be playing in Austria. I listened to his music and liked it, then I started listening to Grossstadtgeflüster and liked them, too, and since I already knew that I liked Attwenger that decided it for me: I’d definitely go there. And it was an excellent decision as it was a great show.
In the 16th century, Archduke Ivan (Nikolay Cherkasov) crowns himself Tsar of Russia and sets himself the goal to unite Russia under one rule. Not everybody is taken with his plans and Ivan always has to watch his back – also among the people of his court. There his aunt Efrosinia Staritskaya (Serafima Birman) is plotting against him, hoping to put her own son Dmitri in his place. But also his marriage to Anstasia Romanova (Lyudmila Tselikovskaya) costs him support. But Ivan will do anything to achieve his goals, no matter the cost.
Ivan Groznyy is a monumental two-parter and an absolutely affective and effective piece of propaganda. It’s worth seeing – especially on the big screen, when you got a huge orchestra and choir on stage to (under)score it. The film is too big to do anything on a small scale.
Alan (Hans Heinrich von Twardowski) and Francis (Friedrich Feher) visit the fair where they see the show of Dr. Caligari (Werner Krauss). Caligari is a hypnotist who shows off a somnambulist, Cesare (Conrad Veidt). After Caligari wakes Cesare from his sleep, Cesare predicts the future. In this case specifically, he predicts Alan’s death. The very next day Alan is dead, and Francis is deeply suspicious of Cesare.
The Cabinet of Dr. Caligari is a pretty astonishing film and the combination of this film with Cameron Carpenter and his music really was the perfect storm, making this event a perfectly stylish evening.