Der Rosenkavalier [The Knight of the Rose] (1925) + Orchestra of the Age of Enlightenment / Geoffrey Paterson

Der Rosenkavalier
Director: Robert Wiene
Writer: Louis Nerz, Robert Wiene
Based on: the opera by Richard Strauss (music) and Hugo von Hofmannsthal (libretto)
Cast: Michael Bohnen, Huguette Duflos, Paul Hartmann, Jaque Catelain, Elly Felicie Berger, Carmen Cartellieri, Karl Forest, Friedrich Feher
Part of: Film and Music Cycle in the Konzerthaus
With music by Richard Strauss played by the Orchestra of the Age of Enlightenment, conducted by Geoffrey Paterson
Seen on: 25.5.2018

Content note: questionable consent

Plot:
Countess Maria Theresia von Werdenberg (Huguette Duflos) is surprised by her cousin Baron Ochs auf Lerchenau (Michael Bohnen) while the young Octavian (Jacque Catelain) is in her room. Octavian quickly dresses up as a chambermaid and escapes notice, especially since Ochs has his own problems: he is looking to get married to Sophie (Elly Felicie Berger), hoping to get out of debt by the connection. The Countess suggests that Octavian could be his “Rosenkavalier”, his second in command for the wedding, a mix of messenger and wedding planner. Ochs agrees to the suggestion, but Octavian proves to be a difficult choice for everybody.

Der Rosenkavalier has beautiful music, but not much else about it worked for me, despite the obviously lavish production.

Film poster showing Jaque Catelain and Huguette Duflos.

[SPOILERS.]

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Herr Tartüff [Tartuffe] (1925) + Tonkünstler-Orchester Niederösterreich / Frank Strobel

Herr Tartüff
Director: F.W. Murnau
Writer: Carl Mayer
Based on: Molière‘s play
Cast: Emil Jannings, Hermann Picha, Rosa Valetti, André Mattoni, Werner Krauss, Lil Dagover, Lucie Höflich, Camilla Horn
Part of: Film and Music Cycle in the Konzerthaus
With music by Giuseppe Becce, played be the Tonkünstler-Orchester Niederösterreich, conducted by Frank Strobel
Seen on: 20.3.2018
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Plot:
A young man (André Mattoni) suspects that his grandfather’s (Hermann Picha) housekeeper (Rosa Valetti) is trying to kill him to get to his money. So the young man tries to warn his by then isolated grandfather of her machinations by showing him a film. In that film, Tartüff (Emil Jannings) pretends to be a devout priest. He is staying with Herr Orgon (Werner Krauss) and his wife Elmire (Lil Dagover). Elmire is suspicious of Tartüff and his intentions, but Orgon doesn’t want to hear it…

Herr Tartüff is an enjoyable film and Becce’s music is really quite something. I wouldn’t have needed the entire thing to be longer than it was, but I had a good time throughout.

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IAMX

IAMX played a concert in the WUK in Vienna.
Seen on: 16.3.2018

I’ve seen IAMX a couple of times live already and I haven’t been listening much to their music recently. So when they announced a concert in Vienna, I was kind of torn between going and not going and when I decided that I wanted to go, the concert was sold out. So, I was ready to just not go when A.’s knee started fucking around and she couldn’t go and suddenly there was a ticket available. So I went after all and I have to say that I really enjoyed the show.

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Die Abenteuer des Prinzen Achmed [The Adventures of Prince Achmed] (1926) + Peter Rosmanith and Otto Lechner

Die Abenteuer des Prinzen Achmed
Director: Lotte Reiniger, Carl Koch
Writer: Lotte Reiniger
Based on: One Thousand and One Nights
Part of: Film and Music Cycle in the Konzerthaus
With music by: Peter Rosmanith and Otto Lechner
Seen on: 11.12.2017
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Plot:
A sorcerer creates a flying horse. Intrigued, the Caliph wants to buy it, but the sorcerer doesn’t want money for it – he wants Princess Dinarsade. Her brother Achmed tries to save her, but the sorcerer lures him on the horse and they fly off. It takes Achmed a while to learn to control it, but once he does, he is ready to have quite a few adventures it takes him to.

Die Abenteuer des Prinzen Achmed is probably the oldest (surviving) full length animation film and it is obvious how painstakingly it was made. The result is impressive, even if the story itself isn’t. The incongruous accompaniment with accordion music was a surprisingly good fit, making the evening absolutely enjoyable.

