Plot: Mona (Jeon Jong-seo) has been locked away in a psychiatric facility because she has special powers – she can control others with her mind. But now she is finally able to escape and makes her way to the next city, New Orleans. Unused to dealing with the world, she stands out. When she meets stripper Bonnie (Kate Hudson) and Bonnie realizes what she is capable of, she takes her under her wing and together, they start a more or less new life.
So far, I didn’t really like Amirpour’s movies, but I’m happy to say that I very much enjoyed Mona Lisa and the Blood Moon that is a film that is a) not as obsessed with style as her other features and b) doesn’t take itself all that seriously. That means, it’s a film that has room for heart – and that’s just what I like to see.
Arlen (Suki Waterhouse) is released into the Texan desert, a wasteland where all of the undesirables are sent to and have to weather not only the harsh climate but also each other to survive. It doesn’t take long and Arlen is captured by cannibals led by Miami Man (Jason Momoa). But even though she doesn’t escape unharmed, Arlen does manage to escape and find her way in this cruel world.
Arash (Arash Marandi) lives in the dead-end of Bad City, a town full of drug addicts – like his father (Marshall Manesh). But his live changes when he meets the Girl (Sheila Vand), a vampire using Bad City as her hunting ground. Slowly Arash and the Girl get closer to each other.
I really wanted to like A Girl Walks Home Alone at Night. I mean, an Iranian vampire western (which is how the film is introduced despite being shot in the USA by a British director)? How fucking awesome is that?! But unfortunately the film choked on its own coolness*. And it’s not even a proper vampire film.