Plot: Hasan (Hasan Majuni) has really been struggling since he was banned from making movies. Not knowing what to do with himself, things at home aren’t good and he is even more frustrated that his muse, his star Shiva (Leila Hatami) is working with other directors now. But most galling of all: a serial killer has been murdering Iranian directors left and right, but Hasan appears to be perfectly save from the killer. And that really is unacceptable since Hasan knows that he is the greatest director of them all. He is determined to find out what is going on.
Khook is one of those films where the movie marathon that the /slash Filmfestival is for me came to bite me in the ass: I was just too damn tired and kept falling asleep, regretting every second I missed of the film, because the parts I did see were absolutely fantastic.
Plot: Ahmad (Ali Mosaffa) just returned to France from Iran to finalize his divorce from Marie (Bérénice Bejo). What he doesn’t know is that Marie already lives with a new man, Samir (Tahar Rahim) and his son Fouad (Elyes Aguis), a realization with which he struggles a bit. But not as much as Marie’s oldest daughter Lucie (Pauline Burlet). Since Ahmad and Lucie get along very well, Marie asks him to discover what’s going on. Ahmad agrees and suddenly finds himself deeper in his ex-wife’s new life than he thought he would be.
Le passé starts off as a very well-made, very normal divorce story. It then descends into melodramatic depths, though, that only hurt the credibility of and my interest in the story.