2057. The sun is dying and the only solution humanity has found is to send a team of astronauts there to reignite it with a fission bomb or else find all of life on earth doomed. The first mission, Icarus-I, to do just that has already failed, now a new team, Icarus-II, is on its way. When they pick up the distress signal of the Icarus-I, they decide to pick up the bomb that the ship has aboard, as a failsafe for their own mission. But that bomb may come at a higher price than they expected.
When I watched Sunshine for the first time, I remember not being particularly taken with it. But it was one of those films where I started getting doubts about my own judgement and that made me curious to check it out again almost 10 years later. And in this case, it definitely paid off, although I still didn’t fall head over heels for it, I did appreciate it much more than the last time.
Baisch (Dirk Stermann) is an archaeology professor who believes that his ex-wife will at one point want him back. His ex-brother-in-law Anzengruber (Christoph Grissemann) is less uptight than Baisch and pretty sure that ex will stay ex, but comes with his own problems. The two of them met at an event and are now on their way back into town. They stumble upon Schwanenmeister (Heinz Strunk), a musician/comedian, who hitches a ride with them. And then they crash their car and while they end up unhurt, they are unable to leave the car. And so the three men are trapped with each other – and tensions will have to rise.
I liked the idea of Immer nie am Meer, but the film was a homophobic, antiscientific and unfunny mess that dragged more than its short runtime should have made possible.
Many years ago, Anne Elliot (Sally Hawkins) was engaged to Frederick Wentworth (Rupert Penry-Jones), but took the advice of her motherly friend Lady Russell (Alice Krige), as well as listened to the opinions of her father Sir Walter (Anthony Head) and her sister Elizabeth (Julia Davis)and dissolved the engagement since Wentworth didn’t have much standing. Quite by coincidence Frederick is back in her life after years in the Navy and has made a name for himself as well as a fortune. Anne is convinced, though, that he will never forgive her for her past actions. And when her cousin William Elliot (Tobias Menzies) starts courting her, she might be getting another chance, despite being alread 27 years old and still unmarried.
Despite my love for Sally Hawkins, this version of Persuasion absolutely did not work for me. Which is not her fault, but mostly due to the script and the direction.
After the virus outbreak that decimated the population of the UK, it is time to rebuild and repopulate the island. Don (Robert Carlyle) survived on the island and is waiting for his children Tammy (Imogen Poots) and Andy (Mackintosh Muggleton) to join him – the first children back on UK soil. Medical officer Scarlet (Rose Byrne) is a little miffed that she wasn’t informed about it – and she really doesn’t approve. Another outbreak could still happen. When the children find their obviously infected and supposedly dead mother (Catherine McCormack), everything starts to go wrong.
28 Weeks Later was a more than decent zombie movie. Even if I didn’t totally love it, I very much enjoyed it and I thought it was a really good sequel.
Yella (Nina Hoss) lives with her father (Christian Redl) after a messy divorce from Ben (Hinnerk Schönemann) who is not quite done with her and keeps on following her, trying to talk about the company they built together and that has been falling apart for a while. But now Yella has found a way out: she has a job offer in another city. But when she arrives there, the job is gone and instead she meets Philipp (Devid Striesow), a business man/con artist and gets drawn into his affairs.
Yella is a weird film and I didn’t really get into it. While it has an interesting atmosphere and good performances, the story itself left me mostly bewildered and not in a good way.
A few months ago, pregnant Sarah (Alysson Paradis) was in a car accident. Her husband died, she and the baby survived. But Sarah has been shell-shocked ever since and can’t really look forward to the child, even though birth is drawing ever closer. One night, a woman (Béatrice Dalle) knocks on her door and asks to use the phone. When Sarah refuses she tries to force her way inside. Rattled, Sarah calls the police who can find no trace of the strange woman. But that doesn’t mean she’s gone and has given up getting what she wants: Sarah’s child.
There is a lot to appreciate about Inside, at least before it descends into the realm of utter stupidity (which is about the last third of the film). For me, the parts that didn’t work outweighed the parts that did though.
Reed (Ioan Gruffud) and Sue (Jessica Alba) are about to get married. But being a superhero couple makes having an undisturbed wedding rather difficult, especially since a series of global disturbances just caught Reed’s attention. But when a mysterious silver surfer crashes their wedding and causes a lot of destruction in New York, they realize that the disturbances are not actually limited to Earth itself.
I was talking with Arysuh about never having seen this film or the one before and that culminated in me watching and livetweeting both films while drinking vodka. You can read the entire thing after the jump, in lieu of a proper review. For a short summary know this: 4: Rise of the Silver Surfer is abysmal. Not even alcohol makes it funny and I was cringing throughout most of the film. It’s sexist and boring. If you value your sanity, stay away.
Detective Eddie Argo (Stellan Skarsgård) is investigating a series of murders with his new partner Helen Westcott (Melissa George). The bodies all have parts of an equation carved into their skin. They all seem to lead back to a horrific crime that happened a few years ago and that Eddie was deeply involved with. But what do the killings have to do with the equation?
w Delta z is a rather idiosyncratic film. It feels like a philosophical thought experiment in movie form. For long stretches that is interesting, but sometimes the film part suffers for it. But it’s always thought-provoking.
Nicholas Angel (Simon Pegg) is London’s star police man. But his success makes the rest of the service look bad, so he is reassigned to the small town of Sandford, where he’s partnered up with Danny Butterman (Nick Frost). Sandford might officially be the safest town in the UK, but Nick’s investigations soon turn up some weird things, when a series of freak accidents start.
Man, I really love this movie. It’s funny, fast-paced and riddled with cameos (some of which I only just learned about, like Peter Jackson and Cate Blanchett). It’s just an absolute joy to watch.
After the FBI has been hacked, John McClane (Bruce Willis) is supposed to bring in Matthew (Justin Long), a suspected hacker. What should be a routine pick-up and drop-off, ends up in a full-blown shoot-out. And suddenly McClane finds himself right in the middle of the biggest hack of the century, trying to avoid the complete dismantling of the financial system.
After I actually liked the third Die Hard movie, I thought that I had finally hit my stride with these films. Unfortunately McClane is totally unhinged in this film, and they liberally peppered the script with misogyny and racism. That is not cool.