Die Migrantigen [The Migrumpies] (2017)

Die Migrantigen
Director: Arman T. Riahi
Writer: Aleksandar Petrovic, Faris Rahoma, Arman T. Riahi
Cast: Aleksandar Petrovic, Faris Rahoma, Doris Schretzmayer, Zijah Sokolovic, Daniela Zacherl, Josef Hader, Mehmet Ali Salman, Julia Jelinek, Maddalena Hirschal, Margarete Tiesel, Dirk Stermann, Mahir Jahmal, Rainer Wöss, Brigitte Kren
Seen on: 5.7.2017
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Plot:
Benny (Faris Rahoma) and Marko (Aleksandar Petrovic) have been best friends for about forever and both find themselves struggling: Benny would like to make it as an actor, but has had no luck so far, mostly because he’s usually reduced to small roles due to his darker skin. And Marko’s ad agency just went bust – and his girlfriend Sophie (Daniela Zacherl) is expecting their first child. As they try to figure out what to do, an opportunity falls into their lap in the shape of Marlene (Doris Schretzmayer), a TV reporter looking to do a hot take on immigrants in Vienna. Just for the heck of it Benny and Marko – who actually do have migration roots – turn into Omar Sharif and Tito to give Marlene all the clichés about immigrants roled into a neat little package. But when Marlene returns with the offer to do an entire reality TV show about them, the two find themselves trapped in their performance and enticed by the money and acting break it would mean for them.

Die Migrantigen is an entertaining film that nails quite a few very problematic things about the discourse on migrants in Austria in a very revealing, yet light-hearted way. Sometimes it’s a little too easy and sometimes its ideas are better than the execution, but mostly, it’s very enjoyable.

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Kinders (2016)

Kinders (literally: Childrens)
Director: Arash T. Riahi, Arman T. Riahi
Writer: Arash T. Riahi, Arman T. Riahi
Seen on: 20.12.2016

“Plot”:
Kinders follows a group of children who all participate in a music program where they can develop outside of their often difficult family backgrounds, enjoy themselves and grow confident.

There is a lot of cuteness in Kinders and every once in a while I felt that the film was getting closer to a bigger point, but before it got there, it always veered off course, thus never really realizing its full potential.

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