Gloria’s (Anne Hathaway) life is a mess. Gloria is a mess. When her boyfriend Tim (Dan Stevens) tells her things have to change or she has to move out, she decides to move back to her hometown to live in her parents’ empty house, instead of going to rehab which would have probably been the better choice. Once there she starts working for her childhood friend Oscar (Jason Sudeikis) and keeps partying hard. When reports surface about a giant monster that terrorizes Seoul, Gloria starts to realize that the monster is connected to her somehow.
Colossal has a fun concept that works over long stretches as a metaphor but not always. I enjoyed it, despite a few misgivings.
Belle (Emma Watson) lives in a small village with her father Maurice (Kevin Kline), an inventor. Her life wouldn’t be so bad if the local library had more books and if village beau Gaston (Luke Evans) wasn’t constantly harrassing her with marriage proposals. Then one day, Maurice doesn’t return from the market as planned. When Belle sets out to find him, what she finds is an enchanted castle, where a Beast (Dan Stevens) is holding her father captive. Fearless as she is, Belle takes Maurice place. And she might just be what the Beast needed to break the curse that weighs on them all.
This live-action version of the film isn’t strictly necessary and there were a couple of things that really didn’t go all that well, but the film was nevertheless enjoyable and managed to capture the magic of the animated version at least in part.
Goody (Alicia Silverstone) and Stacy (Krysten Ritter) are best friends, flatmates, vampires and single women in New York. They try to navigate all of this best as they can. They drink only animal blood that they get from their exterminator job and go to Sanguines Anonymous meetings. They have practically no secrets from each other (except Goody can’t really bring herself to tell the recently turned Stacy how old she truly is). They share their dislike of their maker Ciccerus (Sigourney Weaver). But when Goody meets her old flame Danny (Richard Lewis) again and Stacy falls in love with her classmate Joey (Dan Stevens), things will have to be re-evaluated.
Vamps may not be quite up to Clueless standards (Heckerling’s previous film starring Silverstone), but it’s an amusing film that entertains.
The Petersons have recently lost their son/brother in action in the Iraq war. As they still struggle with grief, a soldier turns up on their doorstep: David (Dan Stevens) served with their son/brother and he wanted to chek in on them as he had promised to take of the entire family. Mother Laura (Sheila Kelley) is quickly taken in by the charming David and offers him a place to stay for a while. It doesn’t take much longer for father Spencer (Leland Orser) and son Luke (Brendan Meyer) to bond with him. Only daughter Anna (Maika Monroe) remains suspicious – David is just too perfect.
So far, Adam Wingard movies were rather disappointing for me. But I really loved The Guest. It was funny and superentertaining and was one of my cinematic highlights of the spring edition of the /slash.
When Daniel (Daniel Brühl) meets Julian (Benedict Cumberbatch) he is more than excited: Daniel has been keeping track of Julian’s hacking work and the WikiLeaks site he instated: a perfectly anonymous option for whistleblowers. Daniel wants to work with Julian and Julian lets him in, reluctantly at first. But soon their project gets bigger than they ever expected.
The Fifth Estate was an entertaining movie with a few lenghts and a disturbing subtitle-phobia. The cast was absolutely awesome, though.
Plot (and quoting myself):
For those who don’t know, Sense and Sensibility is the story of two sisters, Elinor (Hattie Morahan) and Marianne (Charity Wakefield). The main focus is on Elinor, the older one. She’s rational, composed, intelligent and feels responsible for everything/one. Marianne seems to be her exact opposite – passionate, outspoken, spontaneous. Both fall in love, Elinor with Edward Ferrars and Marianne with John Willoughby. Of course, that isn’t the end of the story yet.
This 3 part mini-series is surprisingly different from what was done before and what I took from the book. Of course it doesn’t stray wildly from the path, but there are changes. I’m not sure yet whether that is a good thing or not. I still prefer the Ang Leeversion, but that’s no surprise. Though Dan Stevens does much more for me than Hugh Grant ever did.