Alan’s (Tom Hanks) life has fallen apart quite quickly. He and his wife separated, there’s a weird growth on his back, and his position in his company is being called into question. To at least keep his job, Alan has to go to Saudi Arabia to convince the king to invest in the company’s holographic conference software. When he gets there, though, the king is nowhere to be seen and Alan is completely overwhelmed by the way business is being done. But with the help of driver Yousef (Alexander Black) he starts to find his way, literally and figuratively.
A Hologram for the King feels completely inconsequential. It’s nice enough that I could have liked it, it’s problematic enough that I could have gotten angry about it, but instead it simply didn’t seem to affect me at all.
Max is a little frustrated – his bigger sister doesn’t have as much time for him as she used to, his mother got separated from his father a while ago and Max really doesn’t like her new boyfriend, and the whole world around him seems to have no room for children, danger or adventure. After a fight with his mother, Max runs away. He finds a boat and sails to a distant island, where he finds a bunch of wild things, beasts who seem mostly lost, but who are still quite a challenge for Max.
I really very much loved The Wild Things. I already loved the book by Sendak and the movie, so I had great expectations – and surprisingly, I was not disappointed. It’s a quick and wonderful read.
Max (Max Records) is a lonely child full with fantastic [in the original sense] ideas. One day, after getting into a fight with his mother (Catherine Keener), Max runs from the house in a frenzy. He stumbles upon a boat which takes him to a land inhabitated by huge monsters. After they threaten to eat him, Max becomes their king and befriends them, especially Carol (James Gandolfini). But all is not well there, either.
Where the Wild Things Are is perfect. The look, the feel, the script, the actors, the music… it’s absolutley wonderful. The only caveat: They shifted the target demographic from preschooler to anyone older than ten.
[If that wasn’t warning enough, there’s going to be some serious gushage in this post.]
Burt (John Krasinski) and Verona (Maya Rudolph) are a happy couple, even if they have financial difficulties and rather crappy jobs. When they discover that Verona is pregnant and that Burt’s parents (Catherine O’Hara and Jeff Daniels) are moving away, they decide to start life anew and go on a (road) trip through the US, visiting friends and relatives to decide where that new life should happen.
Away We Go is another one of those movies where somebody somewhere decided that it is not fit for marketing. Oh, and what a bad choice again. It’s a wonderful, funny and heart-warming movie with a great soundtrack that I can only recommend. Over and over again.