Callum Lynch (Michael Fassbender) was sentenced to die. But the Abstergo Company fake his death instead and bring him to Madrid. As Abstergo’s CEO Rikkin (Jeremy Irons) explains, Cal’s ancestor belonged to a brotherhood of assassins, and they need him to access his own genetic memories to find the Apple of Eden, an artifact that belongs to the Templars and that has been historically protected by the Assassin’s Creed. Cal is more than reluctant to participate until Rikkin’s daughter Sofia (Marion Cotillard) puts him into the Animus – a machine that makes it able to access his genetic memories.
Assassin’s Creed was impressively nonsensical and it was far from pretty enough to make up for the incredible stupidity. I saw it on January 5th and it was clearly one of my biggest mistakes of the year that I did not bring alcohol to the screening.
Amelia (Essie Davis) struggles with her life and particularly with her son Samuel (Noah Wiseman) who is eternally scared and crying for attention. The love of her life – Samuel’s father – died when Samuel was born and things have been slowly falling apart for Amelia ever since. Then one day a new picture book shows up on Samuel’s shelf. It talks about a monster, the Babadook, that once heard and seen will never leave again. Samuel is terrified and all of Amelia’s attempts to calm him have no effect. Then Amelia starts to feel the presence of the Babadook herself.
The Babadook was amazing and for me, it was definitely the highlight of this year’s /slash. I had goosebumps pretty much the entire time. I works both on a literal and a metaphorical level, it’s scary, touching, smart and it looks great. In short, it really is the full package.