Content Note: sexual assault, sexism, (critical treatment of) ableism, medical experiments
Plot: 1943 in Italy. Israel (Giorgio Tirabassi) runs a circus with his four artists Cencio (Pietro Castellitto), Matilde (Aurora Giovinazzo), Fulvio (Claudio Santamaria) and Mario (Giancarlo Martini) – who actually all have supernatural powers that fuel their performances. The five try their best to stay out of the Nazis’ way, though there is the Circus Berlin stationed in Rome – supposedly the best circus in the world, headed by Franz (Franz Rogowski), a pianist with 12 fingers. Franz has superpowers of his own: he has seen the future and knows that it doesn’t look good for the Nazis. He is convinced that he has to find four superpowered people to prevent the Nazis from losing and he will do anything to find them.
I enjoyed Freaks Out for the most part. It is marred by the male gaze, but it’s entertaining and manages to combine comedy and Nazi horrors in a good way.
Plot: Mona (Jeon Jong-seo) has been locked away in a psychiatric facility because she has special powers – she can control others with her mind. But now she is finally able to escape and makes her way to the next city, New Orleans. Unused to dealing with the world, she stands out. When she meets stripper Bonnie (Kate Hudson) and Bonnie realizes what she is capable of, she takes her under her wing and together, they start a more or less new life.
So far, I didn’t really like Amirpour’s movies, but I’m happy to say that I very much enjoyed Mona Lisa and the Blood Moon that is a film that is a) not as obsessed with style as her other features and b) doesn’t take itself all that seriously. That means, it’s a film that has room for heart – and that’s just what I like to see.
Plot: Marcel (Benoît Poelvoorde) is an author, supposed to be working on his next book that has been a long time coming. Together with his publisher and wife Jeanne (Mélanie Doutey) and their daughter Lucie (Janaina Halloy), they decide to withdraw to Jeanne’s family estate in the country for a bit of calm. Shortly after their arrival, Gloria (Alba Gaïa Bellugi) turns up, bringing back the family dog that ran off. Quickly, Gloria finds a place in their home as a housekeeper and friend to Lucie. But her presence has an unsettling effect on the family.
Inexorable had me rolling my eyes so much because it is, on the one hand, boringly familiar, and on the other hand, enragingly misogynistic.
Plot: Andrejs (Igors Selegovskis) works in an outdoor store. His sister Eva (Inga Tropa) is an actress who is planning to shoot a commercial with her boyfriend Oskars (Reinis Boters) behind the camera, Matiass (Rihards Sniegs) starring alongside her and Mara (Elvita Ragovska) directing – though everything is supposed to look like Eva and Matiass were alone in the wild. When Andrejs learns that they actually plan to go to Upurga to kayak without any guide, he is appalled – and offers his services. So the five go to the river together. But strange things soon start happening.
Upurga does a good job setting up its mystery and then not such a great job with keeping the tension or unraveling the story. Ultimately, I fell asleep and missed the last third or so, but I can’t say I regret not finishing the film.
Plot: Evelyn (Michelle Yeoh) and her husband Waymond (Ke Huy Quan) run a laundromat together, a business that has made it possible for them to raise their daughter Joy (Stephanie Hsu) but that hasn’t been going that well and that is currently being audited by IRS. A fact that Evelyn’s father Gong Gong (James Hong) isn’t allowed to know. But Evelyn and Waymond have to take him with them to the appointment with their auditor Deirdre (Jamie Lee Curtis). On the way there, Waymond starts behaving strangely though, giving weird instructions to Evelyn and finally telling her that he is from a parallel universe and the multiverse needs Evelyn to save it. Evelyn would rather not, but there is no escaping Jobu Tupaki.
I had extremely high expectations for this film. Not just because everything about it looked great, but also because I loved Swiss Army Man so very much. That, of course, also made me worried, because we all know how hard sophomore works have it when the first one is simply magical. In any case, I need not have worried. Everything Everywhere All at Once is an absolute delight.
Plot: When Zohra (Sabrina Ouazani) meets Omar (Ramzy Bedia), they connect over a shared love for kung fu movies. It doesn’t take long until they are married and Zohra finds herself in a new city with a new job and a new friend in Binta (Eye Haidara). But after a rather smooth start, things get bumpy. Omar starts hitting Zohra and she finds herself unable to leave him. Instead she finds strength in training her fighting skills.
Kung Fu Zohra is probably the funniest film about domestic violence in existence, combining a martial arts comedy with astute commentary on DV – a combination that shouldn’t work but does somehow.
Plot: War is brewing, and Ciri is an important factor in it, by her existence alone. While Geralt is trying to figure out who sent Rience after them, Yennefer is taking Ciri to the Aretuza School of Magic on the Thanedd Island. Not only is she hoping that Ciri will be safely hidden at the school, but there is also a big conclave of sorcerers planned there that Yennefer wants to attend. But things are complicated indeed, and Ciri isn’t even sure she wants to go to school there. She’d rather catch up with Geralt.
Time of Contempt deepens the political intrigue, but also the old-white-manliness of the series that seems to get worse with each book. It’s still an entertaining read, but it makes me question the series a little (more).
Plot: Maria (Susanne Jensen) lives off the grid in the mountains with her son Johannes (Franz Rogowski) who has a learning disability. They spend their days mostly quietly and calmly with a lot of prayer and Johannes’ birds of prey. But their idyllic existence is threatened when plans are made to create a skiing area around them – and the developers are desperate to buy their land, unwilling to accept that Maria won’t sell. An evil is coming for Maria and Johannes.
My history with Peter Brunner movies isn’t without its issues, but I have liked his films increasingly more – and Luzifer is probably the one I liked the most so far. It doesn’t always work, but it is definitely engaging.
Plot: Amleth (Alexander Skarsgård) only barely escaped with his life when his uncle Fjölnir (Claes Bang) murdered his brother, Amleth’s father, King Aurvandil (Ethan Hawke) and took over the kingdom. Amleth, only a boy then, had to leave his mother Gudrún (Nicole Kidman) behind, but swore to save her and take his revenge. Now he is grown up and makes his living as a viking. During a raid, he hears news from his uncle and, pretending to be a slave like Olga (Anya Taylor-Joy) and many others, lets himself be carted off to finally fulfill the promise he gave as a boy.
I was hoping for The Northman to be a bit of a bloodfest, knowing that with Eggers, I’d probably get a bit of a challenge as well. But unfortunately, mostly what I got with The Northman is darkness – and I mean that quite literally. It’s a film we barely see and that was pretty boring to boot.
Plot: Loretta Sage (Sandra Bullock) is a very successful romance novelist whose heroine Angela is an archaeologist – like Loretta herself. But since the death of her husband, Loretta has been unable to write. And so her latest novel ends in an awkward place for Angela and her love interest Dash. The planned book tour is off to a bad start then, especially since Loretta’s agent Beth (Da’Vine Joy Randolph) invited cover model Alan (Channing Tatum) along. At least on a visual level, he is the embodiment of Dash. But Loretta absolutely loathes him. A feeling that is not reciprocated. And when Loretta gets taken by billionaire Abigail Fairfax (Daniel Radcliffe) for her archaeological expertise, it is Alan who sets out to rescue her, however inept his efforts are.
The Lost City is excellent fun, a great fusion of romance and adventure that pays hommage to both genres but not without some humorous irreverence. I had a great time with it.