Things look normal: Henry (Liam Mitchell) and Patricia (Barbara Bleier) are celebrating Patricia’s birthday with their friends – Patricia’s ex Julian (Austin Pendleton), Chris (David Johnson) and Ayden (Juri Henley-Cohn) who both have found surrogate parents in Henry and Patricia, and Ayden’s partner Breyanna (Suzette Gunn). As their talking turns to politics, it becomes clear, though, that tensions are high and ouright nuclear war seems just around the corner.
Usually nuclear war is used in films to conjure up a post-apocalyptic scenario, or it is used as a threat that the (action) heroes of the story have something to prevent. In Sunset’s case, it’s the backdrop for a thorough and thoughtful character study that stumbles sometimes, but remains engaging throughout.
People are stopping to believe in or pray to the gods, which weakens them considerably. Zeus (Liam Neeson) tries his best to avoid that, even asking his son Perseus (Sam Worthington) for help, who now leads the life of a quiet fisherman and doesn’t want to hear about it. But when Ares (Édgar Ramírez) and Hades (Ralph Fiennes) betray Zeus and Poseidon (Danny Huston) and capture Zeus, Perseus sets out ot save his father – and the world with the help of Queen Andromeda (Rosamund Pike) and Poseidon’s son Agenor (Toby Kebbell).
Much like the first film, Wrath of the Titans is a movie of the “plot? What plot?” variety. But the special effects are still great, the cast mostly has fun and the dialogues are cringe-worthingly awesome. There are also more daddy issues to ridicule in this one film than in all of the Nolan movies put together, which is quite an achievement. It’s entertaining.