“Plot”: Abramovich interviewed male sex workers in Blue Boy bar in Berlin, then showed them their statements and filmed them while they watched it. The film shows them reacting to their own statements.
Blue Boy chose an interesting format to capture its subjects, opening up the gulf between talking a good game and then listening to yourself talk. The statements they give are as different as their reactions to themselves – from embarrassment to careful neutrality that can’t quite cover the fact that they are having a very emotional reaction, but don’t want to share what it is. While their statements give us an insight into their work life – from chatting up clients to police harrassment -, their reactions give us a look at who they are as people. A careful balance that Abramovich captures impressively.
Plot: Kaali (Chitrangada Chakraborty) has spent years locked up in an apartment as a sex slave. When she has a chance to escape, she takes it. But she is far from doing well and seeks help with psychologist Vikrant (Vinay Sharma) who diagnoses her with Dissociative Identity Disorder. Vikrant tries to help, but he is struggling with sex addiction and feels drawn to Kaali which complicates matters, especially since Kaali is looking to connect with him outside the therapeutic setting.
Devi Aur Hero sounds a little sensationalistic at first glance, but it is actually a thoughtful examination of mental health/illness and how it may be connected to a patriarchal context.
“Plot”: A group of young lesbians go to spend some time at the beach and to celebrate the New Year.
Quebramar doesn’t so much tell a story than show a slice of queer utopia – but in a realistic way. In the casual intimacy between these women, their openness and vulnerability with each other and the sense of community they share, the troubles they do talk about seem far away. They have carved out a space for themselves. It’s a good space – and they are willing to share it with the audience. So, relax and take half an hour to enjoy their company.
Plot: Ankhaa (Erdenemunkh Tumursukh) lives in LA, but his family is still in Mongolia, and in some trouble. They need money, and Ankhaa, having made it to the USA where he says he just got a big job feels responsible to deliver it. But fact is, he doesn’t have a good job. He doesn’t have any money. So he and his best friend Orgil (Iveel Mashbat) have come up with a plan, even if that plan isn’t legal.
In the Land of Lost Angels is a beautifully shot and well-acted film that hasn’t quite gotten its rhythm right. But it’s definitely a very promising debut.
Plot: Morf (Jake Gyllenhaal) is an art critic, always looking for something new and good. But currently, he is rather more occupied with Josephina (Zawe Ashton). She works in the gallery run by Rhodora (Rene Russo), hoping to become a successful agent herself, and Morf is deeply in love with her, despite having a boyfriend. When Josephina finds out that a recently deceased tenant in her building was an artist who wanted to have all his art destroyed upon his death, she is convinced that his art is something special. She is not wrong, though she couldn’t have foreseen what kind of special it really is.
Velvet Buzzsaw is visually engaging, and has a great cast who obviously had a lot of fun chewing the scenery in this one. But the metaphor at its heart feels a little flimsy and could have done with a little more work.
Plot: Zoey (Taylor Russell), Ben (Logan Miller), Jason (Jay Ellis), Mike (Tyler Labine), Amanda (Deborah Ann Woll), and Danny (Nik Dodani) have all received an invitiation to a very special Escape Room – one that promises 10,000 dollars to the winner. It doesn’t take long for them to realize, though, that the game is literally one of life and death.
Escape Room feels pretty uninspired. A tired rehash of pieces we have all seen before, combined with bland characters. I was quickly bored and basically only finished the film out of lethargy.
Plot: Haley (Haley Bodell), Gwen (Audrey Boos) and Trish (Gabriella Herrera) are preparing for a ritual in the town’s diner. They, and every other kid their age, are donning the clothes of their grandparents and walk to the diner. Something big is going to happen, something that will change the course of their lives forever. At least, if they are chosen.
Ham on Rye builds on an interesting idea, but lacks a bit of focus and narrative clarity. Still, it’s definitely unusual.
Plot: When Lila (Hafsia Herzi) finds out that her boyfriend Rémi (Jérèmie Laheurte) cheated on her with his ex-girlfriend Myriam (Myriam Djeljeli), she is devastated. Lila and Rémi break up, but at the same time, they aren’t actually willing to let go of each other. So, while Rémi heads to Bolivia to clear his head, Lila starts flirting with other men, hoping to find more luck with them.
Tu mérites un amour sounds like it should be right up my alley – a story about a woman trying to find her footing in the world? I like those – but it just didn’t work for me because Lila and her development didn’t work for me.
Plot: After Joachim (Jonathan Couzinié) has an apparently random encounter with somebody on the street who gives him the idea that he is the reincarnation of a Zoran who appears to not have been a good person, he convinces his friend Alice (Adèle Haenel) to go to Sarajevo with him and find out more about his past life. Alice, a filmmaker who shot a documentary about Srebrenica and its aftermath, decides to make a film out of Joachim’s search as well. Together with soundmaster Virginie (Antonia Buresi) and cameraman Paul (Paul Guilhaume) they leave to find out who Zoran/Joachim was.
Heroes Don’t Die is an interesting, metafictional film that takes its seemingly fantastic premise to say something about how to live in the face of mortality – be it your own personal mortality, or the mortality of people around you, be it a single death or the masses who died in the war. I found it very intriguing.
Plot: Eva (Ingrid García Jonsson) is just about to get married to Stuart (Leander Vyvey) who comes from a very rich and very conservative family. So when Eva hears that her grandmother Sofia (Verónica Forqué) wants to get married to her best friend Celia (Rosa Maria Sardà), Eva sees her wedding and her happiness threatened. She decides to return to Lanzarote and to talk some sense into her grandmother, keep her from getting married and thus causing an uproar and saving her union with Stuart. That’s easier said than done, though.
Salir del ropero is okay. It leans a little too hard on some of its comedic aspects, and puts the focus on Eva instead of Sofia and Celia, but it does have sweet moments.