When Vlad (Luke Evans) was a child he was enslaved by the Turks, despite being a prince, to ensure his father’s allegiance. He was raised to be a soldier and became such a good one that people nicknamed him The Impaler and he is finally allowed to return home. But when the Turks call for slave soldiers again, Vlad cannot consent – which means war. To be able to defend his family and his country better, Vlad makes a deal with a monster (Charles Dance) in a cave: for three days he will have the strength and abilities of a vampire while still alive. If he can resist the temptation to drink human blood in that time, he’ll even return to being human. But will three days be enough to defet the Turks?
I know going in that Dracula Untold was going to be the kind of film where I’d need vodka, so I wisely packed it. Rarely have I been so glad about my foresight because I needed every damn drop of it. In short, the film was really, really bad.
Cuadecuc, vampir [literal translation: Worm Tail, Vampire] tells the well-known story of Count Dracula but with behind the scenes footage and scenes that where filmed along the actual shoot of Count Dracula.
The film provides a sometimes fascinating look behind the scenes, but I think that an actual behind the scenes documentary would have been nicer – clandestinely shooting the same film with the same actors for a second time might sound cool on paper, but doesn’t really work in the execution. (Or at least not in this execution of it.)
Jonathan Harker (Unax Ugalde) just arrived in a small town in the middle of nowhere where his old friend Lucy Kisslinger (Asia Argento) managed to get him a job as a librarian with the local Count Dracula (Thomas Kretschmann). As Jonathan nervously starts his job while waiting for his wife Mina (Marta Gastini) to arrive as well, it becomes quickly clear that not all is right with the Count and the village.
Ever since the film was shown in Cannes a couple of years back, the /slash Filmfestival has been trying to get this film to Vienna. And finally they succeeded, and even managed to bring Dario Argento as well which is pretty damn awesome. Unfortunately I missed about half the program with him and only saw the rest of his audience talk and this film.
And while I understand Argento’s status as a living legend, Dracula really didn’t prove that it’s justified. In fact, the film was rather horrible.