Jamie (Lucas Jade Zumann) lives with his mother Dorothea (Annette Bening) who raised him all her own. They share their home with photographer Abbie (Greta Gerwig) and handyman William (Billy Crudup) and as often as Jamie’s best friend, the slightly older Julie (Elle Fanning), stays over, you could say she lives there as well. As Jamie tries to navigate puberty, his mother tries to make sure he becomes a good man, while Jamie is more interested in convincing Julie to have sex with him.
I wasn’t a huge fan of Beginners and unfortunately, 20th Century Women didn’t really blow me away either. The cast was good but as so often, the film focuses on the wrong guy. With emphasis on the guy part.
Ray (Elle Fanning) is fighting to get the hormones he needs to transition. His mother Maggie (Naomi Watts) supports him as best she can, even when she does struggle herself sometimes with his being trans. They live together with Ray’s lesbian grandmother Dolly (Susan Sarandon) who tries to help, too, but doesn’t really understand what Ray is going through. They do not live with Ray’s father Craig (Tate Donovan) who has a new family and not much interest in Ray. But Craig needs to agree to Ray’s treatment, so Maggie and Ray have to convince him.
I knew going in that About Ray – retitled 3 Generations – wouldn’t be an unproblematic film about being trans, but I wanted to give it a try anyway. What I got was okay, but definitely not great.
Jesse (Elle Fanning) just moved to L.A., dreaming of a career as a model. She meets photographer Dean (Karl Glusman) and make-up artist Ruby (Jena Malone) who both take a shine to her and try to help. Since there is something about Jesse, that seems barely necessary though – her career is definitely off to a good start. But young girls like Jesse are quickly swallowed by the fashion world and grow older too fast – which is what happened to Gigi (Bella Heathcote) and Sarah (Abbey Lee), who can’t stand Jesse waiting in the wings to take their place.
The Neon Demon is a hypnotizing film that manages to conjure up an intriguing atmosphere that kept me glued to my seat. But – as with Drive – it only worked for me because I read it completely different from what Refn apparently intended to say.
Dalton Trumbo (Bryan Cranston) is an immensely successful screen writer and at the height of his career – when his affiliation with the Communist Party means that he gets caught up in a political witch hunt and is finally imprisoned and put on a blacklist. And he’s not the only one affected – his family suffers, too, as do quite a few colleagues who also get branded as communists. Unable to work officially, he devises a plan how he and his colleagues may ensure their livelihoods.
Trumbo is pretty much how you’d expect it. It’s expertly crafted and tells an interesting story very well. But it plays everything so safe, it’s hard to get excited about it.
Cheesebridge is a town plagued by Boxtrolls who are said to eat children and generally to be despicable. Led by Archibald Snatcher (Ben Kingsley), Cheesebridge is on the hunt to find every last one of them. But Eggs (Isaac Hempstead Wright) has a different story to tell. When he was a little boy, the Boxtrolls took him in and raised him as one of their own. But now their community is shrinking everyday and Eggs knows that it is up to him to do something against it.
The Boxtrolls was an amazingly cute film that was extremely entertaining. Not everything about it was perfect, but I enjoyed it.
When Maleficent (Angelina Jolie) was a young fairy, she met a human boy and they became friends – until Stefan (Sharlto Copley) betrayed her in the worst possible way. Bent on revenge, Maleficent curses Stefan’s baby girl Aurora (Elle Fanning). For Aurora’s protection, three fairies (Lesley Manville, Imelda Staunton, Juno Temple) remove her from her parents’ castle and raise her. But Maleficent herself is never far from Aurora.
I was really looking forward to Maleficent and my expectations were rather high going in. And they were actually surpassed. I absolutely loved Maleficent.
1962. Ginger (Elle Fanning) and Rosa (Alice Englert) grew up together and are best friends. While Rosa’s father left a while ago and she fights a lot with her mother (Jodhi May), Ginger’s parents Natalie (Christina Hendricks) and Roland (Alessandro Nivola) are still together, if barely. But as nuclear warfare is threatening the entire world, so is Ginger’s world starting to crumble and bit by bit things start to slip away.
Oh boy. Oh boy, oh boy, oh boy. Ginger & Rosa was brilliant. Beautiful and wonderfully made, it went straight for my heart and I bawled my eyes out.
Hall Baltimore (Val Kilmer) is a writer of mystery novels and pretty much down on his luck. And he’s also an alcoholic who gets by by doing book-signing tours in small towns. In one of those small towns, Hall meets Sheriff LaGrange (Bruce Dern) who would like to co-operate on a book about murders that happened there. Hall is not really into the idea, but then he starts to have vivid dreams involving V (Elle Fanning) and it all seems connected.
Twixt was apparently based on a dream Francis Ford Coppola had and you can feel that, which makes it a strange little film. But it’s one that I did enjoy a lot.
Joe (Joel Courtney) recently lost his mother and his relationship with his father (Kyle Chandler) is strained. So it’s not really surprising that he spends most of his time with his friends. Charles (Riley Griffiths) is shooting a movie, where Joe does the make-up, special effects and audio. When Charles casts Alice (Elle Fanning), Joe is electrified. But during their first shoot together, they witness a train derailing – and something escapes that train. The military moves in quickly and weird things start happening.
The kids were adorable and I could have watched three films about Joe and Alice, easily. But (and I know I just said basically the same thing yesterday): the monster part seemed out of place and didn’t work for me. Apart from that, I liked it.
Johnny Marco (Stephen Dorff) is a successful actor who tries to fill the emptiness of his life with strippers and casual sex. But he comes to rethink his life when his 11-year-old daughter Cleo (Elle Fanning) comes to stay with him for a few days.
Somewhere is one of those films that believe being boring is the same as being art. Well, I’ve got news for you: It’s not. It’s just being boring.