Plot: Jessie (Carla Gugino) and her husband Gerald have an exciting weekend planned. In their remote vacation home during the off-season, they want to take the weekend to focus on themselves and their relationship – by spicing up their sex life. Gerald brought handcuffs and is eager to get going. Jessie is willing to give it a try but as the tying up quickly turns into a rape fantasy for Gerald, she doesn’t want to go along anymore. As he tries to convince her, Gerald has a heart attack though and suddenly Jessie finds herself all alone, chained to a bed. Or maybe she isn’t quite as alone as she thought.
Gerald’s Game is a tense, very well-made film with a fantastic Gugino. If you want to be creeped out, I can definitely recommend it.
Plot: Dan (Ewan McGregor) has had a rough go of it. The only way he knew how to deal with his supernatural abilities was to drown it in alcohol. But he is trying to change and to get a fresh start in a small town in New Hampshire. Once he is settled there, he realizes that another person with the same abilities, but stronger, is reaching out to him – a young girl called Abra (Kyliegh Curran). Abra knows that something bad is happening to kids like her – and she needs Dan’s help to figure it all out.
Doctor Sleep has the difficutl tasl of being a sequel to a book and a film which deviate from one another, and it does manage to make something interesting from those diverging predecessors. But the film’s blatant antiziganism is a huge problem.
Plot: Daniel Ellsberg (Matthew Rhys) has anonymously leaked documents to the New York Times that prove the atrocities of the USA in Vietnam. The Post, newly managed by Kay Graham (Meryl Streep) who took over after the death of her husband, doesn’t want to fall behind and finds Ellsberg for more information. Soon The Post finds itself under big pressure from the government not to publish and Kay has to make big decisions.
The Post is a film full of pathos. There’s nothing wrong with that and it works emotionally. It’s just a little too safe in its choices, making it feel a little dusty. But (unfortunately) not out of date.
Mark Felt (Liam Neeson) expected to be promoted to the head of the FBI when J. Edgar Hoover stepped down. Instead FBI outsider L. Patrick Gray (Marton Csokas) is. But even though he feels resentful about being passed over, it’s Gray’s handling of one of his first cases – a surveillance operation based, apparently, on unofficial orders from the White House – that really sours things for Felt. He decides to bring the information about the Watergate case anonymously. to the public.
Mark Felt: The Man Who Brought Down the White House shows that spying and whistle-blowing can be absolutely boring affairs. So boring, it’s astounding. I am honestly still in a state of disbelief how that happened.
Eggsy (Taron Egerton) has very much settled into being a Kingsman agent, and into dating Swedish Princess Tilde (Hanna Alström). But just when everything seems to calm down, a devastating attack that strikes at the very heart of the Kingsman HQ leaves Eggsy and Merlin (Mark Strong) the only survivors of the agency. When they follow emergency procedure, they discover that there is another agency in the USA: Statesman. They fly there to look for help in tracking down their attacker.
I very much enjoyed the first Kingsman film and was very much looking forward to this sequel, but unfortunately I was disappointed with it, despite some pretty good ideas.
Jake Davis (Russell Crowe) is an award-winning writer with a lovely daughter, Katie (Kylie Rogers). But after his wife dies, he falls apart. While he tries to get better in a psychiatric facility, Katie goes to live with her aunt Elizabeth (Diane Kruger) and uncle William (Bruce Greenwood). Even after Jake returns, things are far from easy.
Many years later, Katie (Amanda Seyfried) works as a counselor for kids like Lucy (Quvenzhané Wallis), even though she obviously has many issues of her own. When she meets Cameron (Aaron Paul), those issues might destroy everything.
I had little to no expectations regarding Fathers & Daughters, but I was still taken aback by it. It is perfectly obvious why this move tanked as much as it did. It probably should have tanked more.
Mary Mapes (Cate Blanchett) is a producer on CBS’ 60 Minutes, hosted by Dan Rather (Robert Redford). They get wind of a story that George Bush Jr may have received favorable treatment in the army which kept him out of harm’s way and could considerably hurt his run for the presidency. They investigate and despite a few incongruencies decide to go ahead and report on the story. It doesn’t take long, though, for serious doubts to arise as to the veracity of the story and the supporting documents. Quickly, Mary finds herself under heavy fire.
Truth is a decent film carried by Blanchett, but it fundamentally misunderstands the quest it is on, which does throw a wrench in its own works.
Luke (Ryan Gosling) is a motorcycle stunt driver. But when he finds out that Romina (Eva Mendes) – with whom he had a fling a year earlier – had his son, he decides to give up his job and stay near them and take care of them. But since he lacks the resources to do so properly, he starts to rob banks which puts him right in the path of Avery (Bradley Cooper), a young and ambitious police man.
I loved Blue Valentine and the cast of this movie is pretty damn good, so I expected big things. Unfortunately, I was sorely disappointed. The Place Beyond the Pines is boring, clichéd and way too long.
After a couple of attacks on Starfleet by John Harrison (Benedict Cumberbatch) and his subsequent escape to the Klingon home planet Kronos, Kirk (Chris Pine) and his crew are sent there with a new kind of missile to kill Harrison. Even though Spock (Zachary Quinto) and Scotty (Simon Pegg) have their doubts about the legitimacy of that mission, Kirk sticks to it. At first at least.
I expected Star Trek Into Darkness to be fun in a not exactly intelligent way. Nevertheless I had my problems enjoying it because it was just so damn dumb. But even that I wouldn’t have minded so much if the pacing had been a little better. It’s still enjoyable, but just not as much as I had hoped.
Whip (Denzel Washington) is a divorced pilot with an addiction problem. To get over his hangovers – when he’s not too drunk to have one – he usually takes a bit of cocaine. He goes through that same routine before getting on a plane that subsequently crashes. Though everyone agrees that this is due to a technical error and that Whip is solely responsible for saving most of the people on board, an investigation into his life makes him slowly face his drug problem.
Flight was very long. It could have easily been shorter and it would have been better for it. But even if it had been shorter, it just felt tired. Like both the story and the production was just a paint-by-the-numbers thing. Which is not really what you want from a film.