Plot: Catherine (Toni Collette) and Ben (Matthew Goode) are scientists. It seems to them that their careers were pretty much fated, which gave them an interest in studying where the line between nature and nurture might lie. To that end, they are planning an experiment with their own unborn child and two other children they mean to adopt to raise them against what their nature seems to be. Rich science aficionado Gertz (Michael Smiley) agrees to fund that experiment. But 12 years in, just when the kids Luke (Jordan Poole), Maurice (Anton Gillis-Adelman) and Maya (Megan O’Kelly) are getting really difficult, Gertz suddenly demands more conclusive results and fast. This tips the balance of their household and the entire experiment into dangerous directions.
Birthmarked is an incredibly weird film, but unforunately not in a particularly charming way, more in a disturbing way. I kept turining it over in my head, but ultimately I have to say that I didn’t like it.
Plot: Don (Finn Cole) is from a working class family. His father died and ever since his mother (Jo Hartley) has tried to push Don to aim higher. When she finds a spot for him at the private Slaugher House school, she convinces him to go. But Slaugher House isn’t quite as fancy as they thought at first, not that it keeps most of Don’t classmates from snobbery. In fact, the school has money problems that the principal (Michael Sheen) tries to solve by allowing fracking on school grounds. But the drilling awakens something underground.
Slaughterhouse Rulez is quite a disappointment. It is supposed to be a horror comedy, but it is neither scary, nor funny. It’s just tired.
Plot: Jim Arnaud (Jim Cummings) is a police officer who always tries to do the right thing. After his mother dies, shortly after his divorce, he is completely thrown, though. Trying to pay hommage to her by dancing to one of their favorite songs (she was a dance teacher) at the funeral, leads to being ridiculed, though, and marks the start of Jim’s complete unravelment.
Thunder Road is an unusual film and not one that offers itself easily to its viewers. But regardless of what you make of it in the end, Jim Arnaud is a character to be seen and Jim Cummings a filmmaker to watch.
Plot: Candy Wang (Vivian Wu) runs a hairsalon and owns the last house in the neighborhood she grew up in. Everything else was torn down to make way for a large building project helmed by architect Sean Landry (David Rysdahl). Candy’s brother Old Wang (Haoyu Yang) is a pig farmer in constant money trouble. Now more so than ever, because his pigs have mysteriously died, just like most of the pigs in the area. Those dead pigs start floating down Shanghai river because nobody knows what else to do with them. Meanwhile Wang’s son Wang Zhen (Mason Lee) works in the city as a busboy, hoping to make a better life for himself and maybe catch the attention of his rich customer Xia Xia (Meng Li).
Dead Pigs rolls a lot of criticism into a protective layer of jokes that make its critical stance look surprisingly light, but not necessarily soft. It’s a bittersweet, very engaging film.
Plot: Tepulpai (Andrea Santamaria) wants to become a shaman like Shaman (Saïd Amadis). When its time to prove that he is willing to sacrifice his most treasured possession to Pachamama and thus prove that he is becoming an adult, he can’t do it – unlike Naira (India Coenen) who is ready to sacrifice her small llama Lamita. When a tax collector shows up in their village and takes not only more than the village can afford, but also their Huaca, a sacred idol, Tepulpai hopes he can prove himself after all – by bringing back the Huaca.
Pachamama is a really beautiful film with a political core, but the story and the voice acting didn’t quite work for me.
Plot: Meg Murry (Storm Reid) is an unusual child from an unusual family. Her mother (Gugu Mbatha-Raw) is a scientist, as is her father (Chris Pine) – who has been missing for a while. He was working on tesseracts when he just disappeared. Meg’s genius little brother Charles Wallace (Deric McCabe) seems to know more about it. And he has made some strange friends who know even more than that: Mrs Whatsit (Reese Witherspoon), Mrs Who (Mindy Kaling) and Mrs Which (Oprah Winfrey). The three women prompt Meg, Charles Wallace and Meg’s class mate Calvin (Levi Miller) to go looking for her father – all through the universe.
I was rather disappointed when A Wrinkle in Time never got a big cinema release here in Austria, and I still think I would have appreciated seeing it on the big screen – the film is at its best, after all, when it just creates visuals. Other than those, it is very fine, but not great.
Plot: Charlotte (Allison Williams) used to be a promising cellist at the Bachoff academy, the famous music school, until she had to quit as a teenager to take care of her ill mother. Quite a few years later now, her mother has finally passed and Charlotte flies to Shanghai where she meets Lizzie (Logan Browning), the school’s new star, and her old mentors Anton (Steven Weber) and Paloma (Alaina Huffman). There is an instant spark between Charlotte and Lizzie and Lizzie invites Charlotte to come with her on a trip through China the next day. That trip proves to be rather more fateful for them than expected.
The Perfection starts off well enough, but then it starts to fall over itself in attempts to be clever that ultimately derail the entire film.
Plot: Doris (Tjitske Reidinga) was recently divorced and now has to face a fresh start with her two teenaged children (Hendrikje Nieuwerf, Tarik Moree). That she has spent her marriage as a houswife, makes that new start even harder. As if that wasn’t enough, Doris starts to have romantic dreams about her best friend Tim (Guy Clemens). But Tim just seems to have started dating a co-worker, Lynn (Bracha van Doesburgh), and Doris may not have a chance to tell him how she feels.
Doris may not reinvent the genre and didn’t leave me overcome by emotion, but it is a very well executed, enjoyable genre addition that gives older women something to enjoy instead of pretending that if you didn’t find the right person by age 25, everything is over. That message is needed and appreciated.
“Plot”: The film looks at the Austrian company Glock, the weapons it manufactures and how they quickly sold all over the world, especially in the USA, and also tries to shed some light on engineer and inventor Gaston Glock – the man behind the gun.
Weapon of Choice is a very well made documentary about Glock’s impact on the world – and that’s not necessarily a positive one, as you can imagine. But it is a lasting impact and one that still shapes many things today.
Plot: William (Keanu Reeves) works with his colleague Ed (Thomas Middleditch) on trying to transfer a human consciousness into a robot. But his research has hit a snag, so a break with his family – wife Mona (Alice Eve) and children Matt (Emjay Anthony), Sophie (Emily Alyn Lind) and Zoe (Aria Lyric Leabu) – seems like a great idea. Only on his way to their trip, they get in an accident and William is the only survivor. In his desperation, he calls on Ed and they devise a plan how they could bring them back.
Replicas is okay. Nothing we haven’t seen before, but entertaining enough if you’re able to overlook that William’s plan is so full of holes it makes you wonder whether he ever took a step in the world outside of his house.