Plot: Every day, A wakes up in a different body. It’s always the body of somebody as old as them, but it’s never the same body twice. Ever since they can remember, this has been their existence, and A is pretty much resigned to it by now, never telling anybody about it in the 17 years they have existed this way. That is, until they wake up in Justin’s (Justice Smith) body and meet Justin’s girlfriend Rhiannon (Angourie Rice). The two spend a magical day together and A realizes that they might just have found a life they are not willing to let go all that easily.
Every Day was nice and it did manage to get rid of some of the things that I criticized about the novel, but it still wasn’t as radical as I would have liked it to be – or as the story or the main character would have demanded it to be.
Peter (Tom Holland) is excited about the new superpowers he has gained and wants to become a proper superhero, like Iron Man/Tony Stark (Robert Downey Jr.) who recruited him not too long ago. But now Tony is keeping him at arm’s length and Peter is supposed to keep a low profile and go to high school, when he just wants to be properly heroic Spider-Man. When a new villain makes an appearance, Peter can’t keep still, though. Something needs to be done. And if nobody else does it, he will.
Spider-Man: Homecoming is entertaining and fun and has its fair share of problems. I enjoyed it, but not without reservations.
John McBurney (Colin Farrell) is an injured Union soldier on the run in the South during the US Civil War. He stumbles upon a girl’s school, led by Miss Martha (Nicole Kidman) and finds pity in the women who don’t turn him in to the Confederate soldiers – at least not until he’s healed and stands a chance to survive. But they keep him under lock and key while they tend to him. The teacher Edwina (Kirsten Dunst) and the girls – above all Carol (Elle Fanning) – are intrigued and excited by the soldier and soon vie for his affections. Not even Miss Martha finds herself unmoved as McBurney tries to turn the situation to his advantage.
The Beguiled is visually stunning, but other than that didn’t blow me away all that much. It’s not bad, but I still prefer the original film (although I didn’t love that one that much either).
Holland March (Ryan Gosling) was hired to look into the death of porn star Misty Mountains – or rather the possibility that she isn’t dead after all. His investigation leads him to Amelia (Margaret Qualley), but Amelia really doesn’t want to be investigated. So she hires Jackson Healey (Russell Crowe) to hammer that point home and get Holland to stay away. But then Amelia disappears and Jackson suspects foul play, so he decides to team up with Holland to figure out what happened.
The Nice Guys had a lot of potential and some very funny moments, but also quite a few things that did make me a little uncomfortable, especially its treatment of women. I did enjoy it, but I didn’t love it.
Earth is dying and its final hours have arrived. Huge parts of it are already dead. In Australia, everybody is waiting and trying to fill those last hours. James (Nathan Phillips) is supposed to be at a party with his girlfriend Vicky (Kathryn Beck), so he leaves Zoe (Jessica De Gouw) with whom he’s been having an affair, despite the fact that she reveals that she is pregnant. But on the way to the party, James sees Rose (Angourie Rice), a twelve-year-old girl, being dragged into a house by two men and he can’t just leave her there. But after he saves her he doesn’t really know what do with her.
These Final Hours uses an old question – what would you do when the world was about to end? – and tells a compelling story with it. It might not be something we’ve never seen before, but it’s effectively told.