Plot: John Hartley (Dwayne Johnson) is an FBI profiler, working together with Interpol, specifically Inspector Das (Rity Arya) to finally catch renowned art thief Nolan Booth (Ryan Reynolds). Operating off a tip from the mysterious Bishop (Gal Gadot), herself an art thief, things go sideways for Hartley after he catches Booth: it looks like The Bishop set him up, too – and Hartley ends up not only in the same prison as Booth, but also in the same cell. Despite their antagonistic relationship, Hartley and Booth agree to work together to get The Bishop. But that’s easier said than done.
Red Notice is a heist movie with an Indiana Jones touch and a nice cast – so I really don’t understand why it is so very lukewarm.
Plot: Sebastian Malheur has quite a reputation, and the least of it is that he is a rake. No, he is known for his scientific endeavors about the inheritance of traits, a topic bound to rile people up. Only what people don’t know is that Sebastian is merely the public face of these theories. They are actually the work of his best friend, Violet Waterfield, the widowed Countess of Cambury. Violet would like to remain respectable and pursue her work in peace. But Sebastian needs for things to change. This causes the two of them to re-evaluate their relationship and come clean about more than just their science.
I enjoyed The Countess Conspiracy, though maybe not quite as much as I hoped I would. I just didn’t fall in love with Violet and Sebastian as a couple.
Plot: Many years ago, Abuela (María Cecilia Botero) had to flee her home together with her husband and her three children. On their flight, her husband didn’t make it, but Abuela got a gift, a miracle that gave her and her family magic powers and a safe haven in a magical house. Now the Mardrigal family uses their gifts to keep the village going. Everybody in the family got a different gift. Everybody but Mirabel (Stephanie Beatriz) that is. Now it is Mirabel’s little cousin Antonio’s (Ravi Cabot-Conyers) turn, and there is a certain tension in the air. What if Antonio doesn’t get a gift either? But even after Antonio is successful, there is something wrong – and Mirabel is determined to fix everything.
Encanto is sweet, touching and fun. I thoroughly enjoyed it, its colorful world-building and characters.
Plot: After a brutal break-up, Sloane (Emma Roberts) is alone for Christmas, a fact that her family will never let her forget, trying to set her up anyway they can. When Sloane’s more free-spirited aunt Susan (Kristin Chenoweth) suggest that she should just get herself a holidate, a guy to keep her company during the holiday parties, to escape the hassle, Sloane is hesitant at first. But then she meets Jackson (Luke Bracey) who is equally fed up with dating around the holidays. They agree to try holidating for New Year’s, and since it works out rather well, they agree to continue until they have something better. But maybe there is nothing better for them than each other.
Holidate is a cute film with a few good moments, but both Sloane and Jackson remained a little too bland to make the film really memorable.
Plot: Meggie (Eliza Bennett) and her bookbinder father Mo (Brendan Fraser) have always lived rather withdrawn lives surrounded by books, traveling around where Mo’s work is needed. This gives Mo a chance to look for a rare book. Just when he finds a copy, Dustfinger (Paul Bettany) shows up. It’s clear that he is actually an old acquaintance of Mo’s. He warns of Capricorn (Andy Serkis) and his men who are coming for Mo. Meggie and Mo immediately head towards her greataunt Elinor (Helen Mirren). But Dustfinger is right behind them as he desperately needs something from Mo: his ability to read things out of books. It’s that ability that Capricorn is looking for, too and that puts all of them in danger.
Now that I finally finished (re-)reading the trilogy, I wanted to watch the film again, too. It is still a sweet adventure film that captures the essence of the book very nicely, albeit overshooting the goal a little.
Plot: It’s midsummer night and Miss Julie (Jessica Chastain) is alone at home. That is, her father the Baron is gone and most of the servants are at the festivities, but Jean (Colin Farrell) and Kathleen (Samantha Morton) have stayed behind. Jean and Kathleen are an item and they are rather disturbed by Julie’s presence in their kitchen. Jean, with the power of propriety, tries at first to push Julie away, but when Julie, with the power of her social position, pushes back, both of them get caught in a sexually charged power struggle.
Miss Julie is an intense film with extraordinary performances that fails to subvert its heteronormative perspective in the slightest, thus becoming too hopeless for its own good.
Plot: Berthe Morisot (Marine Delterme) and her sister Edma (Alice Butaud) are both very interested in painting, a passion they can both pursue as long as they stay unmarried. And that is something that they plan on. When a painting by Édouard Manet (Malik Zidi) scandalizes pretty much everyone, they are both intrigued, both by the painting and the man. Much to Edma’s disappointment, though, Manet shows more interest in Berthe.
Berthe Morisot is an overall well-made film about a woman who is often forgotten by art history. Unfortunately it seems more interested in her relationship with a man than in her person or her work.
Plot: It is just before Christmas and the young people of the upper class are in a party mood. On one of their outings, charismatic Nick (Chris Eigeman) just sweeps along Tom (Edward Clements) when he believes that they called for the same cab. Tom used to run in the same circles, but after his parents divorced, he doesn’t have the ressources anymore. Instead he turned to socialist politics. But surrounded by the riches, and learning that the group knows his ex-girlfriend Serena (Ellia Thompson), Tom is enticed to stay. Meanwhile, the group – above all Audrey (Carolyn Farina) – are quite affected by his presence.
Metropolitan is a witty film that takes a look at a very specific class that has been almost mythologized, and shows us that they are still only teenagers. There is room for criticism of that class, but it does take a backseat to the characters.
Plot: Waylon Brewer is a gay, fat boy stuck in a small town. He is desperately waiting for High School to be over, so he and his twin sister Clementine can get out of there and he can actually start to be as flamboyant as he wants to be. Not that he is able to hide that he is gay, even if he wanted to. But there is “being femme” and then there is “being a sparkling queen”, and Waylon isn’t ready to be the latter in Clover City. That doesn’t keep him from creating Miss Pumpkin Patch and making an audition video for his favorite drag reality TV show though. When that video gets out and is circulated in school, it leads to him being nominated for prom queen, and Clem’s girlfriend Hannah is nominated for prom king. Waylon has a choice to make: turn himself down as much as he can, or finally go full Waylon, even if that means spending a lot of time with gorgeous, but infuriating prom king nominee Tucker.
Pumpkin is a wonderfully sweet, funny read that gives you just the right amount of fluff and romance, with a nice dose of life advice we can all take to heart a little more.
Content Note: domestic violence, child abuse, homomisic and ableist slurs
Plot: Stevie (Sunny Suljic) lives with his mother Dabney (Katherine Waterston) and his bigger brother Ian (Lucas Hedges). Things aren’t easy at home. Stevie gets beaten up regularly by Ian, and Dabney is rarely present, usually caught up with some man or another. When Stevie stumbles upon a group of skaters, he hopes to find the community there that he lacks at home. He takes up skating and gets to know the boys. But they are older and wilder than him.
For some reason, I thought that Mid90s would be a light-hearted film. It is not, and it disabused me of that notion within the first 30 seconds or so. Once I readjusted my expectations, I found it quite good in many ways.