Plot: Christoph (Laurence Rupp), called Burschi (“little boy”), has finally achieved what he has always dreamed of: he is training with the WEGA, Austria’s police special forces unit, under Konstantin Blago (Anton Noori), his big idol. His father Heinz (Roland Düringer) who is also a cop, but turned away from his career towards a more social role in the force sees Christoph’s dream with a critical eye. On a seemingly routine call Christoph ends up shooting a mentally ill man (Michael Fuith) who attacked. Celebrated as a hero by his squad and criticized by the public, Christoph starts to struggle with the events and his role in them.
I was pretty impressed by Cops as it takes a deep dive into police culture – which also means looking very sharply at masculinity. It’s sociological analysis in movie form and one I had yet to see from an Austrian perspective. Istvan handles it very well.
In Cops, a young man (Buster Keaton) tries to prove to the girl he loves that he’s a good business man and ends up inadvertently making one shady deal after the other.
In The Cameraman, Buster (Buster Keaton) tries to impress a girl working for a news studio by becoming a cameraman. That doesn’t go so well, either.
So, there’s this big gap in my movie education when it comes to silent films and I had actually never seen a Buster Keaton movie before [I have also never seen a Charlie Chaplin movie but I’m almost too ashamed to admit this]. Since slapstick isn’t much of my thing, I didn’t expect to get much out of it, but both movies were absolutely, brilliantly and amazingly funny. Timothy Brock’s music took a back seat to the sheer awesome, but it was very nice as well.