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Der Fluch [The Curse] (1925) + Gabriela Montero

Der Fluch
Director: Robert Land
Writer: Walter ReischErnst Weizmann
Cast: Oscar Beregi Sr.Lilian Harvey, Ferdinand BonnAlbert HeineAnny HornikReinhold HäussermannRia JászonyiAnton Pointner
Part of: Film and Music Cycle in the Konzerthaus
With music by Gabriela Montero
Seen on: 10.10.2017
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Plot:
Jehuda (Oscar Beregi Sr.) impresses the young Lea (Anny Hornik) and Lea’s devout father Esra (Albert Heine) agrees to their engagement. But before they can actually get married, Jehuda falls for Rahel (Ria Jászonyi) and not caring much for Lea, leaves her. Heartbroken Lea commits suicide. Esra confronts Jehuda and curses him, but Jehuda is unwilling to contemplate his part in the tragedy for many years.

Der Fluch didn’t really work for me. While it was interesting to get an authentic look at a Jewish settlement from a pre-World War 2 time, nothing else about the film really managed to convince me.

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Portugal. The Man (Support: Steaming Satellites)

Portugal. The Man gave a concert in the Gasometer in Vienna. Their supporting band was Steaming Satellites.
Seen on: 17.9.2017

I was hesitant about going to this concert, mostly because I thought it would be incredibly decadent to go to two concerts on one weekend. But finally I caved because not only had I been obsessively listening to Portugal. The Man’s new album, Steaming Satellites are also among my favorite Austrian bands – and to get them in one package was too much to pass up. And it was a good decision indeed – I really wouldn’t have wanted to meet either concert as they were both great.

Portugal. The Man

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GLOBAL 2000 Birthday Party 2017

Global 2000 is an Austrian environmental NGO. For their 35th birthday as an organization, they organized a little festival with various bands that I attended on September 16, 2017.

I learned about this concert because I heard from my sister that Jeremy Loops was great and that he would be playing in Austria. I listened to his music and liked it, then I started listening to Grossstadtgeflüster and liked them, too, and since I already knew that I liked Attwenger that decided it for me: I’d definitely go there. And it was an excellent decision as it was a great show.

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Ivan Groznyy [Ivan the Terrible] (1945 and 1958) + ORF Radio-Symphonieorchester and Wiener Singakademie / Frank Strobel

Ivan Groznyy [Ivan the Terrible, Part I] (1945) and Ivan Groznyy. Skaz vtoroy: Boyarskiy zagovor [Ivan the Terrible, Part II: The Boyars’ Plot] (1958)
Director: Sergei M. Eisenstein
Writer: Sergei M. Eisenstein
Cast: Nikolay Cherkasov, Lyudmila Tselikovskaya, Serafima Birman, Mikhail Nazvanov, Mikhail Zharov, Amvrosi Buchma, Mikhail Kuznetsov, Pavel Kadochnikov, Andrei Abrikosov, Aleksandr Mgebrov, Maksim Mikhaylov, Vladimir Balashov, Vsevolod Pudovkin, Semyon Timoshenko, Aleksandr Rumnyov, Pavel Massalsky, Ada Vojtsik, Erik Pyryev
Part of: Film and Music Cycle in the Konzerthaus
With music by Sergey Prokofiev, played be the ORF Radio-Symphonieorchester, sung by the Wiener Singakademie, conducted by Frank Strobel
Seen on: 23.6.2017
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Plot:
In the 16th century, Archduke Ivan (Nikolay Cherkasov) crowns himself Tsar of Russia and sets himself the goal to unite Russia under one rule. Not everybody is taken with his plans and Ivan always has to watch his back – also among the people of his court. There his aunt Efrosinia Staritskaya (Serafima Birman) is plotting against him, hoping to put her own son Dmitri in his place. But also his marriage to Anstasia Romanova (Lyudmila Tselikovskaya) costs him support. But Ivan will do anything to achieve his goals, no matter the cost.

Ivan Groznyy is a monumental two-parter and an absolutely affective and effective piece of propaganda. It’s worth seeing – especially on the big screen, when you got a huge orchestra and choir on stage to (under)score it. The film is too big to do anything on a small scale.

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