Plot: Ray (Vin Diesel) is a soldier. Returning home from yet another dangerous mission, he is happy to relax with his wife Gina (Talulah Riley). Until they are both kidnapped by Axe (Toby Kebbell) – and killed. But Ray rises from the dead with the help of Dr. Harting (Guy Pearce) and his nanotechnology that gives him superhuman powers. Ray uses those powers to hunt down Axe and avenge his wife’s death. But he soon discovers that things aren’t quite as they seem.
Bloodshot is not a great film, but it is entertaining and could have been actually pretty good if it hadn’t been abandoned entirely by its own soundtrack.
Twelve alien spaceships appear all around earth. They don’t seem to do much, but may be trying to establish contact. To try and figure out their language, linguist Louise Banks (Amy Adams) is contacted and contracted. In a team together with theoretical physicist Ian Donnelly (Jeremy Renner) and others, and in cooperation with teams around the world, they try to figure out what the creatures could want – and if it’s peace or war they have in mind.
Arrival is the rare breed of science fiction that actually takes Science As It Is Properly Done Right Now seriously and obviously admires and respects it, which is absolutely refreshing as a lot of SciFi today feels mostly like militarized power fantasies with a bit of technobabble. For that alone, I had to like the film, but there are also the cinematography, the soundtrack and the characters to really make me love it.
After the violent death of his father (Billy Burke), Martin (Gabriel Bateman) is left alone with his mother Sophie (Maria Bello). But Sophie isn’t doing too well and seems to believe that there is somebody in the house with them. When Martin falls asleep in school again, they call his sister Rebecca (Teresa Palmer) who thought that she left her mother behind after a problematic childhood. But when she realizes that Martin is experiencing the same issues she had, she knows she has to step in.
The short film this is based on was creepy as fuck, but it was also build on a single scare, making me wonder how well they’d be able to stretch it into an entire feature film. The answer is that they manage pretty damn well by focusing on what is too often ignored in horror at the moment: the characters.