Plot: Esther (Alice Isaaz) and her sisters Justine (Déborah François) and Abigaëlle (Maryne Bertieaux) live with their parents Madeleine (Constance Dollé) and Edmond (Bruno Todeschini) who came from France to find a new life in America. But now that the Civil War is looming, perhaps it would be better, safer for them to return to Paris. But they have to cross the continent first, a dangerous journey for which they hire Victor (Kevin Janssens) as protection and guide. They pack their things and are joined by their maid Layla (Armelle Abibou) for the trek. But soon Victor’s past starts catching up with them in the form of Bettie (Kate Moran), spelling more danger for all of them.
Savage State was announced as a feminist take on the Western genre and, well, it definitely is a Western, but everytime it tried for feminist, things became patently absurd. That it tries at all, though, is probably the only thing that sets it apart from other – and much better – films. I didn’t get anything from it.
Joséphine (Alice Isaaz) and Tomasz (Vincent Rottiers) just got married and things should be all rosy happiness, but Tomasz has a mean streak and Joséphine has to take a lot of care not to set him off.
Meanwhile Melanie (Alice de Lencquesaing) has some big news to tell her father Vincent (Eric Elmosnino) but their relationship is difficult and their talk uncovers more and more gaps in their knowledge of each other.
Anthony (Damien Chapelle) looks for love in all the wrong places, but is more preoccupied with his mentally ill mother Nicole (Brigitte Catillon) to really focus on that.
Endangered Species pulled me in and kept me glued to the screen throughout, although I wasn’t quite as happy with the endings to the segment as with the rest of the film.