Mathilde (Lou de Laâge) works at a doctor for the red cross just after World War 2. She finds herself dispatched to Poland to take care of the concentration camp survivors and the French soldiers stationed there. It is in the hospital there that a young nun, Maria (Agata Buzek) from a near-by convent finds Mathilde and begs her to help them at the convent as well: they were raped by Russian soldiers and many of them are pregnant as a result. And not only do these pregnancies come with the usual dangers, but should anybody find out about their state, they would risk losing the convent, their home, entirely.
Les innocentes tackels a hard topic and it does so with a lot of sensitivity, but also a couple of lenghts. But I did enjoy it and the push it makes for solidarity among women.
Tanya (Alina Khodhzevanova) realizes one day that nothing about her life really makes sense to her. Her father is an alcoholic, her boyfriend brings other women home – while she’s there -, her mother is distant. She really has no joy in her life. Her conclusion is to attempt suicide. But it doesn’t work out that way and she finds herself in a psychiatric hospital where she starts to knit – both literally and figuratively.
I Know How to Knit was described as a dark comedy, a heartwarming tale in dire circumstances. Unfortunately, all I found were dire circumstances and depression, and very little humor.
Laila (Kalki Koechlin) has cerebral palsy but the much bigger issue is that she has to share her room with her brother (Malhar Khushu). Despite difficulties and worried parents (Revathy, Kuljeet Singh), she gets the opportunity to move from India to New York for her studies and that’s just what she does. Being on her own in a foreign country prompts a journey of self-discovery that leads Laila to co-student Jared (William Moseley) and Khanum (Sayani Gupta), a young blind activist from Pakistan who lives in New York.
There should be more films in the world like Margarita with a Straw: films that feature a queer, disabled women of color as their protagonists and tell a touching, funny story about them.
16-year-old Heidi (Abbie Cornish) runs away from home after being caught when her mother’s boyfriend kisses her. She ends up in a small town in the mountains where she tries to connect with people. With men, that mostly means sex, though that doesn’t really end well. She finds a motherly friend in Irene (Lynette Curran) who offers her a place to stay; and she finds a job. And then she finds Joe (Sam Worthington) and kind of falls in love with him. But Joe is withdrawn and rough and is still trying to figuring out his own sexuality.
I hadn’t heard much about Somersault before seeing it, I basically bought it because Abbie Cornish is in it. What I got was an emotional, engaging and beautiful film with a wonderful ending.
In the 90s, the Wehrmachtsausstellung reached Vienna. It detailed the war crimes committed by the Wehrmacht during World War II and created a lot of controversy, as the Wehrmacht thus far had been thought to have a relatively clean record (after an extensive review of the exhibition and its materials after the criticism, they found certain inaccuracies and a few generalizations that were too big, but the core argument still stands).
Beckermann visited the exhibition with her camera and interviewed the visitors to the exhibition, most of whom were Wehrmacht soldiers themselves.
Jenseits des Krieges is an incredibly important cinematic document and one that should be much older than it actually is. It proves that we had and still have a long way too go when it comes to our confrontation with World War II.
Goody (Alicia Silverstone) and Stacy (Krysten Ritter) are best friends, flatmates, vampires and single women in New York. They try to navigate all of this best as they can. They drink only animal blood that they get from their exterminator job and go to Sanguines Anonymous meetings. They have practically no secrets from each other (except Goody can’t really bring herself to tell the recently turned Stacy how old she truly is). They share their dislike of their maker Ciccerus (Sigourney Weaver). But when Goody meets her old flame Danny (Richard Lewis) again and Stacy falls in love with her classmate Joey (Dan Stevens), things will have to be re-evaluated.
Vamps may not be quite up to Clueless standards (Heckerling’s previous film starring Silverstone), but it’s an amusing film that entertains.
Ray (Elle Fanning) is fighting to get the hormones he needs to transition. His mother Maggie (Naomi Watts) supports him as best she can, even when she does struggle herself sometimes with his being trans. They live together with Ray’s lesbian grandmother Dolly (Susan Sarandon) who tries to help, too, but doesn’t really understand what Ray is going through. They do not live with Ray’s father Craig (Tate Donovan) who has a new family and not much interest in Ray. But Craig needs to agree to Ray’s treatment, so Maggie and Ray have to convince him.
I knew going in that About Ray – retitled 3 Generations – wouldn’t be an unproblematic film about being trans, but I wanted to give it a try anyway. What I got was okay, but definitely not great.
Ingeborg Bachmann and Paul Celan were both writers who met in Vienna just after World War II. Celan was a Romanian Jew, Bachmann an Austrian whose father was an active Nazi. But they connected and kept up a correspondence over many years, before and after having an affair, a correspondence filles with longings and what-ifs. Now singer and actress Anja Plaschg and actor Laurence Rupp are in a recording studio, reading those letters. As they uncover the depths of the relationship between Bachmann and Celan, they also learn more about each other.
I loved the idea of Die Geträumten, but I feared that it wouldn’t work for me because I’m simply bad at taking in stuff that is being read to me. And while I unfortunately was right with my fear, I still feel that Die Geträumten is a very worthwhile film.
After an aborted attempt to work abroad, Ana (Salomé Richard) returns home to Strasbourg with the summer stretched ahead of her. She starts to renovate her grandmother’s (Claude Gensac) bathroom just to have something to do, while trying to figure out her life. Which, as usual, is easier said than done. As she reconnects with old and new friends, things don’t necessarily become any clearer for her.
Baden Baden wasn’t great, but it was far from bad. But it’s not a film that touched me particularly deeply or will stay with me for a long time.
When Théo (Bastien Bouillon) meets Élise (Mélanie Bernier) in the elevator of his new apartment building, he doesn’t realize that she’s blind and thinks she’s absolutely ignoring him. They take an immediate dislike to each other. Théo wants to teach Élise a lesson, so he pretends to have gone blind himself and asks for her help to find his way in this to him new world – to which Élise agrees. And maybe they’ll find out that they like each other after all.
La prunelle de mes yeux is one of the worst, most offensive films I have ever seen. It is an ableist, sexist pile of shit that should never have been made. Had I seen it at the cinema instead of at home where I could let my frustration out, I would have walked out of the film.