Cops (2018)

Director: Stefan Lukacs aka Istvan
Writer: Stefan Lukacs
Cast: Laurence Rupp, Anton Noori, Maria Hofstätter, Roland Düringer, Anna Suk, Michael Fuith
Seen on: 17.10.2018

Christoph (Laurence Rupp), called Burschi (“little boy”), has finally achieved what he has always dreamed of: he is training with the WEGA, Austria’s police special forces unit, under Konstantin Blago (Anton Noori), his big idol. His father Heinz (Roland Düringer) who is also a cop, but turned away from his career towards a more social role in the force sees Christoph’s dream with a critical eye. On a seemingly routine call Christoph ends up shooting a mentally ill man (Michael Fuith) who attacked. Celebrated as a hero by his squad and criticized by the public, Christoph starts to struggle with the events and his role in them.

I was pretty impressed by Cops as it takes a deep dive into police culture – which also means looking very sharply at masculinity. It’s sociological analysis in movie form and one I had yet to see from an Austrian perspective. Istvan handles it very well.

The film poster shwoing a police officer in riot gear with police tape running across his mouth.
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Cops (1922), The Cameraman (1928) + Timothy Brock and die reihe

Cops (also directed by Edward F. Cline) and The Cameraman (also directed by Edward Sedgwick) are two movies directed by and starring Buster Keaton. They were shown in the Konzerthaus with live music by Timothy Brock played by die reihe as part of their Film and Music Cycle. [Here’s my review of the other shows in the cycle.]

In Cops, a young man (Buster Keaton) tries to prove to the girl he loves that he’s a good business man and ends up inadvertently making one shady deal after the other.
In The Cameraman, Buster (Buster Keaton) tries to impress a girl working for a news studio by becoming a cameraman. That doesn’t go so well, either.

So, there’s this big gap in my movie education when it comes to silent films and I had actually never seen a Buster Keaton movie before [I have also never seen a Charlie Chaplin movie but I’m almost too ashamed to admit this]. Since slapstick isn’t much of my thing, I didn’t expect to get much out of it, but both movies were absolutely, brilliantly and amazingly funny. Timothy Brock’s music took a back seat to the sheer awesome, but it was very nice as well.

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