Plot: Mona (Jeon Jong-seo) has been locked away in a psychiatric facility because she has special powers – she can control others with her mind. But now she is finally able to escape and makes her way to the next city, New Orleans. Unused to dealing with the world, she stands out. When she meets stripper Bonnie (Kate Hudson) and Bonnie realizes what she is capable of, she takes her under her wing and together, they start a more or less new life.
So far, I didn’t really like Amirpour’s movies, but I’m happy to say that I very much enjoyed Mona Lisa and the Blood Moon that is a film that is a) not as obsessed with style as her other features and b) doesn’t take itself all that seriously. That means, it’s a film that has room for heart – and that’s just what I like to see.
Plot: Ryden (Alexis Bledel) is just about to graduate and she knows exactly how things are going to go from there. She will get her dream job at a big publishing house and live in an awesome apartment. She has both lined up already. Her best friend Adam (Zach Gilford) is less sure about what to do, but he knows that he would like to romance Ryden, but she is not interested. But after Ryden does not get the job, and she has to move back home with her eccentric family (Michael Keaton, Jane Lynch, Bobby Coleman, Carol Burnett), she needs to rethink her life entirely. Maybe with the help of her hot neighbor David (Rodrigo Santoro)?
Post Grad is not a great film, but it is cute and funny and light. There’s really nothing weighing it down, not even particular emotional depth. If you want to just float through 90 minutes, it’s the film you should choose.
Plot: Eloise (Anna Kendrick) has been debating with herself whether she should attend the wedding of her (former?) best friend after her boyfriend – the bride’s brother and best man – Teddy (Wyatt Russell) dumped her. Over a text. Relegating Eloise from Maid of Honor to outcast at the wedding. In the end, she can’t stay away and ends up at the dreaded Table 19 – where all the guests sit that nobody expected or wanted to actually show up. Bina (Lisa Kudrow) and Jerry Kepp (Craig Robinson), Jo Flanagan (June Squibb), Walter Thimble (Stephen Merchant), and Renzo Eckberg (Tony Revolori) share Eloise’s fate and bring their own issues. As the wedding goes on and Eloise’s natural penchant for drama comes out more and more, things turn from awkward to outright catastrophic for them all.
I didn’t have high expectations for Table 19, but Anna Kendirick was ultimately enough of a draw for me to give it a go. And in some ways, it did surpass my expectations, but mostly it’s the cinematic equivalent of a cheap snack: pleasurable enough as long as it lasts, but gone from memory as soon as its over.
Plot: Doctor Dolittle (Robert Downey Jr.) has a gift: he’s a veterinarian who can talk to the animals directly. But every since his wife (Kasia Smutniak) was lost at sea, he hasn’t worked anymore. This changes quickly, when he gets two visitors in a day: the first one is Tommy (Harry Collett) who brings in a hurt squirrel, and the second is Lady Rose (Carmel Laniado) who brings the news that the Queen (Jessie Buckley) may well be dying if Dolittle doesn’t help – and that would mean that he’d lose his entire estate. Forced from his isolation, Dolittle takes on the case – and Tommy makes sure to be part of it.
Dolittle has potential – Downey Jr. surrounded by animals voiced by a whole lot of excellent people? What can go wrong? A lot, apparently. Maybe this film should serve as a case study for that.
Sadie (Brianna Hildebrand) and McKayla (Alexandra Shipp) are best friends and do pretty much everything together. Most notably, they run an online channel together where they discuss true crime cases with which they’re both fascinated. Trying to gain popularity for themselves and their show, they try to catch a serial killer in the area. But when they do catch up with him, a simple capture seems not enough anymore.
Tragedy Girls is a very entertaining film, even if it doesn’t revolutionize the “twist on the slasher-movie” counter-genre that is now its own genre. I had fun all the way through.
Jay Baruchel comes to LA to visit Seth Rogen. He had planned to have a weekend full of movies, video games and weed at Seth’s place, but Seth gets him to go to James Franco’s housewarming party. While they’re there, the apocalypse happens – literally. None of them ascends into heaven, but at least Jay, Seth, James, Jonah Hill, Craig Robinson and Danny McBride also don’t fall into the hell pit that opened just outside the door. But what should they do now?
I was afraid that I wouldn’t like This Is the End and I was right. Apart from a few moments of actual fun, there was nothing that I could enjoy about it.
After his success with Zeus’ lightning bolt Percy (Logan Lerman) has yet to have another big success, much to his chagrin and Clarisse’ (Leven Rambin) enjoyment. But then things get quickly out of whack: Percy’s half-brother Tyson (Douglas Smith), a cyclops, shows up. Camp Half-Blood is attacked by the not-dead-after-all Luke (Jake Abel) and its magical barrier starts failing. It’s Clarisse who gets tasked with finding the Golden Fleece to save the camp, but fueled by a prophecy Percy, Tyson, Annabeth (Alexandra Daddario) and Grover (Brandon T. Jackson) go on the same quest.
Sea of Monsters, much like the first film, was pretty nice the most time, but also ultimately not great or awesome. There is nothing really wrong with it and it did have a great supporting cast, but I didn’t connect with it all that much.