Plot: Christopher Robin (Ewan McGregor) is all grown up. He has a wife, Evelyn (Hayley Atwell), and a daughter, Madeline (Bronte Carmichael). But above all, he has a job that keeps him very, very busy. Right now, the company he works for needs to lay people off and Christopher has one weekend to figure out who to fire. So when his childhood friend and teddy bear Winnie-the-Pooh (Jim Cummings) suddenly appears and asks him to come back to the 100-acre-wood, it couldn’t come at a worse time. It’s time for Christopher to get his priorities straight.
Christopher Robin is a film on a mission and with a message, everything else takes a backseat to that. But in the end it gets tied up so much in its message that it manages to completely undermine it.
Plot: Jimmy (Jack Reynor) was just released from prison and comes home to his father Hal (Dennis Quaid) and his adoptive brother Eli (Myles Truitt). Things are tense between Jimmy and Hal. Meanwhile Eli sticks to his routine of scavenging in abandoned buildings, looking for copper. Instead he finds dead bodies and a mysterious weapon. That weapon might be just the thing that could help Jimmy settle old debts with his former employer. But Eli isn’t the only one who knows that it exists.
Kin is a confused film that doesn’t really know what it wants to say. Despite a couple of good things, it ultimately doesn’t convince.
Plot: Single dad David (John Cho) doesn’t know much about his daughter Margot’s (Michelle La) life. That becomes absolutely clear to him when she goes missing and he starts to look for her by going through everything on her laptop that could point him in any direction, while police detective Vick (Debra Messing) does everything on the official side. But with every hour that passes, the chances of finding Margot alive dwindle more.
Searching has two things going for it: the gimmick that it tells its story entirely via computer screens and everything that can be seen there and John Cho. The former works for some, but not all of the film, the latter is simply amazing.
Plot: Eight-grader Kayla (Elsie Fisher) spends most of her time making YouTube videos where she dispenses advice on pretty much everything to pretty much no-one. In her videos, she talks about being confident, whereas in school she is so shy and speaks so little, she wins the award for being the most quiet student – much to her mortification. Middle school nears its end and Kayla is determined that things shall be different in high school. When she meets high schooler Olivia (Emily Robinson) and hits it off with her, she feels like she almost made it. But the transition isn’t so easy. Growing up isn’t so easy.
Eighth Grade is a thoroughly charming film and one of the most accurate portrayals of (early) puberty and its struggles that I have seen. Far removed from the glossy 25-year-olds who play teens and constantly talk about sex, Eighth Grade is much closer to reality – and that’s pretty lovely, even when it isn’t lovely at all.
Plot: Billie Jean King (Emma Stone) is a successful tennis player, fed up with the sexism in the industry that keeps female players down. Fellow player Bobby Riggs (Steve Carell) is adamant that female players are paid less because they are less entertaining and also less good at tennis. Finally the beack and forth leads to a tennis match between the two that becomes emblematic for the entire fight for women’s rights.
Battle of the Sexes was nice, but it remains flatter than it should have been and doesn’t dare to rock the boat too much, which is disappointing.
Plot: Piper (Elisabeth Harnois) moves to Santa Cruz to go to art school there and to maybe find the daughter she gave up for adoption when she was just a teenager. She starts working in a sandwich shop run by Trucker (John Doe), together with shy Jen (Clea DuVall), flirty Tish (Danneel Ackles) and punky Priestly (Jensen Ackles). Much like Piper, all four of her colleagues struggle with love and finding their place in the world.
I didn’t know much about Ten Inch Hero other than Jensen Ackles is wearing outrageous hair in it, and then I watched it and got Clea DuVall in the bargain, and that’s pretty much the best thing that can happen. Overall, the film is pretty sweet.
Plot: Five years ago, deep sea captain Jonas Taylor (Jason Statham) lost his job, his wife Lori (Jessica McNamee), his reputation after a mission that ended in failure and death – and his explanation that it was all caused by a Megalodon – a long extinct mega shark. Now his expertise as a rescue diver is needed as a submarine was stranded at the bottom of the Mariana trench – a submarine that happens to carry Lori and two other scientists. Called in by oceanographers Zhang (Winston Chao) and Suyin (Bingbing Li) to help, Jonas soon discovers that he faces the same threat he faced back then.
I was looking forward to The Meg so much. I assumed it was going to be the perfect film to get drunk to and enjoy its badness. Imagine my surprise when it turned out that I honestly, unironically, wonderfully just loved the film.
Plot: Ron Stallworth (John David Washington) fought his way into the police force – and managed to become the first black police man in Colorado Springs. That doesn’t mean that his skills are particularly valued. But as Ron keeps pushing, he is assigned to go undercover to black power events like the talk by Kwame Ture. But Ron knows where the real threat lies: with the Ku Klux Klan. Making a couple of bold choices and forcing some hands, he ends up infiltrating the Klan via phone, sending his Jewish colleague Flip Zimmerman (Adam Driver) to go to the meetings in person.
BlacKkKlansman is a strong film that makes its political point eloquently and forcefully. And it’s an important point to make – made by a good story.
Plot: Collin (Daveed Diggs) has only a few days of probabtion left and he is doing everything to keep his head down. That isn’t always as easy as he’d like it to be, especially since his best friend Miles (Rafael Casal) tends to not think about consequences too much. As they both move through their home turf of Bay Area, Oakland, circumstances force them to face some hard truths about where they belong and what race and class have to do with their standing in life.
Blindspotting is a fantastic film: well-made, political and emotional, it brings home quite a few truths about many issues at the intersection of race and class – and even manages to be funny while it does so.
Plot: Rachel (Constance Wu) has been dating Nick (Henry Golding) for a while now and they are really happy. While Rachel is from New York, where they’re both living, Nick is from Singapore – and he has been invited to his best friend’s wedding there. It’s the perfect opportunity to introduce Rachel to his family. Only Nick failed to mention to Rachel that his family is so rich, he is basically considered Asia’s most eligible bachelor. This just adds to Rachel’s generel nervousness about meeting his family and leaving a good impression. Given that she is an outsider among the rich elite, her worries are absolutely justified.
Crazy Rich Asians is the perfect summer RomCom. It has a great cast, charming characters and a sense of humor that make it the perfect light summer fare.