Plot: Zak (Zack Gottsagen) needs to escape from the retirement home he has been parked at for years, despite the fact that he is very young. He has Down Syndrome and nobody knew where else to put him. Still, he needs to get out, then he can go to Salt Water Redneck’s (Thomas Haden Church) wrestling school. Finally one of his attempts actually works and Zak is off. By chance, he ends up on Tyler’s (Shia LaBeouf) boat. Tyler, too, needs to get out after pretty much destroying all of his chances to ever work as a fisherman in his hometown again. Together, the two strike out to fulfill Zak’s dream.
The Peanut Butter Falcon is a wonderful film. It’s touching, funny and has an eye for the absurd. But most importantly, it unquestioningly centers Zak and his story, never allowing him to become a prop in his own film.
Marquis Warren (Samuel L. Jackson) finds himself with a dead horse, a few frozen corpses he means to deliver to collect the bounty and in the cold in the middle of nowhere. It’s just his luck that John Ruth (Kurt Russell) comes along with his carriage, also transporting a body for the bounty, but a live one – Daisy Domergue (Jennifer Jason Leigh). Warren manages to hitch a ride with them to the next inn, Minnie’s Haberdashery where they are promptly snowed in. Trapped with a group of strangers in a snow storm, tensions start to rise.
The Hateful Eight was one of Tarantino’s weaker films. Definitely his weakest in a while. But a weak Tarantino is still a strong, well-made film. But it didn’t make me enthusiastic and I did have my issues with it.
Woody Grant (Bruce Dern) is old, alcoholic and shows signs of dementia. So it’s no wonder that he actually believes the bogus letter informing him that he won the lottery and needs to come to Nebraska to pick it up. When his family doesn’t want to go with him, Woody tries to walk there. Several times. Until finally his son David (Will Forte) gives in and goes with him on a trip to Nebraska in the hopes of calming Woody. On the way there they are also confronted with the life Woody used to have.
Nebraska was so not my film. I was bored out of my mind for most of it and annoyed for the rest. There was nothing there for me, despite the good performances.
A typical suburban cul-de-sac is disrupted when a new family moves in. A mysterious family that seems to be only awake at night, making loud noises then, a family that doesn’t take care of its lawn or sticks to any of the usual suburban behavior. Their direct neighbor Ray (Tom Hanks) just got some time off. Time he spends starting to obsess about them and trying to find out more, egged on by the other inhabitants on the street.
I don’t know how many times I saw this film when I was a child. It was my brother’s favorite film for a while and he did a perfect impression of the “sardines” scene and to this day I can’t look at Tom Hanks without thinking of my brother a bit. So seeing this film for the first time in probably a decade, for the first time in English and without my brother present just wasn’t quite the same thing. It was still very entertaining though.
Plot: Dane (Chris Massoglia) and Lucas (Nathan Gamble) just moved with their mother (Teri Polo) into a new house. Again. But there’s something different about that house – and that’s not the neighbors’ daughter Julie (Haley Bennett). Dane and Lucas stumble upon a seemingly bottomless hole in the basement. And when they open it, something escapes.
The Hole feels like one of those classic adventure films of the 80s where kids are curious explorers in a world where adults are barely anything more than an afterthought. It’s a rather nostalgic film in the way it’s made. It’s not without its faults but that works very well.
Dr. King Schultz (Christoph Waltz) is a bounty hunter who’s looking for a trio of brothers that he can’t identify. But he knows that the recently sold slave Django (Jamie Foxx) can. So he goes after Django and frees him in return for his help with the bounty hunting. Django agrees and the two of them start working very well together. But Django really wants to get his wife (Kerry Washington) back who has been sold separately. So he and Schultz hatch a plan how to get her out of the clutches of Calvin Candie (Leonardo DiCaprio).
Django Unchained was pretty damn great. It wasn’t perfect, but it was fun, had a great cast, beautiful cinematography and, as usual for Tarantino movies, an amazing soundtrack.
Hall Baltimore (Val Kilmer) is a writer of mystery novels and pretty much down on his luck. And he’s also an alcoholic who gets by by doing book-signing tours in small towns. In one of those small towns, Hall meets Sheriff LaGrange (Bruce Dern) who would like to co-operate on a book about murders that happened there. Hall is not really into the idea, but then he starts to have vivid dreams involving V (Elle Fanning) and it all seems connected.
Twixt was apparently based on a dream Francis Ford Coppola had and you can feel that, which makes it a strange little film. But it’s one that I did enjoy a lot.
The Driver (Ryan O’Neal) drives getaway cars for robberies and he is very good at his job. But The Detective (Bruce Dern) is already close on his heels. The Detective catches a gang of criminals and makes them hire The Driver to catch him in the act. Even though The Driver is suspicious, he goes along with them, but he hires The Player (Isabelle Adjani) to distract the police.
When I went into the film, I was expecting a good action flick, but I got a dose of Teh Stoopid. I was so extremely bored by this movie. It’s pretty crappy, but unfortunately, the moments where it actually crosses into craptastic territory are very few and rare.