Plot: Yesmin (Melina Benli), Bella (Law Wallner) and Nati (Maya Wopienka) are best friends. On a bored afternoon, they shoot a music video to Losing My Religion using the hijabs of Yesmin’s mother. The video goes a bit viral, and the three girls rise to celebrity in the local muslim community, asked to perform at various events. But Yesmin – the only one of them who actually wears a hijab – grows increasingly uncomfortable with the situation and her friends’ behavior.
Sonne is Ayub’s fictional debut and proves her great talent. The film is creative and funny, but also serious and insightful about the situation of diasporic Kurds, especially young women. I was really impressed by it.
Plot: Lily (Cailee Spaeny) and her mother Helen (Michelle Monaghan) have always been a team. Now that Helen has met Adam (David Duchovny) and fallen in love, they are moving to a new town together so Helen can be with him. For Lily, it may be a chance to start over socially. Instead she has a rather mortifying start at school and is immediately teased by Timmy (Nicholas Galitzine). But her classmates Lourdes (Zoey Luna), Frankie (Gideon Adlon) and Tabby (Lovie Simone) show her some kindness. What Lily doesn’t know yet: the three girls are witches looking for a fourth to complete their coven. And they may just have found that in Lily.
The Craft: Legacy is more an update of the original Craft film than a sequel, and I have to say that it is an update that I appreciated a lot since it rectifies some of the (narrative) mistakes that the first movie made. I really enjoyed it.
Plot: Alice (Milla Jovovich) is still on her mission against the Umbrella Corporation. When she has finally dealt them a harsh blow, she heads to Arcadia, supposed safe haven, to catch up with her friends. But instead of paradise, she finds Claire (Ali Larter) in a bad state and with some amnesia. Returning to LA, they receive a call for help from a group sheltering in place in an abandoned prison, surrounded by zombies. The group does have news about Arcadia, but no way out. Unless the mysterious prisoner Chris (Wentworth Miller) speaks the truth. But can they risk it?
Resident Evil: Afterlife is pretty much what I’ve come to expect from this movie series. That is: it’s okay, but not great, with some good action and some questionable narrative choices. But to really love the movies, you’ll probably have to have played the games and I didn’t.
Straight Line Crazy Director: Nicholas Hytner Writer: David Hare Cast: Ralph Fiennes, Siobhán Cullen, Samuel Barnett, Alisha Bailey, Danny Webb, Alana Maria, Helen Schlesinger Seen on: 8.9.2022
Content Note: (critical treatment of) racism
Plot: Robert Moses (Ralph Fiennes) is a city planner, and an ambitious one to boot. When he has a plan, he will do everything to see it made reality, and he is usually successful. Starting his career with pissing off the rich folk on Long Island, making the island accessible to the poor people of New York, his career later turns to plowing down “slums” and disregarding the Black community. But when it comes to Washington Square, his methods may finally catch up to him.
Straight Line Crazy is a powerful portrait of a thoroughly despicable man. While that’s always very good, it’s not always particularly entertaining.
Plot: When the magician Roderick Burgess sets out to capture Death (and end up with immortality), something goes wrong. Instead of Death, he ends up with Dream in a cage. Ever enterprising, Burgess is sure that he can make this work for himself, too. And if he can’t, it is probably better to keep him locked up and not draw attention to the fact that he did. But Dream is one of the Eternals. Even without the magical items Burgess stripped from him, he can bide his time. And his day will come. Meanwhile though, a world without Dream shows signs of decay as a sleeping sickness ravages its people.
I’ve had the Sandman comics at home since about forever (I bought them so long ago, I still have them in German and not English). But as these things go, I never read them. Now with the TV show out, I decided it was finally time. And the start is definitely promising, albeit a little uneven.
Plot: The Punisher (Ray Stevenson) has been haunting the city for six years now – six years where he killed the villains of New York. The police haven’t caught up with him, despite knowing that he is Frank Castle, but they are not entirely dissatisfied with his work, so their motivation is not very high. During yet another shoot-out with the mob, Frank not only maims heavy hitter Billy (Dominic West), but he also kills an undercover cop. This prompts renewed interest in the police investigation, and it makes Billy – who had prided himself on his looks so far – swear revenge on The Punisher.
Punisher: War Zone is an extremely gory and violent take on the Punisher that glorifies him a little too much for my taste.
Plot: Lisa (Reese Witherspoon) is a softball player who lives for the game. But when she is cut from the team, she has to reconfigure her entire life. That also includes deciding about her relationship with Matty (Owen Wilson), a baseball player with certain commitment issues. Her teammate (Teyonah Parris) tries to set her up with George (Paul Rudd), but George is going through a rather tumultuous life phase himself, to put it mildly: under investigation for fraud, he lost his job at his father’s (Jack Nicholson) company. Despite everything, Lisa and George meet for a friendly dinner, and actually have a connection. Now they both have to figure out where their life should be heading.
How Do You Know is okay overall, but it only gets really good at certain points. It’s watchable, but it is not particularly exciting or memorable.
Plot: Célène (Paola Locatelli) just moved to Biarritz from Paris, leaving behind her fiancé Pierre (Aymeric Fougeron). Just after her arrival, she meets surf champion Tristan (Simon Rérolle), more or less local celebrity and one half of the power couple of their school. The other half is Vanessa (Ella Pellegrini), child actor and star. What the people around them don’t know, though, is that they’re not actually together, but rather pretend for social media fame. They spend their time by making bets and manipulating the people around them. Tristan is intrigued by Célène, especially her promise to Pierre to marry him and stay a virgin until then. Vanessa uses that to make a bet with him, daring him to seduce her. But things become really complicated when Tristan and Célène find themselves drawn to each other for real.
The novel Les liaisons dangereuses is one of my favorites (despite some issues I do have with it), so I was really excited to get this new adaptation – the first one by a woman, if I’m not mistaken. But unfortunately, the modernization here didn’t work for me at all.
Plot: Nora (Oulaya Amamra) is preparing for a date, but as she heads out, she meets her ex-boyfriend Kevin (Sandor Funtek). What starts as innocous small talk quickly becomes a power struggle between the two.
I and the Stupid Boy is a sharp look at gender dynamics in relationships, and how men can quickly exert power about women in them. But while Nora’s desperation and helplessness are palpable, the film doesn’t stop there, but manages to turn things around, giving her her power back in a very satisfying way. It’s a really lovely short film that manages to say a lot in its short runtime.
Content Note: child sexual abuse, child abuse, child neglect
Plot: Grace (Brie Larson) works in Short Term 12, a short term foster facility meant as a place to stay for children who can’t stay with their parents anymore until a permanent housing option is available. Though some children stay for a long time – like Marcus (LaKeith Stanfield) who is about to age out of the home. When Jayden (Kaitlyn Dever) comes to stay with them, Grace is reminded of herself as a teenager. This, coupled with a new development in her relationship with Mason (John Gallagher Jr.) who also works at Short Term 12 makes it necessary for Grace to confront her own dark past.
Short Term 12 is a touching and realistic look at a group home and the people who work there. I found it touching and insightful.