Callum Lynch (Michael Fassbender) was sentenced to die. But the Abstergo Company fake his death instead and bring him to Madrid. As Abstergo’s CEO Rikkin (Jeremy Irons) explains, Cal’s ancestor belonged to a brotherhood of assassins, and they need him to access his own genetic memories to find the Apple of Eden, an artifact that belongs to the Templars and that has been historically protected by the Assassin’s Creed. Cal is more than reluctant to participate until Rikkin’s daughter Sofia (Marion Cotillard) puts him into the Animus – a machine that makes it able to access his genetic memories.
Assassin’s Creed was impressively nonsensical and it was far from pretty enough to make up for the incredible stupidity. I saw it on January 5th and it was clearly one of my biggest mistakes of the year that I did not bring alcohol to the screening.
David (Colin Farrell) was recently divorced. As a single person, he has to check into the Hotel and find a new suitable partner in 45 days. If he doesn’t, he will be turned into an animal – like his brother was turned into a dog – and if nobody is there to take him in, he will be set loose in the woods surrounding the Hotel. So David tries to find somebody who is like him, but that’s easier said than done.
My history with Lanthimos’ movies has been mixed so far but The Lobster might be his best film yet. It’s certainly his most accessible film, although it is still very, very weird and not easy to get into, and my personal favorite.
The Alps are a secret group of people who offer a special brand of grief councelling to people: they play the person who died for the family, after a lot of research, to try and help them with their acceptance. When the group takes on the case of a young girl who died, Monte Rosa (Aggeliki Papoulia), a nurse by day, starts to go completely off the rails and breaking all their rules.
Alpeis was completely different from what I expected. If I had made a movie with that plot, it would be a total comedy. But you can’t really get any more serious than Lanthimos with this film. I would have liked my version of the movie much better.
Marina (Ariane Labed) is 23, lives with her father Spyros (Vangelis Mourikis) with whom she shares a fascination for Attenborough nature documentaries and spends most of her time with her best friend Bella (Evangelia Randou). Unfortunately, Spyros is dying and Marina has a hard time coming to terms with that, while at the same time she finally makes the first attempts to explore her sexuality, mostly with an engineer (Giorgos Lanthimos) she’s the cab driver for.
Attenberg was described as a musical without singing in the programme and I thought that sounded very nice and expected a lighthearted, up-beat little movie. Attenberg is neither of this things. Instead it’s mostly uncoordinated and pretty boring.