Plot: Marthe (Isabelle Huppert), Michel (Olivier Gourmet) and their children Judith (Adélaïde Leroux), Marion (Madeleine Budd) and Julien (Kacey Mottet Klein) live right next to a piece of unfinished highway. The highway has remained unfinished for a decade and has become their personal playground, separating them from their mailbox and the road that lead to the next town. Much to their surprise, though, overnight the highway is finished and opened, completely disrupting the life they built together.
Home is an intriguing film with an unusual setting that grows increasingly more absurd and remains captivating throughout. I really enjoyed it.
Plot: Kate (Amber Hubert) is an actress, hoping to finally get her break, but so far mostly just running errands for her theater. On her 23rd birthday, she opens a letter that she wrote to herself when she was 13 (Maggie Brown). The hopeful words of the letter stand in stark contrast to the feeling of being stuck that Kate has at the moment. Even when the theater director (Robert Hamilton Wright) finally offers Kate a leading role, it doesn’t feel quite as satisfying as Kate had hoped. And so her 13-year-old self keeps haunting her.
We Go Way Back is a captivating mix of sad and funny that gives us a thoughtful portrayal of an unhappy young woman without descending completely into doom and gloom. I really enjoyed it.
Plot: Haley (Haley Bodell), Gwen (Audrey Boos) and Trish (Gabriella Herrera) are preparing for a ritual in the town’s diner. They, and every other kid their age, are donning the clothes of their grandparents and walk to the diner. Something big is going to happen, something that will change the course of their lives forever. At least, if they are chosen.
Ham on Rye builds on an interesting idea, but lacks a bit of focus and narrative clarity. Still, it’s definitely unusual.
Plot: Anna (Kathryn Worth) arrives in Italy. The plan was that she and her husband Alex would spend a nice holiday with her oldest friend Verena (Mary Roscoe) and her family – husband Charles (Michael Hadley) and three children, Archie (Harry Kershaw), Badge (Emma Hiddleston) and Jack (Henry Lloyd-Hughes), as well as Mary’s friend George (David Rintoul) and his son Oakley (Tom Hiddleston). But after a fight with Alex, Anna decided to travel on her own, to take a break. Much to Verena’s consternation, Anna doesn’t share what’s going on and doesn’t even spend a lot of time with her. Instead she rather hangs out with the kids, especially Oakley.
Unrelated feels almost like a documentary in its approach to its story, and this sense of detachment coupled with Worth’s personal performance allows it to both empathize with Anna while casting a critical glance at her environment, and also at Anna herself. I really enoyed it.
Plot: Candy Wang (Vivian Wu) runs a hairsalon and owns the last house in the neighborhood she grew up in. Everything else was torn down to make way for a large building project helmed by architect Sean Landry (David Rysdahl). Candy’s brother Old Wang (Haoyu Yang) is a pig farmer in constant money trouble. Now more so than ever, because his pigs have mysteriously died, just like most of the pigs in the area. Those dead pigs start floating down Shanghai river because nobody knows what else to do with them. Meanwhile Wang’s son Wang Zhen (Mason Lee) works in the city as a busboy, hoping to make a better life for himself and maybe catch the attention of his rich customer Xia Xia (Meng Li).
Dead Pigs rolls a lot of criticism into a protective layer of jokes that make its critical stance look surprisingly light, but not necessarily soft. It’s a bittersweet, very engaging film.
Plot: Amber (Auli’i Cravalho) is a friendly teenager who always looks at the bright side, even though her mother Becky (Justina Machado) fell on hard times and they are currently homeless, sleeping in the school bus Becky drives. Nevertheless, Amber still finds the time to work in a senior residence, give pay-as-you-wish English lessons and helps take care of a neurodiverse teen who is one of her best friends, Ricky (Anthony Jacques). Ricky, Ty (Rhenzy Feliz), Chad (Gerald Isaac Waters) and Jordan (Taylor Richardson) are Amber’s social net, but they don’t know how difficult things are for her at the moment because Amber has a hard time accepting help. When things get even worse, though, and it looks like Amber may have to give up on her dream of going to Carnegie Mellon, something has to give.
All Together Now is incredibly cheesy and Auli’i Cravalho is almost the only thing that makes all that cheese bearable.
Plot: A girl (Juno Temple) and a man (Brian Geraghty) are making their way through the desert. They are looking for shelter, while some men in a car (Lukas Haas, Lee Thompson Young, Joel David Moore) are looking for them.
I saw that Juno Temple was in Bastard and decided to watch it, so I was a little surprised by the Christianity of it. Your mileage will probably vary regarding that. I felt that the film was a bit sensationalistic. But Juno Temple is still wonderful.
Plot: When Lila (Hafsia Herzi) finds out that her boyfriend Rémi (Jérèmie Laheurte) cheated on her with his ex-girlfriend Myriam (Myriam Djeljeli), she is devastated. Lila and Rémi break up, but at the same time, they aren’t actually willing to let go of each other. So, while Rémi heads to Bolivia to clear his head, Lila starts flirting with other men, hoping to find more luck with them.
Tu mérites un amour sounds like it should be right up my alley – a story about a woman trying to find her footing in the world? I like those – but it just didn’t work for me because Lila and her development didn’t work for me.
Plot: After Joachim (Jonathan Couzinié) has an apparently random encounter with somebody on the street who gives him the idea that he is the reincarnation of a Zoran who appears to not have been a good person, he convinces his friend Alice (Adèle Haenel) to go to Sarajevo with him and find out more about his past life. Alice, a filmmaker who shot a documentary about Srebrenica and its aftermath, decides to make a film out of Joachim’s search as well. Together with soundmaster Virginie (Antonia Buresi) and cameraman Paul (Paul Guilhaume) they leave to find out who Zoran/Joachim was.
Heroes Don’t Die is an interesting, metafictional film that takes its seemingly fantastic premise to say something about how to live in the face of mortality – be it your own personal mortality, or the mortality of people around you, be it a single death or the masses who died in the war. I found it very intriguing.
Plot: Adam (Andrzej Chyra) is a priest in a small town. Together with the teacher Michal (Lukasz Simlat), he spends most of his time trying to reign in the delinquent boys and young men they have to take care of in a mix of foster care and detention center. But Adam also struggles with his own homosexuality. He hoped that turning to religion will give him some relief, but when he is faced with the troubled Lukasz (Mateusz Kosciukiewicz), his usual methods of suppression start failing.
W imie… treads familiar ground with its story. It’s not badly made, but it wouldn’t have hurt to give the topic a fresher spin.