Plot: Vibha (Shalini Vatsa), Chitra (Chitrangada Chakraborty) and Shagun (Sonal Joshi) don’t know each other, but they end up sitting in the same taxi, part of a fleet especially for women. Their cab is being driven by Shaila (Kritika Pande) who owns the taxi company. As they are stuck in traffic, the four women get to talking: about the need for a taxi service like this. About the constant threat of being raped if you’re out just a little too late. About the entitlement of men. Even on this night, they can’t get home unbothered: a man (Vinay Sharma) starts hollering at them from his moped. But this time, they strike back and soon they have the guy locked up in an abandoned building, ready to teach him what it means to be afraid all the time.
Tottaa Pataaka Item Maal is an interesting, character-driven film on a feminist mission. It has a good cast and is well-told, although the ending – while thought-provoking – is a little unsatisfying. But that shouldn’t keep you from watching it: the film is well worth it.
Plot: Camp Crystal Meph was the scene of a horrific bloodbath by the killer Johann Van Damme (Terry mullett). But a few years later, Todd (Dave Peniuk) is ready to give it another try. His uncle Mel (Darren Andrichuk) owns the camp ground and Todd has set up a new camp concept. Together with his camp counselors Rachel (Angela Galanopoulos) and Barry (Chris Allen), they are ready to welcome their group. But soon after their arrival, people start dying – again -, murderous squirrels run wild and nobody has any clue what is actually happening
Camp Death III in 2D! is a parody of Friday the 13th Part III in 3D that has some nicely silly ideas, but unfortunately overdoes it a lot of the times. Plus, it is just so ableist that I really wanted to scream.
Plot: Vita (Gemma Arterton) and Virginia (Elizabeth Debicki) move in similar social circles, but have yet to meet personally. Vita has admired Virginia from afar and she is determined to become friends with her. Virginia is taken aback by Vita’s adamant attempts at first, but she has to admit that she is also drawn to Vita. It doesn’t take long and they become friends, then lovers, inspiring each other in their writing. Despite their progressive surroundings, not everybody can deal equally well with their relationship though.
With Vita Sackville-West and Virginia Woolf being who they were and having led the lives they led, it is hard to imagine a film about them that wouldn’t be at least interesting. But that doesn’t necessarily mean that the film would have been well-made. In this case, luckily, the film is not only interesting, it is very well-made indeed.
Plot: After falling from a balcony because he is so high, James (Aaron Taylor-Johnson) is finally admitted into a rehab center in Minnesota by his brother (Charlie Hunnam). As James slowly starts to work through is own issues and becoming clean, he gets to know his rehab colleagues, above all Lilly (Odessa Young) whom he feels very drawn to, his roommate (Giovanni Ribisi) and Leonard (Billy Bob Thornton) who becomes something like a guide for him.
A Million Little Pieces is a strong film that interestingly enough puts the body front and center, drawing on dance as a form of expression and is much more serious and less sensationalistic than I expected after the book’s history. I was much more impressed by it than I thought it would be.
Plot: Jean (Anna Paquin) is a doctor who returns to her small hometown. She is slowly settling into her new role, when Lydia (Holliday Grainger) brings in her son Charlie (Gregor Selkirk) who was bullied. The two women instantly like each other. When Lydia, whose husband left her, can’t make rent anymore, she turns to Jean for help and Jean offers her and Charlie to stay with her, quickly deepening their friendship and turning it into something else.
Tell It to the Bees is a wonderful film with one big flaw: it shies away from the happy ending for its two protagonists. But other than that, it is simply lovely.
Plot: Leyna (Amandla Stenberg) is a German bi-racial teenager. When Hitler rises to power in Germany, she gets caught between the lines: her German-ness is disputed because of the color of her skin, no matter how hard Leyna fights for her place. Lutz (George MacKay), on the other hand, is just what the nazis like: blond, German, member of the Hitler youth and son of a high-ranking SS officer (Christopher Eccleston). When the two of them meet, they are drawn to each other, but they are in the worst position to live their love.
Where Hands Touch tackles a really interesting topic that hasn’t been looked at a lot (at least in popular media): what happened with and to black Germans in World War Two? Unfortunately, the way it goes about it, is a little clumsy.
Plot: Sean (Ty Hickson) lives alone in the woods with only his cat for company. He is working on a project that takes his entire attention and time. His only visitor is his friend Cortez (Amari Cheatom) who brings him his groceries and supplies. The longer Sean stays on his own, the deeper he gets into his project, tackling an ancient, occult mystery with modern means.
The Alchemist’s Cookbook doesn’t take on the most novel idea and would have probably worked better as a short film, but other than that it’s very well made and especially profits off its charismatic protagonist.
Plot: Germany has been infected by a virus that turned most of its population into zombies. There are only small pockets of humanity left in Weimar and in Jena. Vivi (Gro Swantje Kohlhof) and Eva (Maja Lehrer) are both in Weimar. They don’t really know each other and couldn’t be more different: Vivi seems barely equipped to survive a zombie world, she is so sensitive, while Eva is all toughness. But they both have the same goal: make it to Jena where they are working on a cure and find a better life there.
Endzeit sounds like exactly my kind of thing: a (German) zombie movie by and about women. Unfortunately it didn’t quite work for me, despite some very interesting takes and ideas.
Plot: Kena (Samantha Mugatsia) spends most of her time hanging out with her friend Blacksta (Neville Misati) or working in her father’s (Jimmy Gathu) shop. Her father is currently running for a council seat, as is Ziki’s (Sheila Munyiva) father (Dennis Musyoka). But Kena finds Ziki very intriguing and the two women become close very quickly. As love grows between them, they have to face the fact that society around them doesn’t accept homosexuality.
Rafiki is a sweet and powerful film with a very interesting setting. The political situation around the film adds another layer and makes it even more worth seeing.
Plot: 14-year-old Mary (Mischa Barton) just arrived at a presitigous boarding school. She is shy and adjusting to her new surroundings isn’t easy. Fortunately she has two roommates, seniors Paulie (Piper Perabo) and Tori (Jessica Paré). The two take Mary under their wings. Mary soon realizes that Paulie and Tori aren’t just best friends, they are actually lovers. But when the knowledge spreads around school, all of their lives get knocked off-balance.
Lost and Delirious works hard but that doesn’t always translate to success, unfortunately. It does have some good moments, but overall it doesn’t really come together.