Plot: Helene (Julia Jentsch) is a judge, her husband Jakob (Manuel Rubey) a musician and stay-at-home dad. Their lives are pretty settled, as is their friend’s Volker (Marcel Mohab), a therapist with an unceasing string of girlfriends. The newest is Tina (Aenne Schwarz), an art historian who works with children at the museum. When Volker mentions that he will go to Russia for a conference, Helene asks him to bring a package to Pavel (Tambet Tuisk), her Russian college boyfriend who finds himself in a tight spot. This leads to Pavel actually fleeing from Russia to Austria. To Helene’s surprise, he shows up with his wife Eugenia (Lena Tronina) and their child, getting everything in disarray.
Waren einmal Revoluzzer profits from its political heart that does elevate the film beyond the rather standard comedy it is. Still, while entertaining and well-made, I didn’t really love it.
Plot: Jakob (Kerem Abdelhamed) and Anna (Sara Toth) have been a couple for a while and enjoy a rather adventurous sex life. Anna desperately wants to move out from home, but she needs to make money for that. So the two decide to try amateur porn. Meanwhile Jakob’s brother Alex (Valentin Gruber) is dating Momo (Melissa Irowa) – online, because he doesn’t dare telling Momo that he uses a wheelchair. Momo’s friend Luka (Lou von Schrader) also uses online dating sites and meets Ben (Max Kuess). Ben is very much into her, but Luka doesn’t want anything to do with feelings.
Lovecut is an interesting look at sex (and a little bit love) for teenagers in times of online dating and easily available (opportunities for) sex work. It manages to be non-judgmental for the most part, which is nice, but it does suffer a little from the inexperience of both the cast and the writing-directing team.
“Plot”: Johanna Dohnal was Austria’s first minister for women and the first (outspoken) feminist to be part of the government in Austria (maybe even Europe). She fought for women’s rights and achieved a lot. The documentary looks at her achievements, her career and the influence she still has.
I have to say that until this documentary came out, Dohnal was not a name I really knew. She was a minister when I was a child and I was not a child overly involved in politics. And as is so often the case, women and their achievements are more quickly forgotten than you’d ever think possible. I don’t think I ever heard about Dohnal in school. So it is fantastic to get this documentary that memorializes her and makes sure we don’t forget what she made possible.
Plot: Tobias (Joseph Gordon-Levitt) is the co-pilot for a flight from Berlin. Everything is going fine with the preparations, but as soon as the machine is up in the air, all hell breaks loose. A few men try to take over the plane. There are strict protocols for a situation like this, but as Tobias quickly learns when you’re actually faced with having to apply those protocols, things are far from clear-cut.
7500 is a tight thriller with an excellent performance by Gordon-Levitt that taps into an often-conjured scenario in a realistic way. I am a little hesitant if it really manages to work against the anti-muslim sentiments that come with that scenario, but at least it tries very much to do so.
Plot: Alice (Emily Beecham) is a botanist working on creating the perfect plant – a plant especially designed to make everyone happy who smells it. It appears that her attempts have been met with success and Alice decides to take one of the plants home against company policy. She presents it to her son Joe (Kit Connor) as a gift and calls it Little Joe. But the longer Alice deals with the plant and sees the effect it has on Joe, the more worried she becomes.
Little Joe is stylistically interesting, but everything else is a drag that quickly turns boring. I really wanted to like the film much more than I did.
“Plot”: In Widerstandsmomente, Schmeiser brings together various women and how they resist(ed) – starting in the World War II and stretching all the way to today. She puts various forms of resistance next to each other, examining the possibilities for everyone to resist in their own way.
I thought the topic of Widerstandsmomente was very interesting and I’m all here for resistance, but the film didn’t really come together for me, unfortunately.
“Plot”: Street dogs are roaming the streets of Moscow, always looking for a bite to eat somewhere. Laika, the first dog who went to space, in fact, one of the first living beings from earth to go, period, was also a street dog. For her to be able to go, experiments had to be carried out, on more dogs. The documentary takes a look at the relationship between Moscow and its dogs.
Space Dogs is a documentary in two interlocking parts, both of which felt very different to me, I have to say. Though I found both very interesting and well done, the part about the street dogs in Moscow today is the one that resonated more with me. In any case, the film is excellent, but also not always easy to take.
Plot: Richy (Georg Friedrich), Tom (Christopher Schärf) and Charly (Marcel Mohab) have a plan: they will break into a famous artist’s house, empty his safe and then they’ll be rich. But things don’t go as planned. In fact, pretty much everything that can go wrong, does go wrong and Richy finds himself injured and looking for an escape with Tom, while Charly gets left behind. Out of options, Richy and Tom kidnap a bus, including the people riding on it, to get away from both the police and Charly. But their victims appear surprisingly disinterested in their fate: it turns out they are all on a “grief tour”, trying to work through the recent loss of a loved one.
I probably wouldn’t have watched Nichts zu verlieren if it wasn’t for Georg Friedrich (and to a lesser extent Christopher Schärf). The film just looked a little too much like a shallow comedy for my taste. While that impression wasn’t wrong, the film wasn’t bad and did manage to make me laugh a couple of times.
Plot: The Countess (Alba Rohrwacher) wants a new accessoire, so she heads to the slave market to get herself a black boy. The first Angelo she gets gets ill and dies, unfortunately, so she gets another one. This Angelo (Kenny Nzogang) is hardier. He grows up in her household. Baptized and educated, Angelo Soliman (Makita Samba) becomes the court mascot in Vienna. But he will not be confined to his assigned role.
I’m afraid that I saw Angelo on the wrong day and in the wrong way, so I’m not sure how much of its lack of an effect on me is due to that and how much is the film itself. It definitely does have very strong moments and is interesting in many ways, so I definitely wouldn’t discount it entirely.
Plot: Austria has a new government and the new Chancellor (Eugen Neufeld) is a raging antisemite. He manages to pass a new law that will force all Jews to leave by the end of the year. The law is received with great enthusiasm, and the Jews actually do leave, although there are some people who are against it like the Jewish artist Leo (Johannes Riemann) and the girl he is in love with, Lotte (Anny Miletty), daughter of a politician who voted for the banishment. But once the Jews are gone, it doesn’t quite have the intended effect.
Of course, from today’s perspective Die Stadt ohne Juden seems both prescient and not exactly great activism anymore. In any case, it’s a chilling historical document and an interesting film.