Clemens (Franz Rogowski) just started working at a spa hotel. He is allowed to stay in a small storage room there and starts learning. But when the meek Clemens meets the rebellious Lara (Lana Cooper) who works in the kitchen, sparks start flying. As the two get more and more wrapped into each other, that spark between them starts to cause chaos in the entire hotel.
Love Steaks wasn’t my cup of tea. Difficult people in broken relationships is an interesting topic but if you try to sell it to me as romance, I’m out. And that’s what happened here.
Jehuda (Oscar Beregi Sr.) impresses the young Lea (Anny Hornik) and Lea’s devout father Esra (Albert Heine) agrees to their engagement. But before they can actually get married, Jehuda falls for Rahel (Ria Jászonyi) and not caring much for Lea, leaves her. Heartbroken Lea commits suicide. Esra confronts Jehuda and curses him, but Jehuda is unwilling to contemplate his part in the tragedy for many years.
Der Fluch didn’t really work for me. While it was interesting to get an authentic look at a Jewish settlement from a pre-World War 2 time, nothing else about the film really managed to convince me.
It’s been months since Kell and Lila had to face White London, and things are settling. Lila has gone to be a pirate as she’s always dreamed, while Kell is trying to find his place with the royal family again. But things are tense, having lost the trust of the King and Queen and still having to figure out the changed relationship with Rhy. With the approach of an international magic contest in Red London, it is even more imperative that things start to run smoothly again. But the other Londons still harbor some surprises.
A Gathering of Shadows was a good, quick read, but I did have my problems with it, starting with the magic tournament angle (incredibly overdone) to character development.
Justin (Justin Benson) and Aaron (Aaron Moorhead) are brothers who managed to get out of a cult and have slowly been adjusting to life outside of it. But when they get a video from another member of the cult, it re-opens that chapter of their lives and the two decide to head back there to figure things out and find closure. However, once they arrive, the cult starts to make more sense than they ever thought before.
If The Endless hadn’t been a surprise screening, I probably would have avoided it – that’s how much I hated Benson and Moorhead’s first film, Spring. But I have to admit that Endless wasn’t bad, even though I didn’t fall head over heels for it.
Val (Kevin Bacon) and Earl (Fred Ward) do a little bit of everything around the small town of Perfection, Nevada, in the middle of the desert. They are ready for a change, but that change comes in a very different way from what they expect when they and the entire town come under attack from giant snakes that burrow underground. Suddenly the entire small population of Perfection has to fight for their survival.
I know that Tremors has gained quite a cult-following, but maybe it needs the nostalgia factor to really see why that’s the case. I saw it for the first time at the /slash and I thought it was nice, but I didn’t love it.
Kyoko (Ami Tomite) is a young artist who takes great pleasure in humiliating her assistant Noriko (Mariko Tsutsui). But as their sexually charged relationship unfolds, things keep shifting.
I saw the trailer of the film and I was very doubtful that I would like it. But I didn’t think I’d actively hate it. It took me about five minutes to arrive at that point though, and even though I tried to give it more of a chance, I didn’t succeed.
Chrissy (Asta Paredes) and Lauren (Catherine Corcoran) have just come out of a crisis at Nuke ‘Em High, and are already slithering into the next. On a personal level, their principal threatens to out them. On a larger scale, rich company owner Herzkauf (Lloyd Kaufman) isn’t done trying to make profits at Nuke ‘Em High any way he can.
After the short film that ran before it, I fell asleep for the first half or so of the film. But that just meant that I was awake enough to really take in the secod half even though I really didn’t want to. Troma will probably never win me over.
A new STD is spreading around town – Sex Lobsters. And there’s only one person who is able to stop them all: Dolphinman (Gibson Merrick).
Troma doesn’t make my kind of films, and Dolphinman Battles the Sex Lobsters was no exception. Although it really did make me laugh once, when the diagnosis came that it wasn’t, in fact, crabs, but lobsters. Other than that though, I didn’t care for the film one way or another.
Ian (Ian Meadows) and Sam (Harriet Dyer) decide to spend New Year’s Eve camping in the outback. As they set up their tent they discover an empty tent not far from them. Not thinking much of it at first, they become a little concerned when nobody comes back to the tent. When they find a lone toddler in the woods, their concern turns into panic. But before they can get help, they run into two men (Aaron Pedersen, Aaron Glenane) who probably aren’t up to much good.
Killing Ground operates a little too much along the usual plot lines, but it does so rather effectively, making it a solid film.
Gloria’s (Anne Hathaway) life is a mess. Gloria is a mess. When her boyfriend Tim (Dan Stevens) tells her things have to change or she has to move out, she decides to move back to her hometown to live in her parents’ empty house, instead of going to rehab which would have probably been the better choice. Once there she starts working for her childhood friend Oscar (Jason Sudeikis) and keeps partying hard. When reports surface about a giant monster that terrorizes Seoul, Gloria starts to realize that the monster is connected to her somehow.
Colossal has a fun concept that works over long stretches as a metaphor but not always. I enjoyed it, despite a few misgivings.