Doris (Dora Kaiser) and her sister Carmen (Carmen Cartellieri) are very different people. Where Doris is all innocence and kindness, Carmen is much more selfish and calculating. But after their mother’s death, the two of them find work at the Variété together. Doris’ star keeps rising there and Carmen wants to capitalize on it any way she can.
I enjoyed large parts of the film, but in this case, the live music did the movie a disservice. That being said, there was still much to like about it.
Anna (Martina Gedeck) has the perfect family: she’s married to successful lawyer Richard (Matthias Brandt), they have a teenage son, Wolfgang (Julius Hagg), a beautiful home and more than enough money. So when their friend asks them to take in the 19-year-old Stella (Mala Emde), a beautiful but unrefined and withdrawn young woman, Anna accepts and gives Stella a bit of a make-over. But Stella’s presence disturbs the carefully cultivated family appearance.
Wir töten Stella is a strong, incredibly sad and very critical film. It’s beautifully made and despite a couple of lengths, I couldn’t take my eyes off the screen.
The Wiener Tierschutzverein (Viennese Animal Protection Society) is among the oldest and biggest animal shelters in Europe. They not only a house a wide variety of animals – from cats and dogs to chimpanzees – but also treat injured wild animals and occupy themselves with strays. The documentary takes a look at the every day life of the shelter animals and their employees and volunteers.
Tiere und andere Menschen is a nice look behind the scenes of the animal shelter and gives you a lot of insight into just their day to day challenges. I really enjoyed it, but be warned: if you’re a sap like me, you’ll probably want to adopt every single animal they show after the film.
A short note on all the short films at the /slash Filmfestival 2017 that were part of the Fantastic Shorts Competition. The winner was Rémy Rondeau for his short J’aime Eva Marsh.
Seen on: 22.9.2017, 25.9.2017, 26.9.2017
With the technological advances making more and more in utero testing possible comes a new decision parents have to make: if a disability is discovered in those tests, should they have the baby anyway or should they abort?
In his documentary, Fürhapter examines that intersection of disability rights and bodily autonomy and the difficult ethics that people have to navigate because of those advances in technology.
Die Dritte Option tackles a difficult topic in an interesting way and makes some excellent points but falls incredibly short because it doesn’t consider the perspective of disabled people even once.
Belen (Iride Mockert) finds a new job as a maid in a gated community just outside Buenos Aires. It’s a rich, proper and maybe a little boring place. But adjacent to it is another kind of gated community: a nudist swinger club. The quiet Belen finds herself intrigued and starts to visit that club more and more.
Maybe Los Decentes simply caught me at the wrong time, but for whatever reason I couldn’t get into the film and found it mostly exhausting to sit through.
Adrian (Jeremy Miliker) lives with his mother Helga (Verena Altenberger) and her boyfriend Günter (Lukas Miko) and things could be great. Unfortunately, Helga and Günter are both drug addicts, making all of their lives much harder. Nevertheless, Helga tries everything in her power to give Adrian the best life she can give him, filled with fantasy and adventure. But it’s clear that things can’t go on the way they are.
With Die beste aller Welten, Goiginger works through his own childhood and in this case, that’s the perfect recipe for a touching, beautiful film, even if it’s a difficult story to tell, especially because it goes as well as it does.
Marcus and Jorgo are probably the biggest Bud Spencer and Terence Hill fans there are. Both of them have a long-lasting and very emotional connection to their films: Jorgo – who is blind – always listened to them when he was a child. Marcus had a bad accident and the films helped him in his recovery. Marcus and Jorgo meet at a fan event and find kindred spirits in each other. They decide, more or less on a whim, to try and track down Bud Spencer to try and thank him for what he has meant in their lives. It’s a mission that takes them a long time and has them driving through Europe.
I went into this film expecting something different from what I got, but it was an enjoyable, albeit a little lenghty experience nevertheless.
Toni (Michael Ostrowski) and Horst (Andreas Kiendl) don’t really have much going for themselves. But at least Horst an live cheaply in his grandmother’s apartment. The only trouble is: his grandmother has been dead for a while and if anybody were to find out, his comfortable life would be over. So when he gets a letter from the mayor who wants to congratulate the grandmother on her 100th birthday, Horst and Toni decide to quickly borrow an old woman from the hospital. It just so happens that they manage to take famous actress Elfriede Ott (Elfriede Ott), leading to more trouble than they bargained for.
I’ve heard a lot of good things about this movie, but it’s definitely one of those comedies that really don’t work for me. It had its moments here and there, but altogether it falls in the category of “it’s a thing I’ve seen now.”
Peter Weiss (Sven Dolinsky) grew up in the 20s and 30s. The death of his parents inspires him to revisit his childhood and youth, and reflect on his coming-of-age, as a man, as an artist, as a member of a half-jewish family in a Europe with fascism on the rise.
Abschied von den Eltern is an interesting cinematic experiment, both as a film and as an adaptation of a novel, but I was more impressed with the text than with the film.