Morgen ist auch noch ein Tag, wenn du willst [literally: Tomorrow is another day, if you want] Director: David Gräber Writer: Andreas Neu Cast: Hannah Zieziula, Christina Völz, Bo Anderl Part of: Transition Queer Filmfestival Seen on: 11.7.2021
Plot: Claudia (Hannah Zieziula) and Marcus (Bo Anderl) have been dating for a while, but their relationship isn’t at its best anymore. Marcus feels that Claudia is distant, so he seeks to reconnect with his ex-girlfriend Jana (Christina Völz). What he doesn’t know is that Claudia is distant because she, too, met Jana and fell in love with her – and vice versa. Marcus, living out of his van, takes turn staying with the two women, but he can’t stop them both from turning away from him.
Postcards from Sicily didn’t work for me. I found it very tiring and couldn’t get into the story or the characters.
Plot: George (Adriano Visagie) and Simeon (Simon Hanga) meet in a bar. They flirt, they have sex. They don’t really expect more, especially not in Namibia where homosexuality is criminalized. But then they run into each other again when George comes to buy Kapana for his lunch break, and finds that Simeon is the one who is selling it. Simeon panics, he isn’t out to anyone in his life, but George finds a way and they start dating. Only, George has a secret, and this could threaten to end things between them before they ever really started.
Kapana is a very sweet film that tries to deal with a lot of stuff in its short runtime, but also keeps its emotional side in sight. I really liked it.
Plot: Danielle (Rachel Sennott) is a student, just trying to figure out what she wants to do after college. Meanwhile, she has a rather comfortabel arrangement with Max (Danny Deferrari), her sugar daddy. When Danielle’s parents Joel (Fred Melamed) and Debbie (Polly Draper) insist that she come to a shiva with them, Danielle things she is dealing with the worst when her parents keep trying to finde her a job and she runs into her ex-girlfriend Maya (Molly Gordon) there. But then Max shows up as well – with his wife (Dianna Agron) and baby.
Shiva Baby is billed as a comedy, but the parts that stood out to me the most were the uncomfortable ones, and not the funny ones. In any case, for a debut feature by a very young director, it shows a lot of promise.
Plot: Mary Anning (Kate Winslet) lives in a small town at the sea with her mother (Gemma Jones). Every day, Mary goes down to the beach to look for fossils, having made many important finds already – not that the scientific establishment cares much about her. Nevertheless, one day a geologist, Roderick Murchinson (James McArdle) comes to her shop and hopes to accompany Mary to the beach to learn from her. He is willing to pay for it, and Mary is poor, so she agrees. A little while later, Murchinson leaves on a trip to the continent, but leaves behind his sickly wife Charlotte (Saorise Ronan). Mary finds herself suddenly responsible for Charlotte, a charge she resents at first. But slowly the two of them warm to each other.
Ammonite is a really nice film with excellent performances and good characters. It could have done with a little more happiness, but I did like it a lot.
Plot: Claire (Najarra Townsend) is a shy stylist who has the habit of scalping some of her clients so she can feel like she lives a different life for a while. When one of her long-term clients, Olivia (Brea Grant) insists that Claire does her hair for her wedding, Claire grows increasingly more drawn to Olivia and her life. But she still tries to leave her murdering days behind.
The Stylist is an aesthetically very pleasing film that suffers from some lengths around the middle that kept me from really loving it.
Plot: Molly (Cecilia Milocco) was just released from a psychiatric facility where she had to spend some time after a personal tragedy. She’s still fragile, but ready to face the world again. She moves into a small appartment and tries to get comfortable there. But not only is a heatwave weighing on her, Molly keeps hearing strange knocking in her apartment – knocking that nobody else seems to hear but that she is convinced is a call for help.
Knackningar is a strong film that manages to draw you into Molly’s paranoia, and keeps a clear eye on power dynamics. A really great start for the spring edition of the SLASH film festival.
Content Note: (critical treatment of) homomisia, including explicit homomisic violence, torture and rape; attempted suicide
“Plot”: Starting in 2017, Chechnya saw a sudden and widespread outbreak of homomisic violence that was denied by officials. The Russian LGBT+ Network, especially David Isteev and Olga Baranova, started helping queer people escape Chechnya and Russia altogether. But as long as nobody came forward, no officials seemed willing to investigate the situation, or even acknowledge that anything was going on.
Welcome to Chechnya is an important documentary, but it is definitely not an easy watch. Still, it should be seen.
Plot: Five friends are coming together for dinner – Ana (Ana María Otálora) and Diana (Diana Wiswell) are hosting Silvia (Silvia Varón), Ana María (Ana María Cuellar) and Marce (Marcela Robledo). It’s the first time they are coming together in a while – after Marce abruptly left for two months to travel Europe. But as the evening gets underway, tensions and secrets start to appear.
Leading Ladies is a largely improvised film that starts off interesting enough, but then becomes ever more confusing and falls apart bit by bit.
Plot: After more than a decade of living abroad, Saira (Divya Dutta) has returned to India to finally introduce their wife Sitara (Swara Bhaskar) to their mother (Shabana Azmi). The separation of Saira and their mother was long because she didn’t handle their queerness very well. But after their brother Shahnawaz’ (Jitin Gulati) intervention, Saira is hoping that this time, things will be different. But things don’t go particularly well at the Eid dinner.
Sheer Qorma is a beautiful film that puts the finger where it hurts, showing just how painful it is to not be accepted as the person you are, especially within your own family. But then the film also gives us the release of experiencing the family coming together, soothing and healing. It’s perfectly set in scene with lots of clever touches – like the very beginning of the film or the (translated! I don’t think I ever saw subtitles for it before) call of the muezzin – and a spot-on cast. I shed a tear or five. What a wonderful way to start the Transition Film Festival.
“Plot”: A group of young lesbians go to spend some time at the beach and to celebrate the New Year.
Quebramar doesn’t so much tell a story than show a slice of queer utopia – but in a realistic way. In the casual intimacy between these women, their openness and vulnerability with each other and the sense of community they share, the troubles they do talk about seem far away. They have carved out a space for themselves. It’s a good space – and they are willing to share it with the audience. So, relax and take half an hour to enjoy their company.