Plot: Vibha (Shalini Vatsa), Chitra (Chitrangada Chakraborty) and Shagun (Sonal Joshi) don’t know each other, but they end up sitting in the same taxi, part of a fleet especially for women. Their cab is being driven by Shaila (Kritika Pande) who owns the taxi company. As they are stuck in traffic, the four women get to talking: about the need for a taxi service like this. About the constant threat of being raped if you’re out just a little too late. About the entitlement of men. Even on this night, they can’t get home unbothered: a man (Vinay Sharma) starts hollering at them from his moped. But this time, they strike back and soon they have the guy locked up in an abandoned building, ready to teach him what it means to be afraid all the time.
Tottaa Pataaka Item Maal is an interesting, character-driven film on a feminist mission. It has a good cast and is well-told, although the ending – while thought-provoking – is a little unsatisfying. But that shouldn’t keep you from watching it: the film is well worth it.
Plot: Camp Crystal Meph was the scene of a horrific bloodbath by the killer Johann Van Damme (Terry mullett). But a few years later, Todd (Dave Peniuk) is ready to give it another try. His uncle Mel (Darren Andrichuk) owns the camp ground and Todd has set up a new camp concept. Together with his camp counselors Rachel (Angela Galanopoulos) and Barry (Chris Allen), they are ready to welcome their group. But soon after their arrival, people start dying – again -, murderous squirrels run wild and nobody has any clue what is actually happening
Camp Death III in 2D! is a parody of Friday the 13th Part III in 3D that has some nicely silly ideas, but unfortunately overdoes it a lot of the times. Plus, it is just so ableist that I really wanted to scream.
Plot: Armin (Hans Löw) is growing older, though you couldn’t tell it from the life he’s living or the women he’s hitting on. It’s obvious that things can’t go on much longer the way they are. But it’s not Armin who gives in – he wakes up one morning and the world is changed around him: he seems to be the only person left. In this wasteland, Armin has to build himself a new life, relying only on himself.
It is interesting to contrast and compare In My Room with The Wall, but other than that there was little that I enjoyed about watching it. I found it pretty exhausting to be quite honest.
“Plot”: Following a group of teenagers from the same school in the Parisian suburbs, Premières solitudes listens to their conversations, their reflections, their plans and doubts and dreams.
Teenagers can be the cutest, and Premières solitudes is a film that makes sure we don’t forget that fact. As much as I liked the individual teens, the film is at its strongest when it studies the structures that become apparent in their conversations.
Plot: 1980 in Russia. Despite severe censorship of music and concerts, Viktor Tsoy (Teo Yoo) dreams of becoming a rock star like Mike Naumenko (Roman Bilyk). When he gets to meet Mike and plays for him and his wife Natalya (Irina Starshenbaum), Mike sees his talent and decides to take him under his wing, soon giving him first successes. Viktor is very much taken with Mike, and soon with Natalya, too.
I don’t know much about Russian punk and of the bands who are portrayed in the film here, I only new Kino a little (Bezdelnik is a great song), but even so, I enjoyed Leto a lot – in fact, much more than I thought it would. It gives us a look at a relationship between two men that is allowed to be much more complex than the usual portrayal of them in film. But that is not all.
Plot: Jong-su (Ah-in Yoo) meets Hae-mi (Jong-seo Jun) again by chance: they grew up in the same neighborhood when they were kids and are now both pretty much on their own in the big city. Hae-mi asks Jong-su to watch her cat while she goes on a trip to Africa. As he is quite smitten with her, he gladly agrees. When she returns, though, things don’t really take the romantic turn Jong-su had hoped for. Instead Hae-mi introduces him to Ben (Steven Yeun) who she met on the trip. Jong-su is in euqal parts jealous of and fascinated by the richer, suave Ben who he doesn’t trust at all.
Burning starts off well but loses steam in the last third or so, leaving me with an overall feeling of disappointment: despite many good qualities, the film could have been more in my opinion.
Plot: Miss Luckmoore (Fatma Mohamed) is a shop assistant at a big department store. But ther is something else going on in the store than your usual shopping experience. Miss Luckmoore does sell a dress, though. In fact, she sells the same dress to several women. A cursed dress that spells trouble for all of the women who buy it.
In Fabric is a weird film, in a very special, entertaining and enchanting way. I thoroughly enjoyed every second of it from its horror to its absurd sense of humor.
“Plot”: In Rockford, IL there’s not much to do, jobs are scarce and the town’s young people congregate at the skater park. Among them is Zack, a charismatic boy who becomes the center of attention for his friend Bing’s cinematic efforts, capturing their skating, their homes, their relationships. Keire is a little younger than they are, but he looks up to the older boys and becomes part of their friend group. They grow up together – with all growing up entails.
Minding the Gap starts life as a documentary about a group of skaters, a group the director himself belongs to. But spanning over a decade in their lives, the film’s subjects change as much as the film itself, ultimately becoming not only a coming of age story, but also a hard and highly personal look at how a boy can become a good man when he has mostly bad experiences with the men around him.
Plot: The El Royale is a run-down motel literally straddling the state line between Nevada and California. Most of the time, it’s empty now, with a single night clerk, Miles (Lewis Pullman) enough to handle all the guests. But on this particular night, there are more guests than usual – and they are all here for their own unstated purposes: Father Daniel (Jeff Bridges) is looking for something. Darlene (Cynthia Erivo) wants to make her career as a singer. Laramie (Jon Hamm) is a vaccuum salesman on the road. Emily (Dakota Johnson) is running from something. As the guests bring their own story to the motel, things get more and more complicated.
Bad Times at the El Royale obviously tries to be a film in the vein of Tarantino’s best, but while a lot of the right ingredients are there for that, the film doesn’t really come together and starts to fall apart more and more the longer it lasts.
Plot: Christoph (Laurence Rupp), called Burschi (“little boy”), has finally achieved what he has always dreamed of: he is training with the WEGA, Austria’s police special forces unit, under Konstantin Blago (Anton Noori), his big idol. His father Heinz (Roland Düringer) who is also a cop, but turned away from his career towards a more social role in the force sees Christoph’s dream with a critical eye. On a seemingly routine call Christoph ends up shooting a mentally ill man (Michael Fuith) who attacked. Celebrated as a hero by his squad and criticized by the public, Christoph starts to struggle with the events and his role in them.
I was pretty impressed by Cops as it takes a deep dive into police culture – which also means looking very sharply at masculinity. It’s sociological analysis in movie form and one I had yet to see from an Austrian perspective. Istvan handles it very well.