Plot: Ray (Dean Imperial) tries to take care of his brother Jamie (Babe Howard) who suffers from a mysterious illness. Treatments for this illness are expensive and experimental, but Ray is determined to get his brother help. Even if that means having to go cabling – that is, laying miles and miles of cables through the forest on foot, a requirement for the new quantum technology that is taking over the world. Ray is suspicious of the technology and he needs to take an illegal short-cut to start working soon, but in his desperation, he will do anything.
Lapsis is a unique and very entertaining film. I really enjoyed it and its off the beaten path thinking and style.
Plot: Buster (Rami Malek) has made a name for himself by taking over summer holiday homes during winter. He’s been at it for years and has managed to evade capture so far. But it wasn’t always like this. Before that, he used to be Jonah. Jonah worked as a night receptionist in a hotel, trying to care for his wife Marty (Kate Lyn Sheil) and daughter Roxy (Sukha Belle Potter). But the constant night-shifts and the lack of sleep were starting to get to him. To get through the dreary nights, he starts talking to a guest who simply refers to himself as The Last Free Man (DJ Qualls) and believes that The Inversion is coming.
I saw Sarah Adina Smith’s first film The Midnight Swim many years ago, but it’s really one of those films that absolutely stayed with me. So, when I realized that her second film – Buster’s Mal Heart – was available on Netflix, I had to watch it immediately. And while it wasn’t quite as captivating as The Midnight Swim for me, it was absolutely captivating enough.
Plot: In a Miami almost entirely drowned Nick (Hugh Jackman) and his employee Watts (Thandiwe Newton) run a small reminiscence business. Their clients come to relive their memories in the most realistic way possible with them. Everything changes for Nick the day that Mae (Rebecca Ferguson) comes in, hoping to find her lost keys. Nick and Mae become very close – until Mae disappears, leaving Nick scrambling to understand what happened with her, with them. Unable to let go, he digs into her past and uncovers more than he bargained for.
I had not realized going into the film that it was a noir set in the future. If I had, I may have liked it a little better, but fact is, I usually don’t like noirs and Reminiscence reminded me again why that is.
Plot: Hofmeister (Karl Meixner) knows that he is on the trail of something big – something that could get him back into the good graces of Inspector Lohmann (Otto Wernicke). There is a man who controls the crime in the city and Hofmeister has discovered his name: Mabuse. Only before he can tell Lohmann all about it, Hofmeister is attacked. And Mabuse is a psychiatric patient under the care of Professor Baum (Oscar Beregi Sr.) with a brilliant criminal mind, but no way to communicate with anyone, much less outside the hospital. Lohmann can’t make heads or tails of this story – but the crimes continue.
Das Testament des Dr. Mabuse is a German cinema classic and it’s easy to see why, even apart from its political history. Mabuse is an interesting character – kind of a proto-Joker, I’d say – and the film has very imaginative cinematography.
Plot: Tasya (Andrea Riseborough) has a very special job: she takes over people’s bodies, using them to fulfill her company’s missions – usually assassinations. It’s a job that doesn’t allow for errors, and it definitely doesn’t allow its operatives to lose sight of who they are. But Tasya has had some troubles recently, and her new job – taking over Colin (Christopher Abbott) – might be more than she can handle.
Possessor has a really good concept and came with some accolades, but ultimately I’m afraid that I expected a little more than it delivered. Which doesn’t mean that it isn’t an engaging and thoughtful film worth your time.
Plot: Morf (Jake Gyllenhaal) is an art critic, always looking for something new and good. But currently, he is rather more occupied with Josephina (Zawe Ashton). She works in the gallery run by Rhodora (Rene Russo), hoping to become a successful agent herself, and Morf is deeply in love with her, despite having a boyfriend. When Josephina finds out that a recently deceased tenant in her building was an artist who wanted to have all his art destroyed upon his death, she is convinced that his art is something special. She is not wrong, though she couldn’t have foreseen what kind of special it really is.
Velvet Buzzsaw is visually engaging, and has a great cast who obviously had a lot of fun chewing the scenery in this one. But the metaphor at its heart feels a little flimsy and could have done with a little more work.
Plot: Sarah (Sarah Small) lives the hectic New York Life behind for a few days to spend it with her friend Isolde (Isolde Chae-Lawrence) at a Balkan song and dance camp that takes place in the middle of a forest. They spend their days talking and drumming and singing and talking some more – until they have a falling out over an apparent triviality and Sarah starts pursuing Steph (Charlie Hewson).
Butter on the Latch is Decker’s debut feature and having seen (almost all) her films now in (almost) reverse chronological order, it is clear how much she has grown as a filmmaker since her first film. But that doesn’t mean that Butter on the Latch doesn’t have good qualities. It is still a very strong debut.
Plot: Akin (Joe Swanberg) comes to work on the farm of Jeremiah (Robert Longstreet) and his daughter Sarah (Sophie Traub). Jeremiah and Sarah are an odd pair. Jeremiah is always on the verge of insulting and ridiculing Akin, and Sarah seems to be only half in reality. Akin settles in awkwardly, especially since he is hiding that he is actually married. Sarah seems interested in Akin, and Akin starts to be drawn to her as well, but there is a touch of violence to everything.
Thou Wast Mild & Lovely is an unusual film that cultivates a sense of “everything being off” until things really escalate in a suprisingly bloody way in the end. It’s not the easiest thing you can watch, but it is worth thinking about.
Plot: Working as a companion to Mrs van Hopper (Ann Dowd) has brought the unnamed protagonist (Lily James) to Monte Carlo where Mrs van Hopper spies Maxim de Winter (Armie Hammer), whose somewhat tragic story precedes him: he is a widower and lives at the grand estate of Manderley, now all alone. When Mrs van Hopper falls ill, the protagonist and Maxim de Winter start to spend more time with each other and finally he asks her to marry him. But living in Manderley, where the shadow of Maxim’s deceased wife Rebecca hangs over everything and her housekeeper Mrs Danvers (Kristin Scott Thomas) makes sure it doesn’t leave, proves quite a challenge for them.
Rebecca is an okay adaptation of a really excellent novel. That squandered potential leaves a film that is decidedly meh, but very pretty.
Plot: When Frances (Chloë Grace Moretz) finds a handbag in the subway station, she makes sure to return it to its owner, widow Greta (Isabelle Huppert). Greta, a retired piano teacher, seems lonely and the kind-hearted Frances resolves to spend some time with her. But soon things start to become a little weird. There seems to be more to Greta than Frances suspected at first.
Greta has unfortunately more holes than plot and for a film that tries so hard to lure people on the wrong path, that is more than unfortunate. It breaks the film.