Plot: Ian (Samuel Bottomley) has signed up for the Duke of Edinburgh trek that leads through the wilderness of the highlands. He wants to pad his resume with the experience to better his college applications. With him are DJ Beatroot (Viraj Juneja), Dean (Rian Gordon), and Duncan (Lewis Gribben) whose motivation couldn’t be much more different: they were mostly forced to complete the trek to avoid juvie. What all four have in common is that they don’t have a clue about the outdoors. As they make their way across the highlands regardless, they realize that it’s not the camping that is the real danger. They are being hunted and it really is about all of their survival.
Boyz in the Wood is a fantastically fun film with a serious class critique at its heart. I felt absolutely energized when I left the cinema.
Ruth (Alice Lowe) is seven months pregnant and rather lonely. Also, of course, nervous. When the midwife (Jo Hartley) tells her that there’s no need to be nervous, the baby will let her know what she has to do, Ruth listens. And her baby does speak to her, telling her to kill. And Ruth listens to that as well, going on a rampage that should get finished before her baby is actually born.
I really loved Prevenge. It’s funny, cleverly and surprisingly understated, has a great concept and an excellent performance by Lowe in all the many jobs she did for the film.
The bear Paddingtion (Ben Whishaw) was happily living with his aunt Lucy (Imelda Staunton) and uncle Pastuzo (Michael Gambon) in the Peruvian jungle. But when their home gets destroyed, Lucy sends Paddington to London, hoping that he will find a safe home there, as promised by an explorer who visited them a long time ago. Thankfully shortly after his arrival in London, Paddington meets the Browns – Mary (Sally Hawkins), Henry (Hugh Bonneville) and their children Judy (Madeleine Harris) and Jonathan (Samuel Joslin). Together they start to look for the explorer to find Paddington his safe place. But not everyone is out to help Paddington.
The trailer for Paddington looked awful, full of unfunny slapstick and grossness. I wanted to see it despite the trailer, but was prepared for the worst. And (apart from the general postcolonial qualms I have about the story) I was pleasantly surprised by the film that is much sweeter and funnier than the trailer made me think it was.
When they were still young and living in Newton Haven, Gary King (Simon Pegg) and his friends Andy (Nick Frost), Peter (Eddie Marsan), Ollie (Martin Freeman) and Steven (Paddy Considine) tried themselves at a pub crawl and came short. 20 years later, Gary is still obsessed with the idea of finishing and convinces the old gang to come. But things are a little weird in Newton Haven – weirder than in other small towns.
Since I love both Shaun of the Dead and Hot Fuzz, I was very worried that it this film wouldn’t be able to fulfill my expectations. But fortunately it did. It was awesome.
Nicholas Angel (Simon Pegg) is London’s star police man. But his success makes the rest of the service look bad, so he is reassigned to the small town of Sandford, where he’s partnered up with Danny Butterman (Nick Frost). Sandford might officially be the safest town in the UK, but Nick’s investigations soon turn up some weird things, when a series of freak accidents start.
Man, I really love this movie. It’s funny, fast-paced and riddled with cameos (some of which I only just learned about, like Peter Jackson and Cate Blanchett). It’s just an absolute joy to watch.
Tina (Alice Lowe) has spent her life taking care of her old, sick and pretty mean mother Carol (Eileen Davies). But then she meets Chris (Steve Oram) and the two of them really hit it off. Chris and Tina decide to go on a sightseeing trip together – just the two of them, a caravan and the major sights in the UK, like the pencil museum. Leaving Carol behind, they are off. But soon things start to go a little sour and Chris has to take drastic and bloody measures to keep the trip from being spoiled.
Sightseers was all over the place, unfortunately. It didn’t feel like they knew where they were going with the story, or even what kind of mood they would like to tell it in. So it swerves from macabre humor to exhausting fighting and neither really pays off.