Plot: Morf (Jake Gyllenhaal) is an art critic, always looking for something new and good. But currently, he is rather more occupied with Josephina (Zawe Ashton). She works in the gallery run by Rhodora (Rene Russo), hoping to become a successful agent herself, and Morf is deeply in love with her, despite having a boyfriend. When Josephina finds out that a recently deceased tenant in her building was an artist who wanted to have all his art destroyed upon his death, she is convinced that his art is something special. She is not wrong, though she couldn’t have foreseen what kind of special it really is.
Velvet Buzzsaw is visually engaging, and has a great cast who obviously had a lot of fun chewing the scenery in this one. But the metaphor at its heart feels a little flimsy and could have done with a little more work.
Bill Randa (John Goodman) and Houston Brooks (Corey Hawkins) are convinced that monsters exist – and they may be hiding on a recently discovered island. When they can finally secure funding for an expedition there, they hire ex-military tracker James Conrad (Tom Hiddleston), a group of soldiers under command of Preston Packard (Samuel L. Jackson) and photographer Mason Weaver (Brie Larson) to make sure they succeed in finding and documenting whatever lives on that island. But once they get to the island, things don’t go according to plan.
Over and over again I try to like kaiju movies and over and over again, I fail. In this case, though, it’s mostly because Kong: Skull Island really sucks.
Louis Bloom (Jake Gyllenhaal) is smart and hungry for success. All he needs is an in to make his luck. When he witnesses a traffic accident being filmed by a freelance news crew headed by Joe Loder (Bill Paxton), Lou is convinced he has finally found the way to make a whole lot of money. He gets a camera and a police scanner and sets off to capture the perfect image. But with the first success comes the hunger for more and the necessity to blur lines to get everything he wants as quickly as he wants it.
Nightcrawler not only has the amazing Jake Gyllenhaal, but also a smart, insightful script and perfect pacing. It kept me on the edge of my seat the entire time.
While the events of The Bourne Ultimatum are unfolding, a government group spearheaded by Eric Byer (Edward Norton) tries to get the situation under control by shutting down all programs related to Treadstone. That means that they start killing operatives. But one of them, Aaron (Jeremy Renner), manages to escape and subsequently tries to get back his independence and freedom with the help of Dr. Marta Shearing (Rachel Weisz) who designed the drugs that gives the operatives a mental and physical edge.
The Bourne Legacy has a terrific cast, but falls flat in pretty much all other departments: The writing is a mess, the camerawork sucks, as does the editing, but worst of all is the direction.