Divergent (2014)

Divergent
Director: Neil Burger
Writer: Evan Daugherty, Vanessa Taylor
Based on: Veronica Roth’s novel
Cast: Shailene Woodley, Theo James, Ashley Judd, Jai Courtney, Ray Stevenson, Zoë Kravitz, Miles Teller, Ansel Elgort, Maggie Q, Mekhi Phifer, Kate Winslet

Plot:
In Beatrice’ (Shailene Woodley) world, people are divided into five castes according to their strengths – Abnegation are the selfless, Erudite the intelligence, Candor the truthful, Dauntless the brave and Amity the peaceful. Until their 16th birthday, kids just live in the caste of their parents, but then there’s an aptitude test and they have to choose their own place. For Beatrice that means ending up to choose Dauntless, while her brother (Ansel Elgort) chooses Erudite – much to the shock of their parents who practically lose them both since they remain in Abnegation. Adapting to the new caste is a challenge for Beatrice, now Tris, and having a crush on her instructor Four (Theo James) doesn’t help. But there are even bigger things at stake.

I’m already not a huge fan of the book series but the film was even worse. Flat, boring and pretty much wasting the (supporting) cast.

divergent

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Snow White and the Huntsman (2012)

Snow White and the Huntsman
Director: Rupert Sanders
Writer: Evan Daugherty, John Lee Hancock, Hossein Amini
Based on: the Snow White fairy tale
Cast: Kristen Stewart, Charlize Theron, Chris Hemsworth, Sam Claflin, Sam Spruell, Ian McShane, Bob Hoskins, Ray Winstone, Nick Frost, Eddie Marsan, Toby Jones, Johnny Harris, Brian Gleeson, Vincent Regan

Plot:
10 years ago, Ravenna (Charlize Theron) killed the good king, imprisoned his daughter Snow White (Kristen Stewart) and took over the kingdom with her evil magic. But now that Snow White turned 18, she managed to escape her imprisonment. Since Ravenna desperately needs Snow White’s youth and beauty for her own magic, she sends the Huntsman (Chris Hemsworth) after her. But soon he rather joins Snow White in her fight against Ravenna.

Snow White and the Huntsman is the kind of film that opens with an apple tree in full bloom and ripe apples at the same time which tells you everything you need to know about the film: it puts style so high over substance that it leaves all logic far, far behind. Which would have been okay, if it wasn’t also incredibly boring.

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