Plot: Camp Crystal Meph was the scene of a horrific bloodbath by the killer Johann Van Damme (Terry mullett). But a few years later, Todd (Dave Peniuk) is ready to give it another try. His uncle Mel (Darren Andrichuk) owns the camp ground and Todd has set up a new camp concept. Together with his camp counselors Rachel (Angela Galanopoulos) and Barry (Chris Allen), they are ready to welcome their group. But soon after their arrival, people start dying – again -, murderous squirrels run wild and nobody has any clue what is actually happening
Camp Death III in 2D! is a parody of Friday the 13th Part III in 3D that has some nicely silly ideas, but unfortunately overdoes it a lot of the times. Plus, it is just so ableist that I really wanted to scream.
Things look normal: Henry (Liam Mitchell) and Patricia (Barbara Bleier) are celebrating Patricia’s birthday with their friends – Patricia’s ex Julian (Austin Pendleton), Chris (David Johnson) and Ayden (Juri Henley-Cohn) who both have found surrogate parents in Henry and Patricia, and Ayden’s partner Breyanna (Suzette Gunn). As their talking turns to politics, it becomes clear, though, that tensions are high and ouright nuclear war seems just around the corner.
Usually nuclear war is used in films to conjure up a post-apocalyptic scenario, or it is used as a threat that the (action) heroes of the story have something to prevent. In Sunset’s case, it’s the backdrop for a thorough and thoughtful character study that stumbles sometimes, but remains engaging throughout.
Barnaby (Murphy Patrick Martin) is 29, but so far he successfully avoided growing up. But it’s time to face life when his girlfriend Elaina (Hayley Ambriz) breaks up with him and his parents (Sherry Driggs, Rocky Hart) kick him out of their house the very same day to try and force him to get a job. Barnaby finds himself living in his car and still trying to avoid any kind of responsibility. When hunger motivates him to go to his high school reunion (in the hope of finding a buffet there), he runs into Madison (Diana Cristina) and the two re-connect. And maybe Madison can give Barnaby the final push he needs.
29 to Life is very obviously a film by a young man made without a budget who hasn’t made a feature before. How forgiving you are about the drawbacks that come with that will vary. Personally, I struggled a little with Barnaby and the male perspective that permeates the script. That being said, it does have its sweet touches.
“Plot”: Movies have always looked to and at the stars, the sky, at the universe itself. Lurf collected all these images from the beginning of film to movies right now into one 102 minute supercut, exploring how we look at and relate to the stars.
I liked the idea of ★, but the resulting film fell a little flat for me. I felt that the stars were disenchanted by the sheer mass of images and I would have wished that the film contributed to the magic they exude instead.
Plot: Alexander (Wolfgang Hübsch) has withdrawn to his uncle Wanja’s (Martin Butzke) country estate to escape the financial crisis that is shaking the city and has caused a revolution. In the country, things still are mostly the same and Wanja and Sonja (Korinna Krauss) want to keep it that way. But Alexander and his wife Elena (Julia Dietze) have business ideas – lots of them.
Onkel Wanja is an ambitious project that tries a lot but it’s unfortunately also one that fails a lot. For me it was mostly marked by feeling long and exhausting, although there were a few bits that were pretty strong.
Plot: In 1963, Franz Murer (Karl Fischer) is a pillar of his Austrian community, a politician and one of the richest men in the area. But during the Second World War, he was an important men for the Nazis and ran the ghetto in Vilnius where he was known for his cruelty. Simon Wiesenthal (Karl Markovics) has been fighting to get him in front of a judge, and finally he succeeds: Murer is tried for his war crimes. But will he be found guilty?
Murer: Anatomie eines Prozesses is an excellent film in all areas and a condemnation of Austria, especially with regards to the lack of accountability for our participation in World War Two – a lack that still haunts us to this day and causes nothing but problems. It’s hard to watch but absolutely necessary.
Plot: Teenager Elio (Timothée Chalamet) spends the summer in Italy with his parents as every year. And as every year, they are joined by a research assistant who can work with Elio’s father – a professor (Michael Stuhlbarg). Elio isn’t too thrilled about the intrusion that costs him his room. But this year the student who shows up is Oliver (Armie Hammer) and Oliver has something about him. Elio realizes that he is in love with Oliver, but Oliver’s detached and sometimes outright brazen manner leaves little doubt that he doesn’t reciprocate the feelings.
Call Me By Your Name is an incredibly tender and soft film with an atmosphere that stayed with me even after the film had ended. Despite some weaknesses, there is something magical about it.
Plot: Max (Jason Bateman), Annie (Rachel McAdams), Sarah (Sharon Horgan), Ryan (Billy Magnussen), Kevin (Larmone Morris) and Michelle (Kylie Bunbury) have a regular game night together. Tonight, Max’ brother Brooks (Kyle Chandler) is hosting the party, when men come into his house and take him away. Believing it to be a roleplay, the six players set out to get Brooks back. But things may be more serious than they appear at first.
I didn’t expect much from Game Night and basically just watched it because I had a gap in my schedule where it fit perfectly. But I was pleasantly surprised: Game Night is an entertaining film that made me laugh out loud.
Plot: Ewa (Anna Jadowska) returns home from the hospital. Her mother (Halina Rasiakówna) has been taking care of her children and Ewa quickly settles back into her routine, working in the Wild Roses fields. Shortly after, her husband Andrzej (Michal Zurawski) returns from many months working in Norway. Things are tense between them, especially because Andrzej heard rumors that Ewa had been having an affair with a local teenager, Marcel (Konrad Skolimowski).
Dzikie róze is a well-acted, beautiful film with some problems in the plot department that kept it from being really great. But it’s still worth seeing.