Plot: Countess Maria Theresia von Werdenberg (Huguette Duflos) is surprised by her cousin Baron Ochs auf Lerchenau (Michael Bohnen) while the young Octavian (Jacque Catelain) is in her room. Octavian quickly dresses up as a chambermaid and escapes notice, especially since Ochs has his own problems: he is looking to get married to Sophie (Elly Felicie Berger), hoping to get out of debt by the connection. The Countess suggests that Octavian could be his “Rosenkavalier”, his second in command for the wedding, a mix of messenger and wedding planner. Ochs agrees to the suggestion, but Octavian proves to be a difficult choice for everybody.
Der Rosenkavalier has beautiful music, but not much else about it worked for me, despite the obviously lavish production.
Plot: Romy Schneider (Marie Bäumer) has withdrawn to a spa hotel slash rehab center to attempt to get her life under control again. Her friend Hilde (Birgit Minichmayr) comes to visit and support her, as she always does. Joining them are two journalists from the STERN magazine, Robert (Charly Hübner) and Michael (Robert Gwisdek) who want to interview Romy. Over the course of three days, they try to get past the surface while Hilde tries to shield Romy from their invasive questions.
3 Tage in Quiberon has an amazing cast and a good story, but I nevertheless had trouble staying with the film sometimes. Still, I did get the sense that those three days were a very special event.
Plot: Julia (Elisabeth Wabitsch) and her classmates have finished school and as is increasingly common in Austria, that means that they’re packing their bags and heading for a week long party trip on an island off the coast of Croatia. It’s supposed to be a week of drinking, bathing and partying. Instead things turn sideways very quickly and Julia’s classmates start dying.
Die letzte Party deines Lebens is a classic teenie slasher that, unfortunately, has nothing much to recommend it. I was hoping for more from director Hartl.
Plot: Mati (Sophie Stockinger) loves nothing more than to ride around on dirt bikes with her (male) friends, above all Sebastian (Jack Hofer). They are loud and brash and cause trouble in the area. But shortly before her final exam in school, Mati is thrown for quite a loop when Sebastian confesses that he is in love with her and Mati meets the older Carla (Julia Franz Richter) who she is drawn to. Both of these things threaten Mati’s standing with her guy friends and force her to make decisions.
I really liked L’animale, even though it gets a little too on the nose with its parallels and metaphors at times. But it’s a strong, emotional, well-made and queer coming-of-age film – and there can never be enough of those.
Content note: cis and dya fuckery, trans- and intermisia
Plot: Erik Schinegger (Markus Freistätter) grew up as Erika, always uncomfortable in what society expects of girls and unable to reconcile it with his own wishes. Until he starts skiing – a sport that he really loves. After he wins some big women’s races for Austria, a medical check reveals that he might not be a girl after all as everybody assumed he was – and Erik has to face some questions about his own identity and make some difficult decisions regarding his body and his career.
Look, I know that my plot summary is less than perfect with how it talks about Erik Schinegger, but honestly, it’s the best I could do and still have it have anything to do with the actual film. Because Erik & Erika is a mess and incredibly biologistic, heteronormative and sexist especially for a film that is about a trans and inter guy.
Plot: Pepe (Roman Pokuta) has been in Vienna for a while and he knows the lay of the land. He works for his uncle Rocky (Frantisek Balog), begging in the streets. When Marcela (Simona Kovácová) arrives from Slovakia to join them, Rocky asks Pepe to show Marcela the ropes. And while Marcela seems pretty hopeless at begging, Pepe and Marcela do get closer. But is their hard life made for love?
Zerschlag mein Herz really is aptly name because my heart was sufficiently crushed by the end of it. It’s a great film that looks at some hard truths about life in Vienna and an absolutely fantastic film, especially for a first feature.
Plot: Emil (Julian Sharp) is an actor, currently working on the role of Phaidros opposite Werner Maria (Alexander E. Fennon) as Sokrates. But their stage relationship isn’t exactly cooperative and Emil is struggling with his own performance, looking for a big break. His private life is also not exactly satisfactory, although easy: he lives with the costume designer Maurizio (Nicola Filippelli) who takes care of his every need and is very much in love with him. But Emil is looking for something else.
Phaidros is a strange film – as a Mattuschka film is wont to be. It works in many ways, but in others not at all. Especially the transmisogyny in it left a bitter taste in my mouth.
“Plot”: Matthias, Johannes, Stefan and David are brothers. There used to be a fifth one, Jakob, but he killed himself. Now the four remaining brothers are on a hiking trip together in the mountains where Jakob always felt at home. They use it as both a chance to talk about Jakob and to get closer to each other again.
Bruder Jakob, schläfst du noch is a touching documentary and a gift from the filmmakers to share their very private process of grieving with the world. It’s beautiful.
“Plot”: Anomalie looks at the lines we draw between sane and insane and how blurry it actually is. Following Fritz Joachim Rudert, a homeless man with experiences as a patient in psychiatric wards, to his participation in the German anti-psychiatry movement, the film asks how we as a society decide about the standards and norms that we accept as true – and whether our reaction to deviations from those norms is as it should be.
Anomalie picked a very interesting topic for a documentary and tries to come at it from many angles – too many at times, maybe. Even if I would draw some conclusions differently than the film appears to, I was fascinated from beginning to end.
“Plot”: Movies have always looked to and at the stars, the sky, at the universe itself. Lurf collected all these images from the beginning of film to movies right now into one 102 minute supercut, exploring how we look at and relate to the stars.
I liked the idea of ★, but the resulting film fell a little flat for me. I felt that the stars were disenchanted by the sheer mass of images and I would have wished that the film contributed to the magic they exude instead.