A sorcerer creates a flying horse. Intrigued, the Caliph wants to buy it, but the sorcerer doesn’t want money for it – he wants Princess Dinarsade. Her brother Achmed tries to save her, but the sorcerer lures him on the horse and they fly off. It takes Achmed a while to learn to control it, but once he does, he is ready to have quite a few adventures it takes him to.
Die Abenteuer des Prinzen Achmed is probably the oldest (surviving) full length animation film and it is obvious how painstakingly it was made. The result is impressive, even if the story itself isn’t. The incongruous accompaniment with accordion music was a surprisingly good fit, making the evening absolutely enjoyable.
Jehuda (Oscar Beregi Sr.) impresses the young Lea (Anny Hornik) and Lea’s devout father Esra (Albert Heine) agrees to their engagement. But before they can actually get married, Jehuda falls for Rahel (Ria Jászonyi) and not caring much for Lea, leaves her. Heartbroken Lea commits suicide. Esra confronts Jehuda and curses him, but Jehuda is unwilling to contemplate his part in the tragedy for many years.
Der Fluch didn’t really work for me. While it was interesting to get an authentic look at a Jewish settlement from a pre-World War 2 time, nothing else about the film really managed to convince me.
I was hesitant about going to this concert, mostly because I thought it would be incredibly decadent to go to two concerts on one weekend. But finally I caved because not only had I been obsessively listening to Portugal. The Man’s new album, Steaming Satellites are also among my favorite Austrian bands – and to get them in one package was too much to pass up. And it was a good decision indeed – I really wouldn’t have wanted to meet either concert as they were both great.
Global 2000 is an Austrian environmental NGO. For their 35th birthday as an organization, they organized a little festival with various bands that I attended on September 16, 2017.
I learned about this concert because I heard from my sister that Jeremy Loops was great and that he would be playing in Austria. I listened to his music and liked it, then I started listening to Grossstadtgeflüster and liked them, too, and since I already knew that I liked Attwenger that decided it for me: I’d definitely go there. And it was an excellent decision as it was a great show.
In the 16th century, Archduke Ivan (Nikolay Cherkasov) crowns himself Tsar of Russia and sets himself the goal to unite Russia under one rule. Not everybody is taken with his plans and Ivan always has to watch his back – also among the people of his court. There his aunt Efrosinia Staritskaya (Serafima Birman) is plotting against him, hoping to put her own son Dmitri in his place. But also his marriage to Anstasia Romanova (Lyudmila Tselikovskaya) costs him support. But Ivan will do anything to achieve his goals, no matter the cost.
Ivan Groznyy is a monumental two-parter and an absolutely affective and effective piece of propaganda. It’s worth seeing – especially on the big screen, when you got a huge orchestra and choir on stage to (under)score it. The film is too big to do anything on a small scale.
Alan (Hans Heinrich von Twardowski) and Francis (Friedrich Feher) visit the fair where they see the show of Dr. Caligari (Werner Krauss). Caligari is a hypnotist who shows off a somnambulist, Cesare (Conrad Veidt). After Caligari wakes Cesare from his sleep, Cesare predicts the future. In this case specifically, he predicts Alan’s death. The very next day Alan is dead, and Francis is deeply suspicious of Cesare.
The Cabinet of Dr. Caligari is a pretty astonishing film and the combination of this film with Cameron Carpenter and his music really was the perfect storm, making this event a perfectly stylish evening.
Professor Manfeldt (Klaus Pohl) has spent his life researching the moon. He has theorized that it has huge gold reserves that could be harvested for earth should space travel ever be achieved. But academia laughed him out of work and into poverty. Now the only one who still believes in him is Wolf Helius (Willy Fritsch). After a mysterious man (Fritz Rasp) shows up at Manfeldt’s, trying to steal his research and putting pressure on them all, things are set in motion to finally finish a rocket and fly to the moon together with Manfeldt, his best friend, engineer Windegger (Gustav von Wangenheim), scientist Friede Velten (Gerda Maurus) and the mysterious man.
When I saw Frau im Mond for the first time, I was pretty annoyed with the music that came with it. So getting the chance to see it with different music (and that music performed live) was a good thing and made the film better.
Entomologist Leo Charpentier (Anders de Wahl) spends most of his time with his research and very little time with his wife Irene (Tora Teje). Especially since he has his niece Marthe (Karin Molander) who takes care of his every need. Irene actually doesn’t mind that much because she’s very busy flirting with the dashing aviator and baron, Felix (Vilhelm Bryde), though she’s actually drawn more to her husband’s best friend, the sculptor Preben (Lars Hanson).
Erotikon is an amazingly funny film. While the live-music-setting usually calls more attention to the film music, in this case, I found the film so captivating that I barely noticed the music.
Keaton Henson gave a concert in the Vienna Konzerthaus.
Seen on: 30.1.2017
Henson doesn’t often play concerts (he has anxiety which makes performing live so much harder), so when I heard that he would play the Konzerthaus, I knew I had to go (even though there were two more concerts I went to in January). Since I couldn’t convince anybody of the eerie beauty of his voice enough to accompany me, I went on my own. Going alone to a concert is something I have very mixed experiences with, but in this case, it completely paid off.
This wasn’t the first time I’ve seen José González live, but it has to be one of my favorite concerts of his. Accompanied by the big Göteborg String Theory orchestra, his music does get a bit more drive – which I appreciated for a concert.