Plot: It’s the 90s and Lena (Anna Kapaleva) is returning to her home village in Armenia for the first timme in a long time. She is visiting her grandparents (Olga Yakovleva, Sos Sargysan) who have stayed behind in the village despite it being in the middle of a warzone. Lena tries desperately to convince them to go away to safety with her. Instead, Lena stays longer and longer than she anticipated.
Mayak is a melancholic piece if cinema that shows us the daily routine of war for the people who aren’t really involved in it. It isn’t always easy to watch, but it is very interesting.
Plot: Maddie (Annabelle Wallis) and her boyfriend Derek (Jake Abel) are expecting a baby, but things aren’t great between them, to say the least. After he gets aggressive with her again and slams her into a wall, a dark figure shows up in their home and kills Derek. Maddie is hurt herself and loses her baby. Deep in shock, she is unable to answer her sister Sydney’s (Maddie Hasson) or police detective Shaw’s (George Young) questions. When Maddie finally gets home from the hospital, she wants to start fresh. Instead she is haunted by nightmarish visions – that turn out to be of real murders. If Maddie doesn’t figure out what is going on soon, more people will die.
Malignant is expertly set in scene – as you’d expect from a Wan horror movie. But I was not sold on the story that meanders somewhere between psychological character study and B-movie shlock. Both can be good, but the combination here does both a disservice.
Plot: Anthony (Anthony Hopkins) is getting older. But that doesn’t mean that he wants any help. After managing to scare off yet another caretaker, his daughter Anne (Olivia Colman) gets more desperate. She tries to convince him to try with another nurse, Laura (Imogen Poots), but Anthony doesn’t trust Anne. And he realizes that he can’t trust what he sees, either.
The Father is not the first movie about a character with dementia, but it is one of the most effective ones in taking on the perspective of someone who isn’t sure about their reality anymore (without ever resorting to fantasy). It’s touching, unsettling and beautifully made.
Plot: Marta (Ludovica Francesconi) has always had one dream: getting married to the love of her life. Unfortunately she does not have the best cards in life. Orphaned at a young age, not the prettiest and chronically ill (Mucoviscidosis) with the outlook of dying early, finding a partner has been difficult for her. Until she sees Arturo (Giuseppe Maggio) and knows that he is the one for her. Only, he doesn’t know it – yet.
Sul più bello looked like a sweet RomCom without too much substance. And that is not entirely wrong, but it has so little substance, and a couple of issues, that it doesn’t satisfy.
Plot: Vanessa (Sandra Oh) has a good life, a husband (Damian Young), a son (Giullian Yao Gioiello) and loads of money. So what if she has a bit of drinking problem, too? One night at a party, she runs into Ashley (Anne Heche). Ashley and Vanessa used to be in college together and hated each other back then. And, really, nothing has changed. Ashley is an artist now, helping out her caterer girlfriend Lisa (Alicia Silverstone), and horrified at the bourgeois life Vanessa leads, while Vanessa doesn’t take Ashley’s art seriously and finds her anti-establishment rants ridiculous. Their simple small talk quickly turns into a series of barbs and finally things get so out of hand that their lives are forever changed by the encounter.
Catfight, to me, was an utterly bleak and joyless film. I just couldn’t bring myself to like it.
Plot: Buster (Rami Malek) has made a name for himself by taking over summer holiday homes during winter. He’s been at it for years and has managed to evade capture so far. But it wasn’t always like this. Before that, he used to be Jonah. Jonah worked as a night receptionist in a hotel, trying to care for his wife Marty (Kate Lyn Sheil) and daughter Roxy (Sukha Belle Potter). But the constant night-shifts and the lack of sleep were starting to get to him. To get through the dreary nights, he starts talking to a guest who simply refers to himself as The Last Free Man (DJ Qualls) and believes that The Inversion is coming.
I saw Sarah Adina Smith’s first film The Midnight Swim many years ago, but it’s really one of those films that absolutely stayed with me. So, when I realized that her second film – Buster’s Mal Heart – was available on Netflix, I had to watch it immediately. And while it wasn’t quite as captivating as The Midnight Swim for me, it was absolutely captivating enough.
Plot: Shaun (Simu Liu) tried to built a life for himself, away from his father Wenwu (Tony Chiu-Wai Leung) and Wenwu’s private army, the Ten Rings – including actual ten rings that give Wenwu awesome powers. And for the last decade, Shaun has been pretty successful in his endeavor. Not even his best friend Katy (Awkwafina) suspects that there is more to him than a party-loving valet. Until a group of fighters led by Razor Fist (Florian Munteanu) attack Shaun and he has to finally confront his past, his family, and his future. Not without Katy, though.
Shang-Chi and the Legend of the Ten Rings is a thoroughly enjoyable film with a good mix of fighting, emotions and humor. I had a very good time with it.
Plot: Isi (Lisa Vicari) grew up very rich indeed and her parents (Hans-Jochen Wagner, Christina Hecke) have a very clear idea of where she should go next once she finally gets through school – a bit of a struggle for Isi: getting a finance degree and then going into the family business. But Isi has other ideas: she would love nothing more than become a cook and is looking to go to a prestigious culinary arts class in New York. But she needs money for that, and her parents are unwilling to give it. When she meets Ossi (Dennis Mojen) by chance, she thinks she may have found a way to force her parents’ hands. Because Ossi is everything she is not: he grew up rough and poor. Most importantly, he is in need of money to secure a fight that could finally get his boxing career going. So the two strike a deal: Isi will give Ossi the money he needs, while they pretend to date until Isi’s parents give in. Easier said than done, though.
I love fake dating stories, so I definitely wanted to check out Isi & Ossi, but unfortunately I was pretty disappointed with this iteration of that trope. I found much of the film offensive and I just didn’t buy it.
Plot: Andrea (Iliza Shlesinger) is a stand-up comedian who has been making good progress with her career, although the big break-through is still missing and she would like to get an acting role to hit it big, finally. With working on her career, her romantic life has taken a back-seat. And this doesn’t change when she meets Dennis (Ryan Hansen) on a plane, although they immediately get to talking. Dennis is a great guy, though, and they start hanging out a lot – as friends. After a while, though, things do take a turn for the romantic. At the same time, Andrea starts to question what Dennis told her about himself.
Good on Paper has some funny moments, but it didn’t really draw me in. It was entertaining enough, but it just wasn’t great.
Plot: Ray (Jason Momoa), Amanda (Adria Arjona) and their daughter Rachel (Isabela Merced) used to be extremely happy together until Amanda got very sick and the medication that was her last hope of survival was too expensive, and the generic version pulled before it ever reached the market. After her death, Ray has sworn revenge on the pharmaceutical company that is responsible for the decision. And Rachel can’t help getting dragged into his plans.
Sweet Girl is at its best when it isn’t focused on the action. Unfortunately, it seems to be convinced otherwise. When it should have remained simple, it goes big. But still, it’s worth it for Momoa and the father-daughter-chemistry he has with Merced.