Mifti (Jasna Fritzi Bauer) lives with her brother (Julius Feldmeier) and sister (Laura Tonke), their rich father (Bernhard Schütz) having other ideas of how to spend his time than with his children. Mifti drifts through Berlin, barely going to school. But when she does, she meets Ophelia (Mavie Hörbiger), an actress who has been sentenced to community hours in the school kitchen. The two start drifting through Berlin’s club scene together. It’s around that time that Mifti also meets the intriguing, much older Alice (Arly Jover) in the supermarket who sparks her fantasies.
Axolotl Overkill is a fascinating, well-made film that is a little marred by its author/director. But that shouldn’t keep you from seeing it.
Rhino (Stéphane Ferrara) has stolen 250kg of gold with his gang and they have scoped out the perfect hiding place: a mostly abandoned village where artiste Luce (Elina Löwensohn) has set up camp. But as things are wont to do, they don’t go according to plan. So what should have been a done deal turns into a tense battle.
Laissez bronzer les cadavres is a beautiful, stunning, gorgeous film that bored me half to death. I really didn’t know what to do with it.
Jill (Marianna Palka) is a mother of three who tries to keep it all together while her husband Bill (Jason Ritter) is away for work, and for his own fun. But she struggles increasingly until one day she just snaps and leaves her old life behind by starting to live as a feral dog. Bill calls in her sister Beth (Jaime King) to help, but the entire family is overwhelmed by the situation.
I enjoyed Bitch. It was a strong, often funny and definitely critical film that has a lot to say and does so in an entertaining way.
A short note on all the short films at the /slash Filmfestival 2017 that were part of the Fantastic Shorts Competition. The winner was Rémy Rondeau for his short J’aime Eva Marsh.
Seen on: 22.9.2017, 25.9.2017, 26.9.2017
It’s 2008 and Samir (Sami Bouajila) and Amal (Nadia Kaci) are celebrating their 20th anniversary in Algiers, remembering not only their relationship, but also the time of the civil war. Meanwhile their son Fahim (Amine Lansari) and his friends Feriel (Lyna Khoudri) and Reda (Adam Bessa) are having a different kind of night out: Reda wants to get a surah tattooed, an act of faith for him that may very well be perceived as blasphemous. Fahim, who is mostly preoccupied with pissing of his parents, and Feriel – a progressive young woman outspoken in her politics – don’t really understand Reda, but as they have nothing better to do, they join him on his quest to find somebody willing to do it.
The Blessed takes a while to get where its going, but once it’s underway, it carries quite a punch, sketching a layered picture of a struggling, post-war society.
Milena (Kate Cheel) makes her way to a very remote location, even for Australian standards: an opal mine where her father Max (Daniel P. Jones) works and lives. They haven’t talked in a long time and the distance between isn’t entirely comfortable. But Max is ill and in hospital at the moment – the reason for Milena’s visit. She slowly explores her father’s strange surroundings, trying to take in his world – and maybe through that, understand also the man himself.
I really enjoyed the first half of the film, but then it felt more and more that the film lost its control – and with it also my interest.
Nell (Ellen Page) and Eva (Evan Rachel Wood) grow up with their father (Callum Keith Rennie) just outside of a small town in the Redwood Forest. But then something happens and slowly the infrastructure around them falls apart. First there is no more electricity, then no more gas and then they are entirely isolated in their forest home. When they realize that power, infrastructure and life as it was won’t be reinstated any time soon, Nell and Eva have to try and manage their lives on their own.
Into the Forest is not only a great adaptation of the novel I utterly loved, but simply a beautiful film in its own right.
Istanbul has a special relationship with the cats that live in it. There are the cats who live with people and those that just live next to them. But there are always people who find themselves taking care of cats – and through taking care of them, also taking care of themselves.
Kedi is a beautiful and very sweet documentary, especially but not exclusively for people who like cats (or pets in general). It’s touching and funny and filled with cats – and that is simply a good time.
Lord Louis Mountbatten (Hugh Bonneville) and his wife Edwina (Gillian Anderson) arrive in India as Mountbatten is tasked with overseeing the transition from India to independence from British colonialism. It’s a job where Mountbatten has a very slim chance to come out on top, as religious and political tensions in India are high. A fact that is also very apparent to Jeet (Manish Dayal), a Hindu who just started working at the Viceroy’s palace. There he finds Aalia (Huma Qureshi) again, a young Muslim woman who he used to be in love with. And while Aalia seems to like Jeet as well, things really aren’t easy.
There were a couple of things I struggled with during the film, but it was an engaging film, albeit one that doesn’t quite manage to be the film it could have been.
Nora (Marie Leuenberger) is a young housewife and mother, happy with her husband Hans (Maximilian Simonischek). Things could go on forever like they have and it feels like they did. But even the remotest Swiss town will be touched by the 68 movement. For Nora it comes in the shape of the discussion about the right for women to vote. And she finds that in 1971, this really shouldn’t be a discussion anymore, but a reality. As she starts to campaign in her village, though, she realizes that far from everybody shares her conviction.
Die göttliche Ordnung is a lighthearted, feminist comedy that manages to balance serious politics with a sense of humor. It’s enjoyable, though maybe a little too well behaved.