Saroo (Sunny Pawar) lives with his family in Khandwa. He adores his big brother Guddu (Abhishek Bharate) and when Guddu leaves to take a job for a day, Saroo tags along, the start of an oddyssey that leads him to Calcutta without any means to contact his family, or any clear idea where they are. Finally Saroo is adopted by an Australian couple (Nicole Kidman, David Wenham). Many years later, the by now grown Saroo (Dev Patel) tries desperately to find out about his origins and what happened to his biological family.
Lion is practically the epitome of a tear-jerker and it worked very well for me. Meaning I was emotionally invested the entire time and sobbing a lot.
Mathilde (Lou de Laâge) works at a doctor for the red cross just after World War 2. She finds herself dispatched to Poland to take care of the concentration camp survivors and the French soldiers stationed there. It is in the hospital there that a young nun, Maria (Agata Buzek) from a near-by convent finds Mathilde and begs her to help them at the convent as well: they were raped by Russian soldiers and many of them are pregnant as a result. And not only do these pregnancies come with the usual dangers, but should anybody find out about their state, they would risk losing the convent, their home, entirely.
Les innocentes tackels a hard topic and it does so with a lot of sensitivity, but also a couple of lenghts. But I did enjoy it and the push it makes for solidarity among women.
Tanya (Alina Khodhzevanova) realizes one day that nothing about her life really makes sense to her. Her father is an alcoholic, her boyfriend brings other women home – while she’s there -, her mother is distant. She really has no joy in her life. Her conclusion is to attempt suicide. But it doesn’t work out that way and she finds herself in a psychiatric hospital where she starts to knit – both literally and figuratively.
I Know How to Knit was described as a dark comedy, a heartwarming tale in dire circumstances. Unfortunately, all I found were dire circumstances and depression, and very little humor.
Aisholpan dreams of one thing and one thing only: she wants to become an Eagle Huntress and prove her skills in the big annual competition where all of Mongolia flocks together. The only problem is: girls don’t become Eagle Hunters. But Aisholpan’s father Rys doesn’t care too much about these traditions and he wants to see his daughter succeed as well. So together they embark on the training mission.
The Eagle Huntress tells a good story that I enjoyed watching, even through its more manipulative moments.
Lockhart (Dane DeHaan) works for a company in trouble. They need their CEO Pembroke (Harry Groener), but he has been unreachable in a retreat in the Swiss mountains for a long time, so they send Lockhart there to get him. Once Lockhart arrives there, he is involved in an accident even before he gets to see Pembroke. His broken leg traps him at the retreat and he realizes that something strange is going there. The director Volmer (Jason Isaacs) may be hiding something. And what’s the deal with Hannah (Mia Goth), the only young person there who has spent basically her entire life at the retreat?
A Cure for Wellness is a clusterfuck of epic proportions. It’s overly long, makes no sense and is incredibly sexist, racist and ableist to boot. It’s pretty but that’s all it has going for it.
After an accident, Icare, called Courgette, (Gaspard Schlatter) is orphaned. Police man Raymond (Michel Vuillermoz) brings him to a foster home where Courgette lives together with other kids, most notably the rowdy Simon (Paulin Jaccoud) who keeps pressuring Courgette for his story and the new arrival Camille (Sixtine Murat) who Courgette falls for immediately. But how did she end up in the home?
Ma vie de Courgette is a sweet, touching thing that approaches the topic of foster care with caution and a lot of realism. I enjoyed it a lot.
Casey (Anya Taylor-Joy), Claire (Haley Lu Richardson) and Marcia (Jessica Sula) are in highschool together. Casey is not exactly friends with Claira and Marcia, but one afternoon she catches a ride with Claire’s father. And it’s just on this afternoon that the three girls are abducted by a man (James McAvoy). Only that he doesn’t seem to be just one person – he can be very different indeed. And he is preparing for something. Something big. Something that is coming for them.
I hadn’t meant to watch Split with its treatment of mental illness of which I had heard only bad things beforehand. But when it became a social occasion to meet with a friends and celebrate a birthday, I ended up seeing it anyway. While competently made on a cinematic level, it turned out to be even worse than I thought regarding the mental health issue, so file this under “I watched it so you don’t have to.”
NASA is working hard to send their first man into space – and especially to bring him back again. But they haven’t yet cracked the orbit needed for that. Working as computers, the black women Katherine Goble (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe) are far removed from the action, both figuratively and literally. But when the Soviets make quick advances and pressure rises, Katherine’s mathematic skills bring her right into the heart of the team. But racism isn’t all that easily overcome by maths.
Hidden Figures was entertaining, charming and incredibly enjoyable. It was almost too smooth – I was missing a bit of anger. But that’s only a teeny tiny complaint about a film I very much loved.
A year after the assassination of John F. Kennedy (Caspar Phillipson), his widow Jackie Kennedy (Natalie Portman) gives an interview to a journalist (Billy Crudup) about the difficult path she had to navigate in the time since. Weighed down by her own shock and grief, she still has to make sure she upholds the Kennedy’s reputation and her own husband’s legacy.
Despite a great cast and a great look, Jackie did not work for me. It continuously bored me and I just could not get into the story, the film or the characters.
Ned (Bryan Cranston), his wife Barb (Megan Mullally) and their son Scotty (Griffin Gluck) have been invited to spend Christmas with their daughter Stephanie (Zoey Deutch) and her new boyfriend Laird (James Franco). When they meet Laird, though, Barb and particularly Ned are taken aback. Laird is filthy rich, but he is also very eccentric and has trouble with respecting personal boundaries. What’s even worse: he obviously wants to ask Stephanie to marry him soon. Can Ned learn to like and accept Laird?
Why Him? is pretty much exactly how you expect it to be: it’s filled with immature humor, very problematic in some places, but put altogether it could have been way worse than it was.