Plot: Naima (Alia Shawkat) and Sergio (Laia Costa) meet by chance at a night club and have a great evening/night together. As they talk, they come up with the idea to fast-forward through their relationship to see if it is meant to be by spending 24hours together without sleep – but with sex every hour. Naima hesitates at first and says she can’t because she has to work as an actress, but when she gets fired, she returns to Sergio and the two actually do give it a try.
Duck Butter is very much an American independent movie – how much that is or isn’t up you alley is probably a matter of taste. I did enjoy it for the most part, but the ending rubbed me the wrong way.
Bliss’ (Ellen Page) mother Brooke (Marcia Gay Harden) has been raising Bliss to participate in beauty pageants. But Bliss has no interest whatsoever in being pretty or in pageantry. That becomes even clearer to her when she discovers roller derby. On a whim she goes to a match, and falls in love immediately. After talking to team captain Maggie Mayhem (Kirsten Wiig), she decides to try out for the team herself. Despite the fact that her parents can’t know about it or that she isn’t the required 21 years old yet. So she dons skates and starts practicing, findig her place in the team and the world.
Whip It is a sweet film, with a lot of fun moments and it wouldn’t surprise me if it made at least half of its audience fall in love with roller derby. There’s one big draw back though – and that’s the fact that they didn’t dare to make this a queer story. But other than that I enjoyed it a lot.
Pat (Anton Yelchin), Sam (Alia Shawkat), Reece (Joe Cole), and Tiger (Callum Turner) are the punk band The Ain’t Rights. They are currently touring, desperate for any gig they can book that will actually pay. They accept an offer to play at a place they know nothing about and are taken aback when they find out that it’s actually a neo-nazi club. But since they can’t afford to decline, they decide to power through. Unfortunately when they’re done, they walk in on a murder and suddenly their situation turns very bad indeed.
Green Room has been getting pretty amazing buzz and great reviews. I have to admit, I can’t entirely follow the hype surrounding the film. It’s a strong film, no doubt about it, but it did not blow me away.
When Amanda (Malin Akerman) was younger, she played a part in a slasher – Camp Bloodbath – that has since risen to cult status, but now she’s struggling through endless castings. At least she can always count on her daughter Max (Taissa Farmiga). But their harmonious, albeit precarious existence is blown apart when Amanda dies suddenly. Max tries her best to deal with her grief, but it’s hard. When there is a tribute screening of Camp Bloodbath, Max can barely bring herself to attend, but she lets herself get dragged there. Then she and her friends somehow get sucked into the film itself and maybe this time, Max will get the chance to save her mother’s life.
I absolutely loved Final Girls. It’s a genre-savy meta parody that has a lot of love for the movies it pokes fun at and it even adds an honest emotional core.
Polly (Kristen Wiig) really wants to have a baby. Her best friend Freddy (Sebastián Silva), too, and since he’s gay, they decided to try and have one together. But Freddy’s sperm count is low, so they try to convince his partner Mo (Tunde Adebimpe) to step up, despite Mo being less into the idea of having a child. As they wait for the go ahead and the positive pregnancy test, Freddy not only works on an art project where he behaves like a baby, he also starts a little war with a mentally ill man, the Bishop (Reg E. Cathey), in the neighborhood.
Nasty Baby wasn’t a bad film, but it wasn’t completely well-rounded either. It changed its pace quite a few times, and not all of those changes would have been necessary or were actually advisable.