Everest (2015)

Everest
Director: Baltasar Kormákur
Writer: William Nicholson, Simon Beaufoy
Cast: Jason Clarke, John HawkesJosh Brolin, Naoko Mori, Michael KellyMartin Henderson, Jake GyllenhaalAng Phula Sherpa, Pemba Sherpa, Emily Watson, Sam Worthington, Keira Knightley, Elizabeth Debicki, Robin WrightVanessa Kirby, Clive Standen, Ingvar Eggert Sigurðsson
Seen on: 5.10.2015

Plot:
Rob Hall (Jason Clarke) thought he found his niche when he established guided tours up Mount Everest for more or less amateur climbers, but since he started, many others have followed his lead and now base camp is full with groups – one of them led by Scott Fischer (Jake Gyllenhaal). Rob, too, brings yet another group to climb the top, among them journalist Jon Krakauer (Michael Kelly), postman Doug Hansen (John Hawkes), enthusiastic climber Beck Weathers (Josh Brolin) and Yasuko Namba (Naoko Mori) who wants to complete her collection of over 8000m peaks she’s climbed. But the group encounters more than one problem.

I’m not a mountain person. I don’t even understand skiing as a pastime, something people do voluntarily (and I’m fucking Austrian). So the concept of climbing Mount Everest is utterly alien to me. I understand it even less after having seen this film.

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Contraband (2012)

Contraband
Director: Baltasar Kormákur
Writer: Aaron Guzikowski
Remake of: Reykjavík Rotterdam
Cast: Mark Wahlberg, Kate Beckinsale, Ben Foster, Giovanni Ribisi, Lukas Haas, Caleb Landry Jones, David O’Hara, Diego Luna, J. K. Simmons

Plot:
Chris (Mark Wahlberg) used to be a smuggler (and a damn good one). But when he got a wife (Kate Beckinsale) and kids, he quit. Unfortunately, his brother-in-law Andy (Caleb Landry Jones) isn’t as smart or as good a smuggler and so he gets into trouble with Briggs (Giovanni Ribisi) who hired him to smuggle drugs Andy promptly had to dump. Briggs threatens Chris and his family and pressures him into a job. And so Chris and his best friend Sebastian (Ben Foster) get their old group together to get counterfeit money into the country.

Contraband is so formulaic, it practically becomes its own archetype. Unfortunately that’s the only thing that stands out about the film.

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