Orpheline [Orphan] (2016)

Director: Arnaud des Pallières
Writer: Arnaud des Pallières, Christelle Berthevas
Cast: Adèle Haenel, Adèle Exarchopoulos, Solène Rigot, Vega Cuzytek, Jalil Lespert, Gemma Arterton, Nicolas Duvauchelle, Sergi López, Karim Leklou, Robert Hunger-Bühler
Part of: Scope100
Seen on: 18.12.2016

When Tara (Gemma Arterton) is released from prison, she goes to see Renée (Adèle Haenel). Renée works as a school teacher and is trying to have a baby with her boyfriend (Jalil Lespert), but it appears that her past was rather different: Tara demands money from her, money they stole together before she was arrested, at a time when Tara worked with Sandra (Adèle Exarchopoulos). But how does Renée’s life tie in with Sandra or teenager Karine (Solène Rigot) who behaves much more maturely than she is or the small Kiki (Vega Cuzytek) who loves to play outside, even at the dangerous junkyard.

Orphan really impressed me (and was the first of the Scope100 films that year that actually did). It’s a well-made film with fascinating female characters.


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La vie d’Adèle [Blue Is the Warmest Color] (2013)

La vie d’Adèle
Director: Abdellatif Kechiche
Writer: Abdellatif Kechiche, Ghalia Lacroix
Based on: Julie Maroh‘s comic
Cast: Adèle Exarchopoulos, Léa Seydoux, Salim Kechiouche

Adèle (Adèle Exarchopoulos) is in high school when she meets art student Emma (Léa Seydoux) and falls in love immediately, despite never really suspecting before that she might like women. And Emma, even though she has a girlfriend, really likes Adèle, too. Emma is comfortable and very out, as opposed to Adèle, but opposites obviously attract and the chemistry between the two of them is quite explosive.

Here’s what I took away from this movie: 1) lesbians have sex too (surprise, surprise). 2) 3 hours is really, really long. 3) there are many different ways you can look wistfully into a camera. In other words I didn’t care much for this movie.


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