Las ranas [The Frogs] (2020)

Las ranas
Director: Edgardo Castro
Writer: Edgardo Castro
Cast: Barbara Elisabeth Stanganelli, Nahuel Cabral, Gabriela Illarregui, María Eugenia Stillo
Part of: this human world Film Festival
Seen on: 12.12.2020

Barbara (Barbara Elisabeth Stanganelli) is one of the women called Las ranas – the frogs. That means she visits her boyfriend (Nahuel Cabral) in prison as much as she can. The prison is far and the visits are a strenuous addition to her everyday struggle to raise enough funds just to live. But she unfailingly goes, bringing food and whatever else is allowed and even what isn’t. Sometimes she also brings their daughter.

Las ranas is a fiction film that feels very much like a documentary. That has advantages but also disadvantages, and here and there I was wishing it would stick more to narrative conventions for fiction.

The film poster in simple grass green with a black frog on it.
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Los Que Vuelven [The Returned] (2019)

Los Que Vuelven
Director: Laura Casabe
Writer: Laura Casabe, Lisandro Colaberardino, Paulo Soria
Cast: Lali Gonzalez, María Soldi, Alberto Ajaka, Edgardo Castro, Javier Drolas
Part of: SLASH Filmfestival
Seen on: 21.9.2020

Content Note: [critical treatment of] racism, colonialism

On a maté plantation in the middle of nowhere at the beginning of the 20th century, Julia (María Soldi) should have a good life as she is married to the plantation owner, Mariano (Alberto Ajaka) and she is raisind a sweet son. But something about the relationship they have with the boy is off. And some of the plantation workers, pretty much slaves, come back down from the mountain in a weird trance and calling for a child. Maybe there is something to the stories about the Guaraní goddess Iguazú who is said to live in the mountains. And it is somehow all connected to Kerana (Lali Gonzalez) who used to work on the plantation.

Los Que Vuelven is an interesting and atmospheric look at colonialism in Argentina, but it might be a little too nice to white women and it did get a little too muddled towards the end. Still, it’s definitely worth watching and discussing.

The film poster showing a woman's profile superimposed over a misty forest.
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