It’s been a while that I listened to the Red Hot Chili Peppers, it just had been a while that I really connected to their music (also because it had been quite a while that they actually had a new album out and everything after Californication was doomed to be a bit of a disappointnment, with I’m With You an actual disappointment). But then I started listening to their last album, The Getaway and it obviously hit me at the right moment and made me fall in love with their music again. So I decided to shell out the steep ticket prices and go to their concert in the Stadthalle in Vienna with my sister. It was with her that I had been on my first and last RHCP concert 10, 15 years or so ago, which wasn’t all that great (maybe because we had seats so high up, I could barely make out what happened on stage and maybe because I was too sad about the fact that I was too young to catch them on their Californication tour).
That’s all so you know the circumstances under which I attended the show, because it’s not easy to navigate the mix of love, nostalgia, (fear of) disappointment and seat trepidation that framed the concert for me. But as difficult as the starting conditions were, I absolutely loved the concert itself. It was a great show.
Der Diener zweier Herren
Director: Christian Stückl
Writer: Carlo Goldoni
Cast: Markus Meyer, Peter Simonischek, Andrea Wenzl, Irina Sulaver, Johann Adam Oest, Christoph Radakovits, Sebastian Wendelin, Hans Dieter Knebel, Mavie Hörbiger, Stefan Wieland
Seen on: 23.10.2016
Beatrice (Andrea Wenzl) has problems: her fiancé Florindo (Sebastian Wendelin) had to flee after killing her brother Federigo. Now she’s trying to find Florindo and on the way, collect dowry from her brother’s fiancée Clarice (Irina Sulaver), or rather her father Pantalone (Peter Simonischek). But she’ll only succeed by convincing them that Federigo is not actually dead – so she travels disguised as him. Traveling with her is her servant Truffaldino (Markus Meyer). Truffaldino is unhappy with his pay and always hungry. So when they stop at a hotel where another guest offers Truffaldino a job as servant, he accepts – unaware that it’s Florindo. But having to serve two masters at the same time is more complicated than Truffaldino expected.
I’m not a huge fan of comedies of error in general, but this rendition of Servant of Two Masters was rather enjoyable and funny, even if it didn’t leave me flat out enthusiastic.
Director: Jette Steckel
Writer: Sophocles, translated by Frank-Patrick Steckel
Cast: Aenne Schwarz, Mavie Hörbiger, Joachim Meyerhoff, Mirco Kreibich, Martin Schwab
Seen on: 26.6.2016
Antigone’s (Aenne Schwarz) brothers have both fought on opposite sides in Thebes’ civil war and they both died doing it. As if that wasn’t bad enough, King Creon (Joachim Meyerhoff) has decided that Polyneices, who fought against him, is to be left unburied outside the city gates. Antigone can’t bear the thought that one of her brothers should be thus treated. She tries to convince her sister Ismene (Mavie Hörbiger), but ultimately she goes alone to bury Polyneices, despite Creon’s having expressly forbidden it.
Antigone is a fascinating play and the production I saw was interesting in many ways, but not successful in all aspects.
To be quite honest with you, I don’t know much about classical music and I only heard this concert because my mom couldn’t attend and my dad was looking for somebody to go with him. So this review isn’t so much a review than it is a few thoughts jotted down for completion’s sake.
I definitely enjoyed the concert. The music was beautiful, though I honestly enjoyed the Mendelssohn Bartholdy most of all – even though that was only a small encore and certainly not the focus of the concert. But I’m simply a sucker for romantic classical music. I am sure they played very well, but here’s the part where I simply cannot say anything of substance. A big part of my entertainment though, was watching Pinnock conduct. We had great seats, so I was able to see him and his expressions quite clearly and he just seemed to have so much fun and enjoy himself so much and I think that transferred to the orchestra, the music and the audience.
In short, it was a great evening, even for a classical music novice like myself.
By and with STEREOPTIK (Romain Bermond, Jean-Baptiste Maillet)
Based on a story by Pierre Elie Ferrier aka Pef
Part of: Wiener Festwochen
Seen on: 4.6.2016
The circus is in town, a circus unlike any other. The artists there are not only willing to risk life and limb for their show, they actually lose them. But hey, that’s what the audience came to see, isn’t it?
STEREOPTIK create animated films live on stage, partly using premade figurines, but mostly drawing with various materials (up to and including sand), building the world up and transforming its scenery over and over again right before your eyes. Everything is accompanied by life music. It’s fascinating to watch and above all, a whole lot of fun.
Espinosa wanted to create the perfect theater, but realized that a project of that size was pretty difficult to achieve. So he decided to scale everything down – 1:87 – so his perfect theater became the size of a suitcase that he could actually bring along with him, the actors small figurines. The result is an extraordinary theater experience: in groups of 25 and seated by size (with binoculars for everybody), the audience gathers around a table where Espinosa sets up his unmoving dolls in a way to tell a moving stories in a few scenes, accompanied by music, sometimes a bit of video (played on a tablet) and always with a sense of humor. You can get an idea of how this works here.
I loved Mi gran obra. It was such a beautiful way of using the rather rigorous restrictions of the format to tell big stories with even bigger emotions and such an innovative way to deal with theater itself, it was magical.
Lord (Igor Mirkurbanov) is a famous Russian singer, about to be honored for his life’s work in the Kremlin. The prize is delivered by his friend Robert (Alexei Kravchenko) who is the Minister for Rubber Goods. But their partying finds a quick end when they are contacted by Cheavley, the main rival of Robert’s wife Gertrude. Cheavley has video evidence that Lord and Robert are actually lovers and threatens to expose them. In the world of Russian politics, intrigue and bigotry that cannot stand.
An Ideal Husband is a sometimes haphazard but always enthusiastic amalgamation of various texts that are full of political barbs, irony and sarcasm. While it was a bit long and seeing it in Vienna made it feel a little diluted, I did enjoy most of it.
A Lone Prospector (Charles Chaplin) makes his way to Klondike, hoping to find gold and with it, his luck. But the conditions there are more than harsh and soon he finds himself lost in the cold. By chance, he stumbles on a hut where he finds Black Larsen (Tom Murray) who tries to get rid of him. Instead, they are joined by a third gold digger, Big Jim MacKay (Mack Swain). In an uneasy truce they have to make it through the storm together somehow. But will their luck be enough to make it through?
The Gold Rush is an amazing film, no doubt about it. It is incredibly funny and touching at the same time, further proving that Chaplin is such an icon for a reason [even if it makes me deeply uncomfortable to say that about a guy who was way too much into teenage girls].
Director: Kornél Mundruczó
Writer: Kata Wéber and company
Cast: Lili Monori, Roland Rába, Annamária Láng, Zsombor Jéger, Dáriusz Kozma
Part of: Wiener Festwochen
Seen on: 24.5.2016
Lőrinc (Lili Monori) is sitting in her apartment, waiting for her son Szilveszter (Zsombor Jéger) to return. Instead of him, there’s Mihály (Roland Rába) who has come to throw Lőrinc out as she’s behind on rent. After the apartment is emptied, Veronika (Annamária Láng) moves in, and smuggles her little son Jónás (Dáriusz Kozma) into the apartment as well.
Despite great production design, strong performances and political intent, Látszatélet remains less insightful than it thinks it is, with an ending that dismantles in a few minutes what came before it.
The Dakh is a theater in Kiev, out of which grew the Dakh Daughters band: an all-female group that takes existing songs and texts, mix them with each other and new things and give them their own twist. The result is a highly political, emotional cabaret concert that reminded me of The Tiger Lillies, but at the same time is very much its own thing. I was absolutley taken with it.