Plot: Pauline (Claire Lams) and Alan (Daniel Rigby) are celebrating their engagement when Frances (James Corden) knocks on the door to announce that his employer Roscoe (Jemima Rooper) is there. Roscoe supposedly died a couple of days ago and his sudden appearance is doubly upsetting because Pauline, and more importantly her dowry, were promised to him long time ago. What Pauline doesn’t know is that it isn’t actually Roscoe but his twin sister Rachel who comes to collect the dowry, so she can flee with her fiancé who did kill Roscoe. As Rachel-as-Roscoe waits for the dowry, she takes camp in a hotel. Also in that hotel – unbeknownst to Rachel – is her fiancé Stanley (Oliver Chris). Thinking him unemployed, Stanley hires Frances who is always looking for a way to get to some food. But serving two guvnors isn’t easy, as Frances soon discovers.
I missed this production when it came to the cinemas and now that National Theatre is offering some of their plays to watch at home, it was the ideal opportunity for me to catch up with this one, since I heard a lot of good things about it. And I have to say, it was a very enjoyable production that definitely made me laugh.
Sex Smells Director: Paula Thielecke from Kollektiv Eins Writer: Paula Thielecke Cast: Marlene-Sophie Haagen, Fabian Raabe, Carolin Wiedenbröker, Tara Afsah Seen on: 11.3.2020
Content Note: ableism, suicide
Plot: The Hot Flamingo Bar is a feminist porn cinema / brothel run by Muschi McMuschi (Marlene-Sophie Haagen), Captain Rodeo (Carolin Wiedenbröker) and Gloria Maria Wurst (Fabian Raabe). But the Bar and its staff are in trouble. Bills can’t be paid, gentrification lurks around the corner – and there is only a very limited amount of time left for them to stop it and keep their place.
Sex Smells has some interesting and some funny moments but overall, I was hoping for a little more from it.
Agnes Obel played a concert in Vienna with the support of Marlène. Seen on: 4.3.2020
I didn’t know Marlène before and while I don’t think her music is bad, it wasn’t really to my liking. But Agnes Obel – who I went to the concert for – definitely was. Beautiful music, excellent performance, Obel herself is super-charming… I couldn’t ask for more!
lilly among clouds played a concert in Vienna with the support of OSKA. Seen on: 28.2.2020
lilly among clouds drifted into my Discover Weekly, and I was immediately taken with her music. So when she brought out a new album and made a tour stop in Vienna, I knew I had to be there. And her concert really didn’t disappoint – it was a great evening.
Mighty Oaks played a show in Vienna with the support of Jackson Dyer. Seen on: 18.2.2020
I saw the Mighty Oaks a few years ago at the Frequency Festival before I even really knew them and enjoyed them then, but it took me another few years to really start listening to them some more. But now the timing was just right: I listened to them a lot, they just released a new album and I was ready to see them again. And it was a wonderful concert.
Plot: The Opera in Paris haunted – but not by some specter, but by the Phantom (Lon Chaney) that dwells in the catacombs beneath the opera house. When the Phantom, himself a musical genius, realizes the talent of Christine (Mary Philbin), he makes sure that her career as a singer takes off. But ultimately, he wants Christine for himself – and that means getting her away from her fiancé Raoul (Norman Kerry).
The Phantom of the Opera is an absolute classic and with good reason, even if a lot seems cheesy from today’s perspective. Escaich’s accompaniment on the organ was the perfect choice for the film.
Editors played a concert in Vienna with the support of Whispering Sons. Seen on: 7.2.2020
I’ve seen Editors a couple of times now and they’re always good. This time was no exception. What was an exception, though, is that I actually knew the supporting band, Whispering Sons, and love at least one of their songs. In short, it was a very enjoyable evening of music.
Plot: Lorenz (Alfred Abel) walks a little aimlessly through his life, dreaming of publishing his poetry, but not much ambition for anything.That is, until fate seems to strike – quite literally: he gets run over by Veronica (Lya De Putti), beautiful, rich, and very much from another world than he is. Lorenz can’t stop thinking about her anymore. When he finds another girl, Melitta (Lya De Putti), who looks just like Veronica but is more within his reach, he will do anything to win her over, even if it means going in considerable debt.
Phantom the film might be better than the impression I had of it after this evening, simply because I really struggled with the music by PHACE this time. Ultimately, the evening felt rather exhausting to me.
Travis played a concert in Cambridge with Turin Brakes as their support. Seen on: 13.12.2018
When Travis brought out their album The Man Who almost 20 years ago, Turin Brakes were actually their supporting band then as well. So when they went on an anniversary tour for The Man Who, they decided to team up again – to my absolute pleasure.
Turin Brakes have been one of my favorite bands for 15 years now and in that time, I don’t think they ever played a concert in Austria. So, when I learned that they are on tour again and that they are on tour with Travis, who are also one of my favorites, and that they’d make a stop in Cambridge where my friend lived (and would come with me), tickets were bought (at first it looked like I was too late and the concert was sold out, but then I found some after all) and I was on the plane. And what an excellent decision on my part – it was a great show from both bands.
Mephisto Director: Bastian Kraft Writer: Bastian Kraft Based on: Klaus Mann‘s novel Cast: Nicholas Ofczarek, Fabian Krüger, Dörte Lyssewski, Sabine Haupt, Gunther Eckles, Till Firit, Sylvie Rohrer, Max Gindorff, Martin Reinke, Dorothee Hartinger Seen on: 23.11.2018
Plot: It’s the 20s/30s in Germany. Hendrik Höfgen (Nicholas Ofczarek) is an actor, reaching for a higher position. That means arranging himself with the people in power, although that isn’t always simple. His (former) friend, the author (Fabian Krüger), watches Höfgen’s rise with concern, worried about the implications for Höfgen himself, but even more so with the regime change and what it brings.
Mephisto was not great, but it did have its moments. It’s certainly an interesting piece of theater with a lot to say – which means it has more going for it than a lot of other plays I saw.