Plot: Julia (Elisabeth Wabitsch) and her classmates have finished school and as is increasingly common in Austria, that means that they’re packing their bags and heading for a week long party trip on an island off the coast of Croatia. It’s supposed to be a week of drinking, bathing and partying. Instead things turn sideways very quickly and Julia’s classmates start dying.
Die letzte Party deines Lebens is a classic teenie slasher that, unfortunately, has nothing much to recommend it. I was hoping for more from director Hartl.
Plot: Betty Lou (Penelope Ann Miller) is a librarian, and married to Alex (Eric Thal), a police officer. But Alex and pretty much everyone else is ignoring her. And Betty Lou really doesn’t know how to make somebody pay attention. Not even when she finds a murder weapon is she able to make anybody listen to her. But she has had it and when she accidentally fires the gun herself and is arrested, she confesses to the murder herself. And suddenly all eyes are on her.
The Gun in Betty Lou’s Handbag is a very, very stupid film that makes absolutely no sense and isn’t funny despite how much it tries to be. It’s a film best forgotten (and it probably would have been already if it wasn’t for Julianne Moore’s small supporting role. At least that’s the reason I know about the film in the first place).
Plot: By birth, Lara Croft (Alicia Vikander) is very rich, but since her adventurer father (Dominic West) disappeared, Lara doesn’t want anything to do with the estate. Instead she makes her money as a bike courier, a job that plays into her adrenaline seeking tendencies. But then Lara gets an elaborate puzzle box that sets her on the path of her father’s last adventure. Even though she goes against his wishes with her decision, she decides to retrace his last known steps and figure out what happened.
My first thought after leaving the cinema, was “well, Tomb Raider is a film I have seen now” and that still pretty much captures the level of excitement and fun the film achieved. But at least it never got really boring.
Plot: Mati (Sophie Stockinger) loves nothing more than to ride around on dirt bikes with her (male) friends, above all Sebastian (Jack Hofer). They are loud and brash and cause trouble in the area. But shortly before her final exam in school, Mati is thrown for quite a loop when Sebastian confesses that he is in love with her and Mati meets the older Carla (Julia Franz Richter) who she is drawn to. Both of these things threaten Mati’s standing with her guy friends and force her to make decisions.
I really liked L’animale, even though it gets a little too on the nose with its parallels and metaphors at times. But it’s a strong, emotional, well-made and queer coming-of-age film – and there can never be enough of those.
Plot: Pepe (Roman Pokuta) has been in Vienna for a while and he knows the lay of the land. He works for his uncle Rocky (Frantisek Balog), begging in the streets. When Marcela (Simona Kovácová) arrives from Slovakia to join them, Rocky asks Pepe to show Marcela the ropes. And while Marcela seems pretty hopeless at begging, Pepe and Marcela do get closer. But is their hard life made for love?
Zerschlag mein Herz really is aptly name because my heart was sufficiently crushed by the end of it. It’s a great film that looks at some hard truths about life in Vienna and an absolutely fantastic film, especially for a first feature.
Plot: Emil (Julian Sharp) is an actor, currently working on the role of Phaidros opposite Werner Maria (Alexander E. Fennon) as Sokrates. But their stage relationship isn’t exactly cooperative and Emil is struggling with his own performance, looking for a big break. His private life is also not exactly satisfactory, although easy: he lives with the costume designer Maurizio (Nicola Filippelli) who takes care of his every need and is very much in love with him. But Emil is looking for something else.
Phaidros is a strange film – as a Mattuschka film is wont to be. It works in many ways, but in others not at all. Especially the transmisogyny in it left a bitter taste in my mouth.
Plot: Alexander (Wolfgang Hübsch) has withdrawn to his uncle Wanja’s (Martin Butzke) country estate to escape the financial crisis that is shaking the city and has caused a revolution. In the country, things still are mostly the same and Wanja and Sonja (Korinna Krauss) want to keep it that way. But Alexander and his wife Elena (Julia Dietze) have business ideas – lots of them.
Onkel Wanja is an ambitious project that tries a lot but it’s unfortunately also one that fails a lot. For me it was mostly marked by feeling long and exhausting, although there were a few bits that were pretty strong.
Plot: Ewa (Anna Jadowska) returns home from the hospital. Her mother (Halina Rasiakówna) has been taking care of her children and Ewa quickly settles back into her routine, working in the Wild Roses fields. Shortly after, her husband Andrzej (Michal Zurawski) returns from many months working in Norway. Things are tense between them, especially because Andrzej heard rumors that Ewa had been having an affair with a local teenager, Marcel (Konrad Skolimowski).
Dzikie róze is a well-acted, beautiful film with some problems in the plot department that kept it from being really great. But it’s still worth seeing.
Plot: Tamara (Sara Caballero) lives in a cult led by Miguel (Marcelo Alonso) and Miguel has big plans for her: she is supposed to be the mother of the next generation. First though, she is allowed to go to school outside of the compound she’s been living so far, now that she has turned 12 years old. But that glimpse of life outside is bound to change Tamara – and Miguel certainly can’t have her disobeying his plans.
Princesita is a heavy film – not surprising, given the subject matter. Unfortunately the film doesn’t handle the subject as well as it would have deserved.