Director: Antú Romero Nunes
Writer: Aeschylus, translated by Peter Stein
Cast: Sarah Viktoria Frick, Maria Happel, Caroline Peters, Barbara Petritsch, Aenne Schwarz, Irina Sulaver, Andrea Wenzl
Seen on: 2.4.2017
After Agamemnon (Maria Happel) returns home from war with Kassandra (Andrea Wenzl) as his trophy, his wife Klytameistra (Caroline Peters), who is living with Aigisthos (Barbara Petritsch), kills Agamemnon and Kassandra both, to avenge Agamemnon’s killing of Iphigenie, their daughter, a continuation of the family curse that weighs on Agamemnon due to his father and uncle sacrificing their own children to the gods. Agamemnon and Klytameistra’s son Orestes (Aenne Schwarz) vows to revenge the murder of his father too, continuing the spiral of blood and violence.
The production of the Oresteia walks the line between traditional setting and modern sensibilities. Ultimately it is visually striking and well-acted, but maybe a little too conservative.
Ella Rentheim (Caroline Peters) returns home to see her estranged twin sister Gunhild (Birgit Minichmayr) and Gunhild’s husband, John Gabriel Borkman (Martin Wuttke). Borkman was disgraced in a financial scandal and hasn’t left the attic since he was released from prison. Gunhild, too, is eccentric, to say the least. Only Gunhild’s and John Gabriel’s son Erhart (Max Rothbart) has a halfway normal life – which he had to fight for. Ella’s arrival makes all of them confront the past and try to rearrange their lives.
The play, unfortunately, didn’t work for me at all. Judging by the audience’ enthusiastic reaction though, my boredom and exasperation at the show seems to be the exception rather than the rule.