Plot: A girl (Juno Temple) and a man (Brian Geraghty) are making their way through the desert. They are looking for shelter, while some men in a car (Lukas Haas, Lee Thompson Young, Joel David Moore) are looking for them.
I saw that Juno Temple was in Bastard and decided to watch it, so I was a little surprised by the Christianity of it. Your mileage will probably vary regarding that. I felt that the film was a bit sensationalistic. But Juno Temple is still wonderful.
Plot: Sarah (Angélique Bridoux) is a wheelchair user and lives with her parents (Nathalie Cuenet, Vincent Chaumont). She is 20 years old and would like to explore her sexuality, but her options are limited, though not for a lack of trying on Sarah’s part. She is particularly interested in BDSM. When her mother hires a new cleaner and assistant, Victoria (Naëlle Dariya), Sarah finally finds somebody in her who can help her.
Je fais où tu me dis is a film that sets out to not just subvert but utterly obliterate the image of disabled people as asexual, as our society so often likes to think of them. And it does so with its tongue firmly in its cheek and a great protagonist (with a wonderful performance by Bridoux, who is actually disabled herself). I really have no complaints – I enjoyed this immensely.
Plot: Devin (Derrick L. Middleton) is dating Jasmine (Chivonne Michelle) but he realizes more and more that he is drawn to his best friend Tyrone (Calvin M. Thompson). This attraction makes him question everything.
Ying and Yang is a short film set to a spoken word poem. The poem is beautiful (although I didn’t love the use of Yin and Yang to represent men and women in a piece that question the binarity of gender and sexual orientation) and was wonderfully spoken (I’m not sure who spoke it – Rogers himself, maybe?). I felt like the film couldn’t quite keep up with the poem, but it was well done nevertheless, capturing Devin’s confusion and insecurity very nicely. It is certainly worth watching.
Plot: There’s an asteroid (Peter Grosz) heading towards Earth, because it is in love with Anna (Shannon Woodward), a woman. But its approach spells apocalypse for all of Earth.
Anna & the Asteroid has an interesting concept that could have been an excellent analogy for stalking – because that’s what the asteroid does. Instead it becomes a story about a woman sacrificing herself for the sake of the world (after a life-changing encounter with a human man that cures her of her nihilism). And that is questionable to say the least and ruined the film for me.