Plot: Pepe (Roman Pokuta) has been in Vienna for a while and he knows the lay of the land. He works for his uncle Rocky (Frantisek Balog), begging in the streets. When Marcela (Simona Kovácová) arrives from Slovakia to join them, Rocky asks Pepe to show Marcela the ropes. And while Marcela seems pretty hopeless at begging, Pepe and Marcela do get closer. But is their hard life made for love?
Zerschlag mein Herz really is aptly name because my heart was sufficiently crushed by the end of it. It’s a great film that looks at some hard truths about life in Vienna and an absolutely fantastic film, especially for a first feature.
Plot: Emil (Julian Sharp) is an actor, currently working on the role of Phaidros opposite Werner Maria (Alexander E. Fennon) as Sokrates. But their stage relationship isn’t exactly cooperative and Emil is struggling with his own performance, looking for a big break. His private life is also not exactly satisfactory, although easy: he lives with the costume designer Maurizio (Nicola Filippelli) who takes care of his every need and is very much in love with him. But Emil is looking for something else.
Phaidros is a strange film – as a Mattuschka film is wont to be. It works in many ways, but in others not at all. Especially the transmisogyny in it left a bitter taste in my mouth.
“Plot”: Matthias, Johannes, Stefan and David are brothers. There used to be a fifth one, Jakob, but he killed himself. Now the four remaining brothers are on a hiking trip together in the mountains where Jakob always felt at home. They use it as both a chance to talk about Jakob and to get closer to each other again.
Bruder Jakob, schläfst du noch is a touching documentary and a gift from the filmmakers to share their very private process of grieving with the world. It’s beautiful.
“Plot”: Anomalie looks at the lines we draw between sane and insane and how blurry it actually is. Following Fritz Joachim Rudert, a homeless man with experiences as a patient in psychiatric wards, to his participation in the German anti-psychiatry movement, the film asks how we as a society decide about the standards and norms that we accept as true – and whether our reaction to deviations from those norms is as it should be.
Anomalie picked a very interesting topic for a documentary and tries to come at it from many angles – too many at times, maybe. Even if I would draw some conclusions differently than the film appears to, I was fascinated from beginning to end.
“Plot”: Movies have always looked to and at the stars, the sky, at the universe itself. Lurf collected all these images from the beginning of film to movies right now into one 102 minute supercut, exploring how we look at and relate to the stars.
I liked the idea of ★, but the resulting film fell a little flat for me. I felt that the stars were disenchanted by the sheer mass of images and I would have wished that the film contributed to the magic they exude instead.
Plot: Alexander (Wolfgang Hübsch) has withdrawn to his uncle Wanja’s (Martin Butzke) country estate to escape the financial crisis that is shaking the city and has caused a revolution. In the country, things still are mostly the same and Wanja and Sonja (Korinna Krauss) want to keep it that way. But Alexander and his wife Elena (Julia Dietze) have business ideas – lots of them.
Onkel Wanja is an ambitious project that tries a lot but it’s unfortunately also one that fails a lot. For me it was mostly marked by feeling long and exhausting, although there were a few bits that were pretty strong.
Plot: In 1963, Franz Murer (Karl Fischer) is a pillar of his Austrian community, a politician and one of the richest men in the area. But during the Second World War, he was an important men for the Nazis and ran the ghetto in Vilnius where he was known for his cruelty. Simon Wiesenthal (Karl Markovics) has been fighting to get him in front of a judge, and finally he succeeds: Murer is tried for his war crimes. But will he be found guilty?
Murer: Anatomie eines Prozesses is an excellent film in all areas and a condemnation of Austria, especially with regards to the lack of accountability for our participation in World War Two – a lack that still haunts us to this day and causes nothing but problems. It’s hard to watch but absolutely necessary.